John Butler Something's Gotta Give CD Single Australia

Something's Gotta Give Music

List Price	$7.97 (You save $1.42)
Category	Rock/Pop Albums, CD singles CDs
Label	Jarrah
Orig Year	2004
All Time Sales Rank	243740
CD Universe Part number	6818364
Catalog number	696506
Discs	1
Release Date	Jan 11, 2005
Mono/Stereo	Stereo
Additional Info	Australia

John Butler Something's Gotta Give Songs

	1.	Somethings Gotta Give
	2.	Ocean
	3.	Somethings Gotta Give
	4.	Somethings Gotta Give

Something's Gotta Give Review

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This is the CD-single for John Butler's "What You Want." Mixes of the songs "Betterman" and "Treat Yo Mama" are here, as is a cover of John Lennon's "Across the Universe." Falling somewhere between Ben Harper and Dave Matthews, Australia's John Butler Trio looks to crack the American market with this alluring rootsy EP. Fusing all new material with highlights from the band's three independent releases, What You Want gets started with the groove-heavy title cut. A far cry from "it" Oz noisemakers like Jet or the Vines, Butler's U.S. debut disc balances the tact of hippie-influenced jam bands with a warm, rhythmic soulfulness that has helped make the group stars down under. "Something's Gotta Give" has political message which is bolstered by the strength of its musical parts -- thoughtful lyrics, acoustic guitar licks, and wickedly inventive rhythms. "Treat Yo Mama" is nearly as refreshing, but what really surprises here is the JBT's take on John Lennon's "Across the Universe." Here Butler and ...

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HOW DO YOU DO IT?, the four track EP from Gerry & The Pacemakers, returns in this remastered rerelease and features "Away From You" and "I Like It." Gerry & the Pacemakers' debut album, produced by George Martin and Ron Richards, is representative of the mainstream Liverpool sound beyond the Beatles, circa 1963. Gerry & the Pacemakers based their music around American R&B ballads, coupled with a delight in straight-ahead rock & roll and country music with a beat, in a manner similar to the Beatles. Gerry Marsden was a fairly powerful singer and a more natural (but not necesarily better) rock & roll guitarist than George Harrison, as revealed by his crunchy playing on numbers like "A Shot of Rhythm and Blues," "Jambalaya" and "The Wrong Yo-Yo," and his lively solo on "Maybelline" -- the problem was that neither he nor the rest of the band could match the Beatles for style. Drummer Freddie Marsden, despite much quicker hands, wasn't nearly as distinctive as Ringo Starr, and Les Chadwick's bass work was weighty, but not a third as interesting as Paul McCartney's, and Gerry's singing never came close to Paul's. When you add in the fact that their in-house songwriting was almost nonexistent here, and their backing harmony vocals were a shadow of what the Beatles could produce, the result is a more limited quantity; How Do You Like It isn't as good an album as Please Please Me or With the Beatles, but it also reveals a band that was already 85% as interesting and complex as it was ever going to be. On the other hand, the group does rock out, which is all they really ever set out to do, and on those terms they're pretty engaging -- their covers of Hank Williams' "Jambalaya," Larry Williams's "Slow Down" and the Piano Red/Carl Perkins number "The Wrong Yo-Yo" are more than a little diverting, good examples of the classic thumping Liverpool sound that and their version of the Arthur Alexander number, "Where Have You Been," is moving and passionate, if not as well sung as the Searchers' rendition. And as the T.A.M.I. Show revealed, Chuck Berry didn't mind jamming with Gerry on "Maybelline." The 1997 EMI 100th Anniversary edition, remastered in 20-bit digital sound, is close and loud, and features both the stereo and mono versions of the album -- the mono version is punchier and more enveloping, but the stereo has its virtues, separating the voices and instruments binauraly, as was the custom in those days, which allows the listener to pick them apart, if anyone wants to analyze Gerry's guitar, Freddie's drumming, or Les Maguire's piano playing that closely; it's a reminder of what EMI is ...