| | Fred Hess Crossed Paths CD Fred Hess Discography of CDs
Fred Hess' newest release contains music that represents his continued interest in developing improvisation from the melodic and rhythmic aspects of each piece, leaning more toward the linear concept of Lester Young as opposed to the non-thematic chord b
Personnel: Fred Hess (tenor saxophone); Fred Hess; Ron Miles (trumpet); Matt Wilson (drums); Ken Filiano.
Recording information: NFA Studios, Denver, CO (09/01/2004/09/02/2004).
Due to the similar instrumentation and the free jazz originals by Fred Hess, the quartet on Crossed Paths is a bit reminiscent of Ornette Coleman's early groups. As with Ornette, the mood of the songs serves as the basis for the improvising rather than any set chord patterns. What is different is that Fred Hess is an expressive tenor-saxophonist with his own style (rather than copying Coleman or Dewey Redman) and trumpeter Ron Miles is also quite individual, having more technique than Don Cherry. With bassist Ken Filiano and drummer Matt Wilson contributing stimulating support and interaction, Hess and Miles are both heard in top form, whether blending in ensembles or making individual statements in this explorative but very coherent outing. ~ Scott Yanow
Fred Hess Crossed Paths Songs | 1. | On Perry St |
| 2. | Zane |
| 3. | In The No |
| 4. | Knitwit For Tara |
| 5. | Funhouse |
| 6. | The Clef's Visit Grandma's |
| 7. | Crossed Paths |
| 8. | Mystery Woman |
| 9. | Untying The Knot |
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Crossed Paths Review
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Purchase Crossed Paths CD To buy, Click on price to add to cart | Fred Hess Extended Family CD (2003)
Crossed Paths
 $16.19
Denver, Colorado-based saxophonist Fred Hess composed all the tunes on this CD, and the styles span the spectrum from blues to free jazz, with references to John Coltrane and Ornette Coleman. Fred's technical facility allows him to deliver a rapid flow o
Personnel: Fred ...
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Kahil El'Zabar, drums, earth drums, kalimba; Corey Wilkes, trumpet, flugelhorn, percussion; Ernest Dawkins, alto and tenor saxophone, percussion; Fareed Haque, electric and acoustic guitar. In a Down Beat review of their previous Delmark album, Freedom J
Composer: Kahil El'Zabar.
Ethnic Heritage Ensemble: Ernest 'Khabeer' Dawkins (alto saxophone); Kahil El'Zabar, Fareed Haque, Corey Wilkes.
Personnel: Fareed Haque (acoustic guitar, electric guitar); Ernest Dawkins (alto saxophone, tenor saxophone, percussion); Corey Wilkes (trumpet, flugelhorn, percussion); Kahil El'Zabar (drums, kalimba, percussion).
Audio Mixers: Eric Butkus; ...
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Crossed Paths
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Personnel: Dick Sudhalter (trumpet, flugelhorn); Barbara Lea (vocals); Ed Saindon (vibraphone); Roger Kellaway, Sy Johnson (piano); Frank Vignola, James Chirillo (guitar); Marshall Wood (bass); Joe Cocuzzo (drums).
Recorded at Seltzer Sound, New York, New York on May 18 & June 22, 1998; Capitol Studios, Los Angeles, California on August 7, 1998. Includes liner notes by Dick Sudhalter.
Personnel: Dick Sudhalter (trumpet, flugelhorn); Barbara Lea (vocals); Frank Vignola, James Chirillo (guitar); Sy Johnson, Roger Kellaway (piano); Ed Saindon (vibraphone, background vocals); Joe Cocuzzo (drums).
Liner Note Author: Dick Sudhalter.
Recording information: Capitol Studios, LA, CA (05/18/1998-08/07/1998); Seltzer Sound, New York, NY (05/18/1998-08/07/1998).
Editor: Hein Van De Geyn.
Photographers: Ed Berger; Sy Johnson; ...
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Crossed Paths
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Crossed Paths
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Crossed Paths
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Personnel includes: Cibelle (vocals); Ari Moraes (guitar); Pepe Cisneros (piano); Joao Parahyba (percussion).
Producers include: Apollo 9.
Personnel: Cibelle (vocals, drum machine, cuica, percussion, turntables, background vocals); Xis (rap vocals); A9 (guitar, acoustic guitar, melodica, Clavinet, Mellotron, keyboards, synthesizer, percussion, programming, sampler, turntables); Richard Harrison (guitar); Ross Godfrey (acoustic guitar, Fender Rhodes piano); David Walters (acoustic guitar, percussion, drum programming); Bocato (trombone); Pepe Cisneros (Fender Rhodes piano, Wurlitzer organ); Serginho Carvalho (electric bass); Joao Parahyba (drums, pandeiro, shaker); Thiago de Jesus (cuica); Eder Rocha (shaker); Apollo (background vocals).
Audio Mixers: Peter Norris; Chris Harrison; Marc Hollander; Vincent Kenis.
Recording information: Ludwig Van Studios, Sao Paoloº; ...
| | Blink 182 CD (2003) (Import) Import; Germany
Crossed Paths
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European edition of the U.S. punk-pop-stars' fifth album features 15 tracks including 'Feeling This', as well as 1 bonus track, 'Anthem Part Two' (live in Chicago), along with exclusive videos created by the band. Geffen/Universal. 2003.
This is an Enhanced CD which contains both regular audio tracks and multimedia computer files.
Blink 182: Tom DeLonge (vocals, guitar); Mark Hoppus (vocals, bass); Travis Landon Barker (drums).
Additional personnel includes: Robert Smith (vocals); Ken Andrews (various instruments); Roger Joseph Manning, Jr., Jon Morrical (keyboards).
This self-titled album by punk-pop trio Blink 182 features 15 tracks, including "Feeling This" and "Stockholm Syndrome."
This Asian-market edition features one additional song, recorded live in Chicago.
CD contains 1 bonus track.
This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files.
There comes a time in every punk's life where he or she has to grow up, or at least acknowledge that maturity is just around the corner. blink-182 put it off for as long as they could, but ten years into their career and two albums after their big breakthrough, 1999's Enema of the State, they decided to make a stab at being grown-ups for their eponymous sixth studio album. As with many self-titled albums, the trio uses this as an attempt to redefine itself, and they have considerably expanded both their sonic template and lyrical outlook on blink-182. They're still rooted in punk-pop, but even songs that stretch no further than that sound are a little darker, a little restless, reflecting the overall mood of the record. In shorthand, this is the record where blink-182 delve into post-punk, opting for some appealingly sullen moodiness, off-kilter hooks, lots of sonic textures, and even a duet with the Cure's Robert Smith. Since the trio is an inherently catchy group, this is a far cry from neo-post-punk groups like Interpol or even the dynamically hooky Hot Hot Heat, but there is a ...
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