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Webern: Symphony; Six Pieces; Concerto for 9 Instruments Product Description
Webern: Symphony; Six Pieces; Concerto for 9 Instruments by Craft / P.C.O. / Webern / Welch-Babidge was released Jan 18, 2005 on the Naxos label. Webern: Symphony; Six Pieces; Concerto for 9 Instruments contains a single disc with 42 songs.
Elements Featured On Webern: Symphony; Six Pieces; Concerto for 9 Instruments CD
| Composers on Webern: Symphony; Six Pieces; Concerto for 9 Instruments CD : | Anton Webern |
| Conductors on Webern: Symphony; Six Pieces; Concerto for 9 Instruments CD : | Robert Craft [Conductor] |
| Ensembles on Webern: Symphony; Six Pieces; Concerto for 9 Instruments CD : | Twentieth Century Classics Ensemble |
| Genres on Webern: Symphony; Six Pieces; Concerto for 9 Instruments CD : | Canon, Concerto, Dance, Piece, Quartet, Symphony, Trio, Variations |
| Performers on Webern: Symphony; Six Pieces; Concerto for 9 Instruments CD : | Christopher Gekker, Daniel Goble, David Fedele, Jennifer Frautschi, Fred Sherry (Cello), Stephen Gosling, Ani Kavafian, Scott Kuney, Sunghae Anna Lim, Michael Lowenstern, Jesse Mills, Charles Neidich, Richard O'Neill, Christopher Oldfather [Piano], Jim Pugh [Trombone], Stephen W. Taylor [Oboe], Jennifer Welch-Babidge, William Purvis [Horn] |
Detailed Work Information Webern: Symphony; Six Pieces; Concerto for 9 Instruments
Webern: Symphony; Six Pieces; Concerto for 9 Instruments Album Track Listing
| 1 | Symphony, Op. 21: I. Ruhig, Schreitend with 20th Century Classics Ensemble, Anton Webern, Twentieth Century Classics Ensemble | | | |
| 2 | Symphony, Op. 21: Ii. Variationen with 20th Century Classics Ensemble, Anton Webern, Twentieth Century Classics Ensemble | | | |
| 3 | 5 Canons On Latin Texts, Op. 16: Christus Factus Est with Anton Webern, Charles Neidich, Michael Lowenstern | 0:36 | $0.99 | |
| 4 | 5 Canons On Latin Texts, Op. 16: Dormi Jesu with Anton Webern, Charles Neidich, Jennifer Welch-Babidge, Michael Lowenstern | | | |
| 5 | 5 Canons On Latin Texts, Op. 16: Crux Fidelis with Anton Webern, Charles Neidich, Michael Lowenstern | 0:53 | $0.99 | |
| 6 | 5 Canons On Latin Texts, Op. 16: Asperges Me with Anton Webern, Charles Neidich, Jennifer Welch-Babidge, Michael Lowenstern | | | |
| 7 | 5 Canons On Latin Texts, Op. 16: Crucem Tuam Adoramus with Anton Webern, Charles Neidich, Michael Lowenstern | 0:29 | $0.99 | |
| 8 | 3 Volkstexte with Anton Webern, Charles Neidich, Jennifer Welch-Babidge, Jesse Mills, Michael Lowenstern | | | |
| Additional Track Information Webern: Symphony; Six Pieces; Concerto for 9 Instruments |
| 9 | 3 Volkstexte with Anton Webern, Charles Neidich, Jennifer Welch-Babidge, Jesse Mills, Michael Lowenstern | | | |
| 10 | 3 Volkstexte with Anton Webern, Charles Neidich, Jennifer Welch-Babidge, Jesse Mills, Michael Lowenstern | | | |
| 11 | 3 Songs, Op. 18: Schatzerl Klein with Anton Webern, Charles Neidich, Jennifer Welch-Babidge, Scott Kuney | | | |
| 12 | 3 Songs, Op. 18: Erlosung with Anton Webern, Charles Neidich, Scott Kuney | 1:17 | $0.99 | |
| 13 | 3 Songs, Op. 18: Ave Regina Coelorum with Anton Webern, Charles Neidich, Jennifer Welch-Babidge, Scott Kuney | | | |
| 14 | String Trio, Op. 20: I. Sehr Langsam with Anton Webern, Fred Sherry, Richard O'Neill | 3:55 | $0.99 | |
| 15 | String Trio, Op. 20: Ii. Sehr Getragen Und Ausdrucksvoll with Anton Webern, Fred Sherry, Richard O'Neill | 5:55 | $0.99 | |
| 16 | Quartet, Op. 22: I. Sehr Massig with Anton Webern, Christopher Oldfather, Daniel Goble, Jennifer Frautschi, Michael Lowenstern | | | |
| Additional Track Information Webern: Symphony; Six Pieces; Concerto for 9 Instruments |
| 17 | Quartet, Op. 22: Ii. Sehr Schwungvoll with Anton Webern, Christopher Oldfather, Daniel Goble, Michael Lowenstern | 2:26 | $0.99 | |
| 18 | Variations for Piano, Op. 27: I. Sehr massig with Anton Webern | 1:56 | $0.99 | |
| 19 | Variations for Piano, Op. 27: II. Sehr schnell with Anton Webern | 0:42 | $0.99 | |
| 20 | Variations For Piano, Op. 27: Iii. Ruhig Fliessend with Anton Webern | 3:22 | $0.99 | |
| 21 | 6 Pieces, Op. 6 with Anton Webern, Philharmonia Orchestra | | | |
| 22 | 6 Pieces, Op. 6 with Anton Webern, Philharmonia Orchestra | | | |
| 23 | 6 Pieces, Op. 6 with Anton Webern, Philharmonia Orchestra | | | |
| 24 | 6 Pieces, Op. 6 with Anton Webern, Philharmonia Orchestra | | | |
| Additional Track Information Webern: Symphony; Six Pieces; Concerto for 9 Instruments |
| 25 | 6 Pieces, Op. 6 with Anton Webern, Philharmonia Orchestra | | | |
