| | Paul Combs Live At Chit Chat CD Paul Combs Discography of CDs
Paul Combs' Pocket Big Band: Paul Combs (flute, soprano saxophone, alto saxophone); Doug Leaffer (tenor saxophone); Jim Cameron (baritone saxophone); Pat Pastore, Bob Coviello (trumpet, flugelhorn); Wayne Mogel (trombone); Don Hemwall (piano); Mark Gehret (bass instrument); Paul Marcantonio (drums).
Personnel: Jim Cameron (baritone saxophone).
Audio Mixer: Marty Walsh.
Recording information: Chit Chat Lounge, Haverhill, MA (01/11/2004-02/22/2004).
Photographers: Tony Natale; Mike Ariel. Paul Combs Live At Chit Chat Songs Live At Chit Chat Review
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Purchase Live At Chit Chat CD To buy, Click on price to add to cart | Jeremy Pelt Men Of Honor CD (2010)
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"The Chairman of the Board" died in May of 1998, yet his music sounds as vital and relevant today as ever. Released on the 10th anniversary of his death--in coordination with a slew of DVD releases commemorating the singer's acting career as well as an official U.S. Postal Service stamp--NOTHING BUT THE BEST provides an excellent ...
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For his tenth full-length album, Playin' Favourites, British smooth jazz giant Peter White decided to, as the title suggests, turn to some of his favorite tracks from the '60s, '70s, and '80s, giving each of them his own interpretation (he did a similar thing in 1994's Reflections). Working with longtime producer Paul Brown, as well as musicians Boney James, Rick Braun, and Dave Camp, among others, White successfully turns the 11 songs on Playin' Favourites into instant crossover jazz hits. Mainly this means adding horns and keyboards to the background while the guitarist lithely moves around ...
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GERSHWIN'S WORLD won the 1999 Grammy Award for Best Jazz Instrumental Performance, Individual Or Group. "St. Louis Blues" won the 1999 Grammy Award for Best Male R&B Vocal Performance and Best Instrumental Arrangement Accompanying Vocal(s).
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
The epitome of a 20th Century musician, Herbie Hancock has always traversed wildly divergent stylistic paths, finding his way easily into jazz, funk, fusion, dance-pop and more. His ability to make valid individual statements in all these genres is part of what makes his compositions and performances so rich. So it doesn't seem at all incongrous ...
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| | Story Goes On: Liz Callaway On And Off Broadway CD (2001) (Import) Germany
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Liz Callaway sings a selection of Broadway standards and new cuts on On Broadway, turning in strong performances of "I'm Gonna Wash That Man Right Out of My Hair" and "Meadowlark," and several others. ~ Stephen Thomas Erlewine
Digitally remastered using HDCD technology.
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Paul Flaherty's projects with drummer Chris Corsano are following a steady increase plan. First there was the 2001 duo-CD The Hated Music. Then came Sannyasi in 2002, a trio session with Greg Kelley. And now this impressive quartet adding bassist Matt Heyner to the aforementioned three. Recorded at Peter Kontrimas' studio in August 2003, It's Magnificent but It Isn't War sees Flaherty and Corsano pursue their exploration of a new form of free jazz, instantaneous music fueled by rage and shaped by art, a blinding cross between European free improv wits and American punk angst. ...
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| | Plastic Crimewave Sound No Wonderland CD (2008)
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For No Wonderland, one of the group's most sprawling and enjoyable albums to date, Plastic Crimewave Sound got in some special guests (including Josephine Foster and some of the Spires That in the Sunset Rise crew as well as spoken word snippets from folks like Devendra Banhart, Tara Burke, and Chris Connelly) and otherwise continued with the understandable principle that there's nothing so good in life as great huge zone/space rock epics informed by the power of acid, feedback, and strutting like a mofo. (And they might be right at that, but one hopes they have good medical insurance.) With the slow-burn rise of "Korean Ghost Ship" setting the tone, moving from slow bass-led moodout to full-on guitar howl charge, No Wonderland takes a full CD length's trip through, well, trips -- a few bummers but mostly successful ones that more often than not assume "Let X = Hawkwind" and then get converted into new equations. The distorted vocals on "Far In/Out" ride over an energetic blast that only gets even more gone later on "Rolling Seas," while the compressed Can-like bass kick of "Into the Future" and "Following ...
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