| | Marcia Griffiths Shining Time CD Marcia Griffiths Discography of CDs
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Personnel: Marcia Griffiths (background vocals); Marcia Griffiths (vocals); Hopeton Lindo (vocals, background vocals); Cutty Ranks, Annette Brissett, Shaggy, Beres Hammond (vocals); Dwight Pinkney, Winston Bo Pee Bowen, Robert "Billy" Johnson (guitar); Robert Lyn (harmonica, keyboards); Jon Williams (keyboards); Donald Dennis, Michael Fletcher (bass guitar); Kirk Bennett (drums, percussion); Fluxy, George Miller , Lowell Dunbar, Sly Dunbar (drums); Sticky Thompson (percussion); Chevelle Franklyn, Althea Layne Hamilton, Hugh Beresford Hammond, Connie Campbell, Melanie Lynch, Peter "Mann" Gayle, Maria Smith, Michelle Gordon, Nadine Sutherland, Pam Hall, Tony Gold, Cherine Anderson, Brian Gold (background vocals); Paul "Wrong Move" Crossdale (guitar, keyboards); Dean Fraser (saxophone). Audio Mixers: Jason Sterling; Lynford "Fatta" Marshall; Anthony Graham; Solgie Hamilton; Steven Stanley; Syl Gordon. Liner Note Author: Roger Steffens. Recording information: AB Recording Studio; Almond Production; Anchor Recording Studio; Big Yard Studio, Jamaica; Cell Block Recording Studio; Greystone Studio; Itek Recording Studio; Jasfer Recording Studio; Sound Mixers Recording Studio; Tuff Gong Studio. Arranger: Cherine Anderson. For legendary reggae singer Marcia Griffiths, this 2005 album constituted a look back on a career that had spanned over 40 years -- a career during which she had served as a backup singer for reggae music's most legendary figures as well as achieving significant success as a solo artist and (with Bob Andy) as half of a popular vocal duo. But Shining Time isn't a compilation of vintage Marcia Griffiths recordings -- instead, it's a collection of new songs, some of which look back in time explicitly either in theme ("Back in the Days," "Shining Time") or by implication (her cover version of Bob Marley's "Crazy Baldhead," for example). The rhythms are provided by a variety of producers and mostly hark back to the glory days of roots reggae (note, for example, how "Back in the Days" makes brilliant use of the "Tune In" rhythm), but the album's sound has a crisp and modern sheen throughout. Several A-list guest vocalists join her for duets -- they include the bouncy "Harmony" (featuring Shaggy) and the lovely "Live Life to the Fullest" (featuring Hopeton Lindo, who also produces several tracks). There are a couple of clunkers, most notably the unfortunately album-opening "My Heartbeat," which sounds wan and regretful rather than warm and romantic, but overall this album is a triumph. ~ Rick Anderson Marcia Griffiths Shining Time Songs Shining Time Review
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Purchase Shining Time CD To buy, Click on price to add to cart | Paul Butterfield Blues Band CD (1965)
Shining Time
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Personnel: Paul Butterfield (vocals, harmonica); Sam Lay (vocals, drums); Elvin Bishop (guitar); Mike Bloomfield (slide guitar); Jerome Arnold (bass); Mark Naftalin (organ). Includes liner notes by Pete Welding. The Paul Butterfield Blues Band: Michael Bloomfield. Even after his death, Paul Butterfield's music didn't receive the accolades that were so deserved. Outputting styles adopted from Howlin' Wolf and Muddy Waters among other blues greats, Butterfield became one of the ...
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Shining Time
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Shining Time
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| | Warrior King Virtuous Woman CD (2001)
Shining Time
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| | Soopafly Bangin West Coast CD (2007)
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| | Alias Resurgam CD (2008)
Shining Time
$12.79 Personnel: Hrishikesh Hirway (vocals, guitar, guitars, trumpet, bells); Yoni Wolf (vocals, Fender Rhodes piano, bass instrument). Audio Mixer: Alias. Recording information: The Resurgam Compound, Portland, ME. Arranger: Alias. The Anticon artist known as Alias weaves intricate rhythms and compellingly hypnotic heavy beats over 13 tracks on his solo LP, RESURGAM. Alias demontrates his production skills straight out of the gate as he flawlessly chops vocals from the Alkaholiks to spell out his own name on the opening track. From there, listeners are taken through a whirlwind of genre-meshing--feverish house drum tracks give way to crashing industrial percussion, brooding synths merge with droning electric guitar lines, and haunting ...
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