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Purchase Prime Cuts CD To buy, Click on price to add to cart | Francoise Hardy CD (2000) (Import) Sweden
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Arranger: Thomas Wasskönig.
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Following the evocatively mellow Skyscraper National Park, Hayden decided to tour the North American continent all by his lonesome, bringing his acoustic guitar, wavering voice, and unexpected humor to small clubs and theaters. This double-CD set captures the singer/songwriter in his hometown of Toronto performing 22 songs from his extensive catalog in front of a theater filled with appreciative fans. The recording is a beautiful testament to the stripped-down beauty of the songs, and with material from his three records, new songs, a few obscure cult favorites, and the obligatory Neil Young cover, not to mention some beautiful packaging, this is a real treat for any fan. New tunes like the goofy ode to his cat, "Woody," or the eerie love vs. obsession tale "Holster" will surely get folks excited for whatever follows this disc, but it's the solo renditions of classics like "We Don't Mind," "Between Us to Hold," and "Stem" that really steal the show. Hayden's trademark stage banter, a witty and unexpected contrast to his often depressing songs, is all over the record, and it only serves to add to the already personal sound of the evening, making Live at Convocation Hall a true live record and not just a note-for-note reiteration of his studio work. It's a strong accomplishment, and if you were unlucky enough to have missed this intimate string of shows, it's a document that comes close to bringing the experience into your own home. ~ Peter J. D'Angelo
Hayden Desser (more commonly known by his first name only) has had an interesting career trajectory. He spent much of the early '90s recording songs onto his 4-track, and playing opening slots in Toronto for bands he liked. In 1995, his debut album, Everything I Long For was released, first on his own Hardwood Records imprint, and later on the Geffen-affiliated Outpost Records. On the strength ...
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Hello CD Baby Friends,Thank you for checking out my website, and I hope you all enjoy what you see and hear. Since this is the bio section, here is some info on me:I am a New York based Trombonist. I live in Brooklyn, New York. I play Valve Trombone, and Slide Trombone.I was raised in Huntington, New York, born in 1960. Early on, I was exposed to jazz music, because my dad is a jazz drummer, born and raised in Brooklyn, N.Y. who idolized Bill Evans, Miles Davis, Phil Woods, Stan Getz, Bob Brookmeyer, and many others, not to mention all the great drummers of the day. So before I was even born and throughout my early childhood, I was listening to these musicians as well as J.J. Johnson, Oscar Peterson, Horace Silver, Keith Jarret, Blue Mitchell, and Buddy Rich and his big band. These and many others continue to shape my musical development to this day, since I am a primarily self taught musician. I started on drums, like my dad, and I went to a lot of his jobs, so I heard live music early on. I also played Trumpet and Baritone Horn. In the late 70s, My family moved to L.A. I stayed for 15 years, and went to junior college there, and soon after I met up with, recorded, and/or and played with Jay Anderson, John Patitucci, Charlie Haden, Scott Colley, Andy Simpkins, Frank Strazzeri, Billy Childs, Diana Krall, Terry Trotter, Terry Gibbs, Bob Cooper, Don Menza, Jack Sheldon, Al Hirt, Dizzy Gillespie, Maynard Ferguson, Shorty Rogers, Conte Condoli, Chet Baker, Freddie Hubbard, Louis Bellson, Albert Tootie Heath, Billy Higgins, Dick Berk, Peter Erskine, Peter Donald, Nick Ceroli, David Hocker, Bill Watrous, Bill Reichanbach Larry Koonse, Frank Gambale, and other great musicians who lived there. In 1987, I received an award in honor of the late drummer, Shelly Manne, called the New Talent Award, given by the L.A. Jazz Society. Others who received the award are Cecelia Coleman, Eric Reed, Scott Colley, Gerald Clayton, and Larry Koonse. I loved playing with the older guys, many of which have passed on.They played so melodically and influenced how I approach soloing. Again, I must thank ...
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