| | Webern: Symphony; Six Pieces; Concerto For 9 Instruments CD Craft / Pco / Webern / Welch-Babidge CDS
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Our Price: $7.75  CDFor Sale Usually ships in 1-2 days
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| Category | Classical, Romantic Period, 20th Century Period, Orchestral/Symphonic, Modern, Concerto, Song, Symphony, Dance - Classical, Variations, Quartet, Song Cycle, Lied, Trio, Piece, Canon, Landler |
Webern: Symphony; Six Pieces; Concerto For 9 Instruments Music | List Price | $8.99 (You save $1.24) | | Label | Naxos (Distributor) | | Orig Year | 1/18/2005 | | All Time Sales Rank |  16366  | | CD Universe Part number | 6818920 | | Catalog number | 8557530 | | Discs | 1 | | Release Date | Jan 18, 2005 | | Recording Time | 1 19 |
Webern: Symphony; Six Pieces; Concerto For 9 Instruments Review
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Webern: Symphony; Six Pieces; Concerto For 9 Instruments Songs | 1. Symphony, Op. 21 (10:10) | | Composer | Anton Webern (1883 - 1945) | | Conductor | Robert Craft | | Genre | Symphony | | Date Written | 1927-1928 | | Ensemble | Twentieth Century Classics Ensemble | | Period | Modern | | Country | Austria | | Venue | The Coliseum, Watford, England | | Recording Date | 07/2002 | | 2. Canons (5) on Latin Texts for voice, clarinet & bass clarinet, Op. 16 (2:55) | | Composer | Anton Webern (1883 - 1945) | | Performer | Jennifer Welch-Babidge
Michael Lowenstern
Charles Neidich (Clarinet) | | Genre | Canon | | Date Written | 1923-1924 | | Period | Modern | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 3. Traditional Rhymes (3) for soprano & ensemble, Op. 17 (2:31) | | Composer | Anton Webern (1883 - 1945) | | Performer | Jesse Mills (Viola)
Jennifer Welch-Babidge
Michael Lowenstern
Charles Neidich (Clarinet) | | Date Written | 1924-1925 | | Period | Modern | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 4. Songs (3) for soprano, E flat clarinet & guitar, Op. 18 (3:58) | | Composer | Anton Webern (1883 - 1945) | | Performer | Jennifer Welch-Babidge
Scott Kuney (Guitar)
Charles Neidich (Clarinet) | | Date Written | 1925 | | Period | Modern | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 5. String Trio, Op. 20 (9:07) | | Common Name | String Trio | | Composer | Anton Webern (1883 - 1945) | | Performer | Ani Kavafian (Violin)
Richard O'Neill (Viola)
Fred Sherry (Cello) | | Genre | Trio | | Date Written | 1927 | | Period | Modern | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 6. Quartet for clarinet, saxophone, piano & violin, Op. 22 (5:29) | | Composer | Anton Webern (1883 - 1945) | | Performer | Daniel Goble
Jennifer Frautschi (Violin)
Christopher Oldfather (Piano)
Michael Lowenstern (Clarinet) | | Genre | Quartet | | Date Written | 1928-1930 | | Period | Modern | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 7. Variations for piano, Op. 27 (5:17) | | Common Name | Variations For Piano | | Composer | Anton Webern (1883 - 1945) | | Performer | Christopher Oldfather (Piano) | | Genre | Variations | | Date Written | 1935-1936 | | Period | Modern | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 8. Pieces (6) for orchestra, Op. 6 (12:29) | | Common Name | Pieces For Orchestra | | Composer | Anton Webern (1883 - 1945) | | Conductor | Robert Craft | | Genre | Piece | | Date Written | 1909 | | Period | Modern | | Country | Austria | | Venue | The Coliseum, Watford, England | | Recording Date | 07/2002 | | 9. Pieces (4) for violin & piano, Op. 7 (5:38) | | Common Name | Pieces For Violin & Piano | | Composer | Anton Webern (1883 - 1945) | | Performer | Jesse Mills (Violin)
Christopher Oldfather (Piano) | | Genre | Piece | | Date Written | 1910 | | Period | Modern | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 10. Little Pieces (3) for cello & piano, Op. 11 (2:24) | | Composer | Anton Webern (1883 - 1945) | | Performer | Christopher Oldfather (Piano)
Fred Sherry (Cello) | | Genre | Piece | | Date Written | 1914 | | Period | Modern | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 11. Concerto for 9 instruments, Op. 24 (6:12) | | Composer | Anton Webern (1883 - 1945) | | Performer | Sunghae Anna Lim (Violin)
David Fedele (Flute)
Richard O'Neill (Viola)
Christopher Gekker (Trumpet)
Jim Pugh (Trombone)
Stephen W. Taylor [Oboe] (Oboe)
Stephen Gosling (Piano)
Charles Neidich (Clarinet)
William Purvis (Horn) | | Genre | Concerto | | Date Written | 1934 | | Period | Modern | | Country | Austria | | Venue | American Academy of Arts & Letters, New | | Recording Date | 2003-04 | | 12. German Dances (6) for orchestra (arr. from Schubert) (8:39) | | Common Name | German Dances For Orchestra | | Composer | Anton Webern (1883 - 1945) | | Conductor | Robert Craft | | Genre | Dance | | Date Written | 1931 | | Period | Modern | | Country | Germany | | Venue | The Coliseum, Watford, England | | Recording Date | 07/2002 |
Webern: Symphony; Six Pieces; Concerto For 9 Instruments Music Composers on Webern: Symphony; Six Pieces; Concerto For 9 Instruments CD : Anton Webern Conductors on Webern: Symphony; Six Pieces; Concerto For 9 Instruments CD : Robert Craft Ensembles on Webern: Symphony; Six Pieces; Concerto For 9 Instruments CD : Twentieth Century Classics Ensemble Genres on Webern: Symphony; Six Pieces; Concerto For 9 Instruments CD : Canon, Concerto, Dance, Piece, Quartet, Symphony, Trio, Variations Performers on Webern: Symphony; Six Pieces; Concerto For 9 Instruments CD : Ani Kavafian, Christopher Gekker, Christopher Oldfather, Daniel Goble, David Fedele, Stephen Gosling, Jennifer Frautschi, Jennifer Welch-Babidge, Jesse Mills, Scott Kuney, Michael Lowenstern, Charles Neidich, Jim Pugh, William Purvis, Richard O'Neill, Fred Sherry, Sunghae Anna Lim, Stephen W. Taylor [Oboe] Purchase Webern: Symphony; Six Pieces; Concerto For 9 Instruments To buy, Click on price to add to cart | Bylsma Vivaldi: Sonatas For Violoncello CD (2000)
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People often think of impressionist music as being emotionless yet trance-like, with no regard to melodic line or rhythmic clarity. Nothing could be further than the truth. When Claude Debussy set out to write music in a bold new language, it is doubtful he was thinking along these lines. In fact, he was a man of great discipline, and he had high regard for his musical predecessors. His music is highly representational; it is not in-your-face, and it asks the listener to change gears (just a little) to get its full benefit. Performers of Debussy's music are equally challenged: How do you stay true to the impressionist style while not having the music fall apart?
Leonard Bernstein knew what it meant to accurately convey Debussy's music; in order to get the desired effect, he had to precisely stick to the score with an almost pedagogical approach. Of course Bernstein triumphed and found every nuance, every detail Debussy meant to disclose, from the undulating roll of the waves in 'La Mer,' to the exultation found in "Fętes" from the 'Nocturnes.' This fine disc is one of the best compilations of Debussy's symphonic works available.
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