| | Joaquim Homs: Piano Music CD Maso, Jordi CDS
Joaquim Homs: Piano Music Music | List Price | $9.99 (You save $1.80) | | Label | Marco Polo | | Orig Year | 1/18/2005 | | All Time Sales Rank |  48341  | | CD Universe Part number | 6820593 | | Discs | 1 | | Release Date | Jan 18, 2005 | | Recording Time | 1 8 |
Joaquim Homs: Piano Music Review
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Track Listing of songs: Sonata For Cello and Piano In D Major: I. Allegretto Con Moto E Con Calore; Sonata For Cello and Piano In D Major: Ii. Andante Con Variazioni; Sonata For Cello and Piano In D Major: Iii. Allegro Bien Rythmé; Ballade For Violin and Piano; Nocturne For Cello and Piano; Mélodie For Violin and Piano; Andante Appassionato For Cello and Piano; Sonata For Violin and Piano In a Major: I. Allegro Appassionato; Sonata For Violin and Piano In a Major: Ii. Andante Quasi Adagio; Sonata ...
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The role of Mikhail Ivanovich Glinka (1804-57) in Russian music is comparable to the role of Shakespeare in English literature. Glinka established the Russian national music school. Tchaikovsky wrote that "all Russian music was contained in Glinka's "Kamarinskaya"like a majestic oak in a tiny acorn". Glinka was the first composer whose music was perceived as the Voice of Russia. This Voice also was heard and enjoyed in other countries. Glinka was born into a noble family, which owned Novospasskoye village near Smolensk. He received the best possible education at that time at Tsarsko-Selskiy Litseum. The school was established for the education of the Russian elite. Among graduates were Russian philosophers, diplomats, writers, painters and composers - Pushkin, Glinka, Griboedov, Zhukovsky, Odoevsky, Mitskevich, Delvig... These graduates became the pride of the Russian state for centuries. After his graduation, Glinka spoke six foreign languages. Among basic disciplines at this school were music, literature, painting and architecture. Glinka also dedicated a great deal of his time analyzing symphonic scores and took lessons in composition and piano from John Field in St. Petersburg and music theory from Siegfried Dehn in Berlin. During the summer time, Glinka loved to play violin and flute with a symphony orchestra owned by his uncle. The facts of Glinka's biography are not hidden from the public, however some Western musicologists portray the composer as a lustful fellow who studied sex techniques swapping women in countries he visited and who developed his technique of composition by shaking the hands of Bellini and Donizetti during his trip to Milan. You may also read that listening to a clarinet quintet by Crusell, a composer from the Russian province called in the 19th century Suomi (now Finland), was crucial for Glinka's determination to become a composer, that the composition by the Finnish composer developed in Glinka "knowledge and appreciation of Western-style music", which was "scant until he heard" the quintet by Mr. Crusell. The common statement is that Glinka was sick, lustful, poor and barely educated before visiting countries of Western Europe. In fact these trips were designed to polish and extend his knowledge, to establish personal contacts and represent Russia abroad. Glinka was recognized and became a friend not only to the Russian Tsar Nikolai I, but also to Berlioz, Liszt, Bellini, Donizetti and Johann Strauss. Glinka's music represents Russian classicism. It brings an abundance of positive energy, reveals harmony and balance so common to the Russian character. This album contains overtures and orchestral pieces from Glinka's operas "Ivan Susanin", "Ruslan and Ludmila" and a less known symphonic cycle known as "Andante Cantabile and Rondo in D minor". This two-movement composition was written in 1823, in Novospasskoye, and initially was considered as a sketch for a future symphony. Evgeni Svetlanov and the USSR Symphony Orchestra perform the program. Overture to "Ruslan and Ludmila" is performed together with the USSR Bolshoi Theatre Orchestra. Evgeni ...
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