| | Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia CD Craft / Pco / Webern / Welch-Babidge CDS
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Our Price: $7.75 CDFor Sale Usually ships in 1-2 days (Only 1 available)
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| Category | Classical, Romantic Period, 20th Century Period, Orchestral/Symphonic, Concerto, Song, Symphony, Dance - Classical, Variations, Quartet, Song Cycle, Trio, Lied, Canon |
Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia Music | List Price | $8.99 (You save $1.24) | | Label | Naxos | | Orig Year | 1/18/2005 | | All Time Sales Rank | 16243  | | CD Universe Part number | 6818920 | | Catalog number | 8557530 | | Discs | 1 | | Release Date | Jan 18, 2005 | | Recording Time | 1 19 |
Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia Review
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Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia Songs | 1. Symphony, Op. 21 (10:10) | | Composer | Anton Webern (1883 - 1945) | | Conductor | Robert Craft | | Genre | Symphony | | Date Written | 1927-1928 | | Ensemble | Twentieth Century Classics Ensemble | | Country | Austria | | Venue | The Coliseum, Watford, England | | Recording Date | 07/2002 | | 2. Canons (5) on Latin Texts for voice, clarinet & bass clarinet, Op. 16 (2:55) | | Composer | Anton Webern (1883 - 1945) | | Performer | Jennifer Welch-Babidge Michael Lowenstern Charles Neidich (Clarinet) | | Genre | Canon | | Date Written | 1923-1924 | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 3. Traditional Rhymes (3) for soprano & ensemble, Op. 17 (2:31) | | Composer | Anton Webern (1883 - 1945) | | Performer | Jesse Mills (Violin) Jennifer Welch-Babidge Michael Lowenstern Charles Neidich (Clarinet) | | Date Written | 1924-1925 | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 4. Songs (3) for soprano, E flat clarinet & guitar, Op. 18 (3:58) | | Composer | Anton Webern (1883 - 1945) | | Performer | Jennifer Welch-Babidge Scott Kuney (Guitar) Charles Neidich (Clarinet) | | Date Written | 1925 | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 5. String Trio, Op. 20 (9:07) | | Common Name | String Trio | | Composer | Anton Webern (1883 - 1945) | | Performer | Ani Kavafian (Violin) Richard O'Neill (Viola) Fred Sherry (Cello) | | Genre | Trio | | Date Written | 1927 | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 6. Quartet for clarinet, saxophone, piano & violin, Op. 22 (5:29) | | Composer | Anton Webern (1883 - 1945) | | Performer | Daniel Goble Jennifer Frautschi (Violin) Christopher Oldfather (Piano) Michael Lowenstern (Clarinet) | | Genre | Quartet | | Date Written | 1928-1930 | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 7. Variations for piano, Op. 27 (5:17) | | Common Name | Variations For Piano | | Composer | Anton Webern (1883 - 1945) | | Performer | Christopher Oldfather (Piano) | | Genre | Variations | | Date Written | 1935-1936 | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 8. Pieces (6) for orchestra, Op. 6 (12:29) | | Common Name | Pieces For Orchestra | | Composer | Anton Webern (1883 - 1945) | | Conductor | Robert Craft | | Date Written | 1909 | | Country | Austria | | Venue | The Coliseum, Watford, England | | Recording Date | 07/2002 | | 9. Pieces (4) for violin & piano, Op. 7 (5:38) | | Common Name | Pieces For Violin & Piano | | Composer | Anton Webern (1883 - 1945) | | Performer | Jesse Mills (Violin) Christopher Oldfather (Piano) | | Date Written | 1910 | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 10. Little Pieces (3) for cello & piano, Op. 11 (2:24) | | Composer | Anton Webern (1883 - 1945) | | Performer | Christopher Oldfather (Piano) Fred Sherry (Cello) | | Date Written | 1914 | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 11. Concerto for 9 instruments, Op. 24 (6:12) | | Composer | Anton Webern (1883 - 1945) | | Performer | Sunghae Anna Lim (Violin) David Fedele (Flute) Richard O'Neill (Viola) Christopher Gekker (Trumpet) Jim Pugh (Trombone) Stephen W. Taylor [Oboe] (Oboe) Stephen Gosling (Piano) Charles Neidich (Clarinet) William Purvis (Horn) | | Genre | Concerto | | Date Written | 1934 | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 12. German Dances (6) for orchestra (arr. from Schubert) (8:39) | | Common Name | German Dances For Orchestra | | Composer | Anton Webern (1883 - 1945) | | Conductor | Robert Craft | | Genre | Dance | | Date Written | 1931 | | Country | Germany | | Venue | The Coliseum, Watford, England | | Recording Date | 07/2002 |
Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia Music Composers on Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia CD : Anton Webern Conductors on Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia CD : Robert Craft Ensembles on Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia CD : Twentieth Century Classics Ensemble Genres on Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia CD : Canon, Concerto, Dance, Quartet, Symphony, Trio, Variations Performers on Webern: Symphony, Six Pieces, Etc / Craft, Philharmonia CD : Ani Kavafian, Christopher Gekker, Christopher Oldfather, Daniel Goble, David Fedele, Stephen Gosling, Jennifer Frautschi, Jennifer Welch-Babidge, Jesse Mills, Scott Kuney, Michael Lowenstern, Charles Neidich, Jim Pugh, William Purvis, Richard O'Neill, Fred Sherry, Sunghae Anna Lim, Stephen W. Taylor [Oboe]
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$7.59 Like Brahms, Bernstein lived his life in the shadows of masters who came before him. Yet both men, despite their tendency toward self-criticism, created their own legends. Bernstein's extraordinary talent as a conductor made him so much more--he became an ambassador of music, bringing vitality and excitement to audiences young and old, from all walks of life.
Though his Symphony no. 1 is one of his most well-known compositions, Brahms was not always comfortable with the idea of writing symphonies. His deep respect for Beethoven's work is evident, and even Brahms admitted the composer's profound influence on his first symphony. This did not prevent Brahms from creating a piece that is distinctively his own, however. His sense of melody and humor infuse the composition with a lighter tone without sacrificing decorum.
Bernstein and the New York Philharmonic provide a delightful performance, as they always did. Remastered from recordings made in 1960 and 1968, the album is rich and clear while preserving the warmth of the analog originals.
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