| | Kagayake Shukan Shonen Anime Kagayake! Shuukan Shounen Anime-Ou 80S Soundtrack CD
Remastered Japanese various artists Anime. Details TBA. CBS. 2005. Kagayake! Shuukan Shounen Anime-Ou 80S Soundtrack Music Kagayake! Shuukan Shounen Anime-Ou 80S Soundtrack Review
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Purchase Music From Kagayake! Shuukan Shounen Anime-Ou 80S CD To buy, Click on price to add to cart | Richard Rodgers Victory At Sea CD (1992)
Kagayake! Shuukan Shounen Anime-Ou 80S Soundtrack album
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The 1952 NBC series Victory at Sea was one of the earliest network documentary series to capture the public's imagination in a serious way, and one of the more enduring offshoots was the music by Richard Rodgers, which was recorded by RCA-Victor in what ultimately became a series of four LPs. Rodgers was chosen by series producer Henry Salamon based on his being the "leading American composer of his day," a somewhat exalted (though understandable) judgement for a man who was most closely associated with the Broadway stage and Hollywood. The albums were popular, probably due in part to the fact that the music was accessible and unchallenging, and that it insinuated itself for months into the household of seemingly every American family that had someone fighting in World War II -- and that a lot of veterans owned stereo systems in the late '50s, and these recordings took full advantage of stereo's two-channel sound separation. As to the music itself, one finds on listening to it 40+ years later that a little goes a long way. Rodgers devised ...
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A bargain bin reissue of the 1986 album FRIENDSHIP, SUPERHITS features Brother Ray in a series of duets with country singers, an idea that shouldn't ...
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Kagayake! Shuukan Shounen Anime-Ou 80S Soundtrack CD music
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Only occasionally do you find a group or album that manages to incorporate diverse influences into a unique sound and still remain absolutely accessible, be it to the casual radio listener or the die-hard record collector. Honeycut is such a group, and their debut, The Day I Turned to Glass, is one such album. Comprised of by-now fixtures in the Bay Area music scene Bart Davenport, Tony Sevener (who, though he uses both live and programmed drums on the record, plays -- as in, taps out each snare hit, each cymbal crash -- the MPC during shows), and Hervé Salters (whose keyboard work is found on many Quannum releases), the band weaves its way through soul, funk, rock, bossa nova, and electronica without ever stopping firmly on one, instead creating something that's very much their own. Salters' key grooves are biting but warm, moving from hard-edged riffs to lush chords, while Davenport's vocals stay clean and smooth the entire time, which isn't to say he's lacking in versatility. He reaches easily into a falsetto in "Silky" and "Tough Kid" but stays lower in songs like the fantastically sinister yet somehow very bright and fun "Shadows" and "The Day I Turned to Glass." It is, in fact, the darker, faster tracks on which Honeycut truly excel, where the talents of the three members come together most effectively and excitingly. Spooky chords and a key vamp haunt the title track as Davenport croons, "So what if you send me a bill/Don't mean I'm gonna pay/You ...
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