| | Yasuko Agawa Tiara: Sings Traditional Songs CD - Import Yasuko Agawa Discography of CDs
Tiara: Sings Traditional Songs Music | List Price | $37.99 (You save $2.50) | | Category | Rock/Pop Albums, Jazz CDs, Jazz Instrument | | Label | Crown | | Orig Year | 2004 | | CD Universe Part number | 6819711 | | Catalog number | 66672 | | Discs | 1 | | Release Date | Dec 20, 2004 | | Mono/Stereo | Stereo | | Additional Info | Japan |
Tiara: Sings Traditional Songs Review
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Photographer: Milton Montenegro.
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A surprise best-seller when it was first released, this mostly improvised pairing of singer/keyboardist/producer Al Kooper with two major guitar heroes of the day sounds fascinating all these years later precisely because of the distance of time--nobody makes records like this any more. The material runs the gamut from folk pop (covers of Donovan and Dylan), to blues ("Albert's Shuffle," "You Don't Love Me"), to heady jams ("His Holy Modal Majesty"), to big-band jazz ("Harvey's Tune").
All the tunes make effective templates for the kind off-the-cuff music-making that in less capable hands might have resulted in simple noodling. In fact, although Bloomfield and Stills don't play together on any of the cuts (Bloomfield played on one side of the original LP, Stills on the other), all three principals get off lots of good licks and producer Kooper has some ...
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This double-CD set is not only the best of Bill Chase's output but -- comprising all three of their albums -- virtually their complete finished studio work, before the plane crash that killed Chase and much of the group. The mastering on this Wounded Bird reissue is excellent, with a full solid bass sound topped by soaring highs on the brass and no compression to speak of. It's not as though this catalog has been overused, in terms of its master tape library -- apart from the hit "Get It On" -- but it's still good to know that the stuff has been well handled in terms of being digitalized. Additionally, the producers have reprinted Nat Hentoff's original essay about the group from their first album (and oh, for a time when college audiences could resonate to the writings of someone like Hentoff, who is now as much ...
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As of the late 1990s, guitarist and fiddler David Bromberg was in musical semi-retirement, supplementing his day job (making his living buying and selling American-made violins) with the odd club gig. But in the 1970s, he had a thriving career as both a bandleader and a sideman, having played on seminal recordings by Bob Dylan, the Eagles, and Jerry Jeff Walker, among others. This ...
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Jon Clarke (oboe); Joe Turano (saxophone, keyboards); Kirk Whalum,
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Pam Purvis Soulful, Sophisticated and Swinging!!!Hello, my name is Pam Purvis. I am originally from Louisiana and Texas. I tell you that because it is an integral part of who I am and how I sing. I love imagery and color, texture and sensuality. I credit my style to “living with a horn player”. I want to tell you a story about meeting and hanging out with the great scat singer Joe Carroll, one Juneteenth in Bed Sty, NYC (Bedford Styvesant). When I asked him how he learned to sing those improvised type lines he told me “Listen to the horn players, baby, listen to the horn players”. This has been my musical credo in so many ways.I credit my sense of the lyrics to the training I received at the American Academy of Dramatic Arts. My approach to lyrics and phrasing is ‘of the moment’. When I sing a song it is always for the first time, and therefore I hope it will always be fresh and always emotional.I want you to see and feel the images in the song. I come from a wonderful part of the country, where there is so much color and energy and humor. I hope you’ll find these things in my singing.If you are into simple and overt, then I am not for you. I am the epitome of the statement that the greatest art ‘seems’ effortless, but my music is complex in its simplicity and deeply sophisticated, while still being joyful, soulful, humorous & dramatic when called for.Currently I live in the New York City area with my partner and husband Bob Ackerman, a wonderful composer and woodwind artist. I began singing jazz in 1974 in Paterson, NJ at Gulliver’s (now just a fond memory for those who were there). It was a good place to begin because I met and sang with Chuck Wayne, Joe Puma, Gabor Zabo, Joe Morello, Jack Six, and Bob Ackerman. The later of these fine musicians I decided to keep. We have been married and working together for 27 years, and have 9 recordings together to this date.We spent 7 great years in Dallas, TX during its heyday. And worked with some of the best musicians that this great area had to offer, recording 2 albums with some of North Texas State University’s finest musicians along with Dave Fathead Newman’s old rhythm section. When we got a contract to record for Blackhawk Records we decided to return to the New York City area.During the last several years Bob and I have performed together in Europe as well as Mexico & Brazil and all over the US.Appearing at the Skeppsholm Festival in SwedenThe Asti and San Remo Jazz Festivals in ItalyAnd toured in Switzerland; all over Italy; Amsterdam, Holland; Barcelona, and Porto Jose Banus, Spain (appearing nightly with Ian Shaw and John Porter)The San Miguel de Allende Jazz Festival in San Miquel, MexicoIn the New York area we have appeared at:The Blue Note NYCBirdland NYCThe Newark Jazz ...
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