| | Ultra Nate Free CD Ultra Nate Discography of CDs
Recording information: Shine, New York, NY (2001).
Editor: Greg "Stryke" Chin.
Personnel: Ultra Naté (background vocals); Conan Manchester (keyboards, drums); Jay Williams, N'Dea Davenport (background vocals).
Audio Remixers: D. Smith; Conan Manchester; DJ Karizma.
Free Music | List Price | $7.98 (You save $1.59) | | Category | Rock/Pop Albums, R&B CDs, Electronica, House, Trance, Dance | | Label | Centaur Entertainment, Inc. | | Orig Year | 2005 | | All Time Sales Rank |  107648  | | CD Universe Part number | 6818636 | | Catalog number | 90 | | Discs | 1 | | Release Date | Jan 04, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Matt Edwards; D. Smith; Craig Christensen; Conan Manchester; Lofty; Caspar Kedros; Gerry DeVeaux; Bob Jones; Darius Kedros; Jason Nevins; John Ciafone; Junior Sanchez; Lem Springsteen; Neil Cowley; Stonebridge; Ted Ottaviano; Ultra Nate; DJ Karizma | | Engineer | Ted Ottaviano | | Personnel | N'Dea Davenport - background vocals
Jay Williams
Ultra NatT - background vocals
Conan Manchester - keyboards, drums
| | Additional Info | Bonus Tracks; Extended Play |
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Purchase Free CD To buy, Click on price to add to cart | Dazz Band 20th Century Masters: The Millennium Collection CD (2001)
Free
 $6.75   
Originally released on Motown Records. Includes liner notes by A. Scott Galloway.
An 11-song snapshot of the Dazz Band's Motown stint that includes the not-often-featured "To the Roof," whose origins date back to "Take It to the Woof" by Cleveland, OH-based funk band Morning Maniac led by ex-Dazz Band member Kenny Pettus who's the lead voice on the Earth, Wind and Fire-ish "I Might As Well Forget About Loving You." But other than that, there are no surprises, just straight-ahead ...
| | 1 Giant Leap CD (2002)
Free
$12.59 
Maxi Jazz, Eddi Reader, Mahotella Queens, Whiri Mako Black, Asha Bhosle,
Michael Stipe, Grant Lee Phillips, Horace Andy, Revetti Saklar (vocals); Michael Franti (spoken vocals); Robbie Williams (guitar).
The global village shrinks down to a single neighborhood in this ambitious project. Rhythm is the road that runs through it all, drawing residents from most of the corners of the world; odd, though, that with legions gathered from India, Africa, New Zealand, Europe, and the U.S., no one from South or Latin America, or from any Native American cultures, joined the party. Even so, producers Duncan Bridgeman and Jamie Catto accomplish a miracle of sorts by traveling to far-flung places and recording dozens of singers and musicians. Each artist contributes parts to one or another song, which are subsequently arranged into often-dazzling ...
| | Everybody Dance Now! Remixed, Remodeled & Remade CDs (2004)
Free
$9.09
Someone at Sony must have a serious love of dance music, because it's hard to believe this sprawling, hard to figure out compilation was conceived by the marketing department. There are some big names on Everybody Dance Now! Remixed, Remodeled & Remade but a heck of a lot of little ones, and some that'll only ring bells for club historians with a taste for the mainstream. The big names aren't always represented by the big hits, either, but who'd expect to have so many hard-to-finds in one place? If you've been searching for the "Soul Solution Vocal Dub" of Cyndi Lauper's "Ballad of Cleo & Joe" or the "Stephen Nikolas Club Mix" of the Indigo Girls' "Shed Your Skin," ...
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| | Eric Clapton Back Home CD (2005)
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Eric Clapton's first album of mostly original material since 2001, BACK HOME, as the title implies, finds the revered British guitarist/vocalist ...