| 26 | 6 Pieces, Op. 6 with Anton Webern, Philharmonia Orchestra | | | |
| 27 | 4 Pieces For Violin and Piano, Op. 7: I. Sehr Langsam with Anton Webern, Christopher Oldfather, Jesse Mills | | | |
| 28 | 4 Pieces for Violin and Piano, Op. 7: II. Rasch with Anton Webern, Christopher Oldfather, Jesse Mills | | | |
| 29 | 4 Pieces for Violin and Piano, Op. 7: III. Sehr langsam with Anton Webern, Christopher Oldfather, Jesse Mills | | | |
| 30 | 4 Pieces for Violin and Piano, Op. 7: IV. Bewegt with Anton Webern, Christopher Oldfather, Jesse Mills | | | |
| See Full Tracklist |
Webern: Symphony; Six Pieces; Concerto for 9 Instruments Customer Reviews
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Webern: Symphony; Six Pieces; Concerto for 9 Instruments Product Details
| CD Universe Part number | 6818920 |
| Label | Naxos |
| Orig Year | 1/3/2005 |
| Catalog number | 8557530 |
| Discs | 1 |
| Release Date | Jan 18, 2005 |
| Recording Time | 1:19 |
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Webern: Symphony; Six Pieces; Concerto for 9 Instruments Digitally remastered using 20-bit technology by Erick Labson.
A LOVE SUPREME is the essential example of the genius of John Coltrane. In what has become the apotheosis of jazz music, this eminently accessible work bridges the gap between music and spirituality, between art and life. With the ultimate incarnation of the jazz quartet, Coltrane brings together all of his turbulent elements into a cohesive paean to spirituality, one which is fully appreciable by the uninitiated.
A LOVE SUPREME is a 33-minute work divided into four movements. "Acknowledgment" starts the album with a heraldic summoning from Coltrane's tenor saxophone, full and joyous, which approximates the tone of the prayer he provides in the album's liner notes. The solo that follows reveals an artist whose spiritual depth and emotional urgency are matched by an adherence to logic and a resolve to achieve one goal above all--communication. Each simple musical statement is either followed by a motivic development or countered with a conversational response. Coltrane climaxes with a distilled four-note motif echoing the album's title, which he plays with by sequencing it through a wide array of tonalities. Finally, the band comes in, reiterating this idea, chanting the mantra "A Love Supreme."
"Acknowledgment" is followed by the torrential release of "Resolution," whose melody Coltrane fervently states to the animated accompaniment of his superb rhythm section. Laying the groundwork is drummer Elvin Jones, who approximates the effect of multiple percussionists feeding off of each other, creating an enormous texture of rhythm. McCoy Tyner's colorful piano clusters act as gusts of wind supporting Trane's soaring expressions. Bassist Jimmy Garrision takes the low road, keeping everyone on track. With support like this, Coltrane is free to explore the uncharted depths of his soul. On "Resolution," we can hear the very fabric of Trane's voice being stretched to the limit, as if even the horn which he has mastered is not a worthy enough vehicle for this man's spirit.
The rousing "Pursuance" features some vigorously swinging playing from Tyner, furiously followed by Coltrane's climaxes in an inspired hurling of ideas. Bassist Garrison brings us to A LOVE SUPREME's conclusion, an extended "Psalm" that acts as a resolved denouement in which Trane slowly muses over a lush bed of tranquil sounds--almost as if he were reflecting upon the wisdom achieved at this apex of his spiritual journey. Although the music is slowed, the level of intensity is maintained, as if we've reached a plateau upon which we may ponder what is pronounced in the liner notes, "Elation--Elegance--Exaltation--All from God." Via John Coltrane.
All tracks have been digitally remastered.
Recorded at the Van Gelder Studio, Englewood Cliffs, New Jersey on December 9, 1964. Includes liner notes by John Coltrane and Michael Cuscuna.
Recorded at Van Gelder Studios, Englewood Cliffs, New Jersey and The Festival Mondial Du Jazz Antibes, Juan-Les-Pins, France between December 1964 & July 1965. Includes liner notes by John Coltrane, Ashley Kahn, Ravi Coltrane.
Reissue producer: Michael Cuscuna.
Personnel: John Coltrane (vocals, tenor saxophone); Archie Shepp (tenor saxophone); McCoy Tyner (piano); Jimmy Garrison, Art Davis (bass); Elvin Jones (drums).
Personnel: John Coltrane (tenor saxophone); McCoy Tyner (piano); Jimmy Garrison (acoustic bass); Elvin Jones (drums).
Producer: Bob Thiele.
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