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Lisa Bassenge Trio - Going Home CD Cover Art
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Lisa Bassenge Trio Going Home CD - Import

 Lisa Bassenge Trio Discography of CDs

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 Our Price: $38.09  CD
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Celeste. 2004.
Going Home Music


Detailed Going Home Music Information



List Price $39.99 (You save $1.90)
Category Rock/Pop Albums, Rock CDs, Jazz
Label Celeste
Orig Year 2007
CD Universe Part number 6818398
Catalog number 1056535
Discs 1
Release Date Jan 01, 2008
Studio/Live Studio
Mono/Stereo Stereo
Additional Info Japan
Lisa Bassenge Trio Going Home Songs


Lisa Bassenge Trio Going Home Album Track Listing



1.Like a virgin
2.Caravan
3.I'm through with love
4.Besame mucho
5.50 ways to leave your lover
6.Fly me to the moon
7.Gee Baby
8.I hope that I don't fall in love with you
9.Gigolo
10.A hard day's night
11.Guess who I saw today
12.De Doo Doo Doo De Da Da Da
13.Going Home
Going Home Music


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Originally released on Verve Records in 1961, ELLA IN HOLLYWOOD is a straightforward collection of 12 familiar standards mostly given very simple, pop-oriented arrangements. Songs tend to run well under four minutes (a gently swinging "Just In Time" clocks in just under two), with only a minimum of room for Fitzgerald to break into her legendary scatting. The main exception is the centerpiece track, a nine-minute take on the Duke Ellington ...
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This is a hybrid Super Audio CD playable on both regular and Super Audio CD players. Few jazz pianists could ever hope to rival the technical mastery of Art Tatum. From the 1930s on through the `50s, Tatum's dazzling facility made it seem as if two pianists were playing at once. Though he often performed solo, his virtuosity allowed him to make the transition from swing to bebop effortlessly. Tatum's eclectic style also reflected influences from blues and classical music, and from early jazz and pop music of the time. Long considered a classic album, PIANO STARTS HERE ...
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CD $13.99  Top 500 Audio Samples (MP3 Available for Download)
Trumpeter Roy Hargrove has been in some exotic musical environments in the past -- from his various quintets, quartets, his Afro-Cuban outfit Crisol, and his funk band the RH Factor, he's pretty much done it all. And while he's played in various big bands before, he's never led his own until now. Emergence on the Groovin' High imprint features a 19-member big band, playing a set of 11 standards and originals by Hargrove and bandmembers as well as a track written for the leader by none other than pianist Chucho Valdés -- who doesn't appear here. The roots for this project go all the way back to 1995 when Hargrove formed a big band to play the New York Jazz Festival. The group went through many metamorphoses when he played a series of club and festival gigs over the intervening years. The set begins with "Velera," a tune written and arranged by Hargrove. It's a ballad in modal style with extended harmonies and a lovely textural palette. The composer employs restraint to bring forth his gorgeous melody. It's followed by "Ms. Garvey, Ms. Garvey," written and arranged by baritone saxophonist Jason Marshall. It quotes liberally from "Wade in the Water" and "Hit the Road Jack," but is a stomping, raucous blues in its own right with the wide chromatic and harmonic range of the brass section on full display, and contains a smoking solo break by Hargrove. Some of the standards that really shine are an unusually restrained and utterly elegant "My Funny Valentine" and the finger-popping "September in the Rain," the former arranged by bass trombonist Max Siegel and the latter by Hargrove. Frank Lacy's "Requiem" is here, and is the most imaginative tune on the set; arranged by the composer, it walks a solid ...
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For a change of pace, Eric Alexander recorded this set with an organ trio. The fact that it was cut in Europe is not too relevant, since the musicians are all Americans. With stimulating backing by organist Melvin Rhyne, guitarist Bobby Broom, and drummer Joe Farnsworth, Alexander plays five originals by bandmembers (including three of his own) and a trio of standards. However, the originals all swing and mostly sound as if they could have been veteran standards, too. With the underrated Rhyne keeping the rhythm grooving and lightly funky, Alexander often tears into the pieces, while playing the ballads with a great deal of warmth. Virtually all of Eric Alexander's recordings are easily recommended. ~ Scott Yanow hot rising tenor sax ...
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Collaborations
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East Coast hardcore rap artist KJ-52 assumes the role of cool ringmaster over a myriad of coconspirators as he deftly deals sleek pop hooks, funky dance beats, and sharp-witted streetwise wordplay on Collaborations. As the title implies, KJ-52 teams with various mixers, melding humor and aggression with musical and lyrical analogies that are entertaining and heartfelt. "5th Element," which details the five essential components of hip-hop from the first-person perspective of a shell-toe Adidas, a microphone, a turntable, and a spray can, is ingenious and infectious. An a cappella diatribe, "Industry" takes dead aim at the conflicts between art and commerce, pointing fingers at fellow rappers and record company executives with equal venom. "ABC's and 1, 2, 3's" evokes the amiable nature of television/film superstar Will Smith with a series tongue-in-cheek lessons in life. "Where Were You" is the pure late-'60s sound of Motown via lush harmonies, slick choruses, and serious social and interpersonal consciousness. ...
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Having originally released UNBREAKABLE as a greatest-hits album in the U.K. in 2002, the massively popular Irish boy band Westlife took a little longer to catch on in other markets, waiting until 2008 to hit the New Zealand charts (with an adapted version of the greatest-hits album, no less), but still not getting airplay in the U.S. market. The sounds presented on UNBREAKABLE are undeniably representative of both the band specifically and of the era and style of music more generally -- this is boy band pop as it was popularized and perfected by groups like the Backstreet Boys or Take That, and Westlife is clearly on the same train. The melodies and the harmonization, not to mention the lyrical content, are firmly within the foundations that all of the similar bands were drawing from. There are points of simplicity that seem a bit much even for a boy band ("I don't ever wanna treat you bad, cause I don't ever wanna see you sad"), but there are also interesting little touches from time to time, as in the slightly ethnic elements of "I Have a Dream." Fans of the group should love the album, collecting all of the group's major hits prior to the departure of Bryan McFadden, and fans just itching for a new dose of boy band goodness are unlikely ...
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Jonsey's second album features a wonderful variety of tunes from a rap song(East LA), to the Stones influenced Everything Changes, with his classic ballads(Slip Away-song for ...
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L'Uomo Senza Memoria
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Additional Tracks
Cosas De Ninos
Cosas De Ninos CD  (2008) (Import)

CD $24.95
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