| | Grupo Montez Los Super Exitos CD (2005)
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| | Steeleye Span Time CD (1996)
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| | Kingsnake Collection: Bag O' Blues, Vol. 2 CD (2000)
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| | David J Etiquette Of Violence CD (2007) (Import)
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| | Brooke Medicine Eagle Gathering: The Sacred Breath CD
Free
$13.29
In the 21st century, modern Native American music is moving in many different directions. Some artists are fusing Navajo, Cherokee, Sioux, or Lakota elements with folk-rock; others are being influenced by African, Middle Eastern, or Asian music -- and there are even some Native American rappers who are listening to DMX or Jay-Z on reservations. But the traditionalists remain; those are the Native American artists who remain untouched by rock, R&B, funk, new age, country, or hip-hop. So where does Brooke Medicine Eagle fit in? Actually, Gathering: The Sacred Breath acknowledges both the traditional and contemporary approaches even though it does tend to favor the latter over the former. The veteran singer/songwriter, who is part Sioux, embraces a few traditional songs that are in the public domain, including "Ya Ta Way" and "Kisaka" (a Pawnee women's song). But much of the time, a folk-rock approach prevails -- that is, folk-rock with distinctly Native American themes and rhythms. Eagle originals such as "Stones and Bones," "Walk in Beauty," and "Grandfather Fire" have a singer/songwriter aesthetic and use the English language to get their points across, but their lyrics are inspired by Native American culture -- and they are every bit as spiritual as the traditional songs that Eagle embraces. One of the things that works to Eagle's creative advantage on this CD is her spoken introductions to the material; she has no problem articulating what the tunes are about and why they are relevant to Native American culture. Some purists probably wish that Eagle would stick to traditional repertoire, but she would be selling herself short if she did that -- and her willingness to perform both traditional offerings and original material is a definite plus on this memorable, pleasing CD. ~ Alex Henderson
Gathering: coming together, breathing together, using our sacred breath in song - is the creation of magic. Coming together with unified intent, we breathe the breath of life into our dreams and visions. This is one of the great powers we are learning to use as we face the tremendous challenges of our time. Creator has given us the opportunity to find other potent ways than money and force to accomplish the renewal of our sweet Earth and our own holiness - gathering together is a central way, whether it be working in cooperation, singing together, or joining our consciousness with a global community in prayer. This first volume of our Gathering of songs is an invitation ...
| | Mr Hyde Barn Of The Naked Dead CD (2004)
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| | Source Presents Hip Hop Hits Vol. 10 CD (2005) Uncensored
Free
$13.35
The 10th volume of the annual compilation THE SOURCE PRESENTS HIP-HOP HITS, released in the summer of 2005, bills itself as the "10th Anniversary Edition," which seems to imply ...
| | B J Cole Trouble In Paradise CD (2004) DualDisc
Free
$13.39
This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other.
Pedal steel ace B.J. Cole's Trouble in Paradise picks up where Stop the Panic, his collaboration with Luke Vibert, ended; it is another step toward the futurist exotica he began seeking on 1995's Heart of the Moment. Here he teams with a slew of DJs -- Groove Armada, Trash Palace, Fluid, Kumo, Banknote Rajah, Vibert, Laura B -- and other musicians; he gets further, deeper, harder, stranger on an aural road trip into the desperate side of the tourist travel paradise. It's like waking into a weird dream where everything is supposed to be fine, supposed to be groovy and relaxing, but is somehow freakish and even a bit frightening, but one can't figure out why. This isn't space-age bachelor pad music; it's more like tiki longue noir for the Blade Runner fan. It sits right in the speakers -- or better yet, oh so cool high-end headphones. Trash Palace kicks some restrained sound effects and cheap drum machine loops and breakbeats into the mix as Cole's pedal steel becomes an elastic band of sound that doesn't whine so much as snicker. "The Interloper" hosts Fluid, with his library of sampled loops of Indian percussion. Cole gets downright funky before the fully synthetic breaks pop in and a saxophone begins soloing somewhere in the background as spooky laughter and conversation float in and around the proceedings. It's creepy cool. A3 offers a vocal for the distorted pedal steel deep-toned loops in "Are You Ready for Some Country." (This could the new Sopranos if Tony and company relocated to the South Pacific.) The track has no country music in it, but is more in line with a hard-bitten, hard-billed future blues. Longtime keyboard and sequencing partner Guy Jackson is here helping out almost everywhere, and drum boss Neil Conti does so on the silvery, mercurial late-night lonesome of "Downtown Motel Blues," with a vocal by Geoff McIntire (aka Dempsey). Conti's rim shot kit work was processed into a killer loop and processed by Brian Eno. Cole's steel is strictly the atmospheric in this pre-dawn high lonesome as a harmonica whines through the edges, bringing to mind the Western scores of Morricone. Kumo's "East of Eden," with its live tables, sampled Jackson's keyboards, including a wonderful part for Cole's pedal steel processed to sound like a sitar, and Ben Davies' haunted cello is one of the most delightful things here. In all, Trouble in Paradise is a nice ride, a small sonic escape, a pleasant little nightmare that echoes -- in terms of feel -- the records of Stan Ridgway, though it's a steamier, more international kind of future blues. Cole's idiosyncratic and records infrequently. ...
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