| | An Eastman Recital CD Penneys, Rebecca CDS
An Eastman Recital Music | List Price | $17.98 (You save $3.69) | | Label | Fleur de Son | | Orig Year | 1/25/2005 | | CD Universe Part number | 6821293 | | Discs | 1 | | Release Date | Jan 04, 2005 | | Recording Time | 1 11 |
An Eastman Recital Review
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$9.58 Music composed by Richard Rodgers. Lyrics written by Oscar Hammerstein.
Digitally remastered using 20-bit technology by Darcy M. Proper and Dawn Frank.
This is the 30th Anniversary edition of the classic 1965 soundtrack. The track order has been reconfigured from the original release to better reflect the original film narrative.
Music composed by Richard Rodgers. Lyrics written by Richard Rogers & Oscar Hammerstein, Jr.
Music composed by Richard Rogers. Lyrics written by Oscar Hammerstein.
This 35th Anniversary Edition of THE SOUND OF MUSIC includes a remastered version of the original soundtrack as well as a bonus disc of longer or different versions of the songs and a spoken segment with Richard Rodgers.
Multi-million sales, a spell of 16 weeks at the top of the US chart, and winning Gold Disc and Grammy Awards were fitting rewards for this memorable recording of Richard Rodgers and Oscar Hammerstein II's much-loved musical which opened on Broadway in November 1959. The show's stars, Mary Martin and Theodore Bikel, were in fine vocal form, and led the excellent cast through the score's highlights, which included `My Favourite Things', `Do-Re-Mi', and `Edelweiss' - the last song that Rodgers and Hammerstein wrote together before the latter's death in 1960.
One of the best-selling albums of all time, the original soundtrack for the film version of Rodgers & Hammerstein's THE SOUND OF MUSIC is above all a showcase for the formidable talents of Julie Andrews. She plays the novitiate Maria, governess and eventual mother to
Includes liner notes by Michael Mattesino.
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Includes liner notes by Michael Matessino.
Digitally remastered by Mike Hartry.
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Recording information: 05/24/1957-07/26/1963.
Editors: Alice Parker; Robert Shaw.
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$17.95 With this CD, the Norwegian singer/guitarist adds to the half-century-long list of albums that mine the treasure chest of a single work, George Gershwin's opera Porgy and Bess. Is there any other single opera that has been subjected to so many different recorded treatments and homages? Only Carmen -- the work that ironically inspired Gershwin the most -- comes close. Most of the time, this is a fairly conventional jazz treatment of the score's embarrassment of melodic riches, as Wentzel reharmonizes some of the tunes within the jazz tradition and her sextet settles into comfortable mainstream grooves. But not all is straight-ahead combo jazz here, for Wentzel sings "Oh, Dr. Jesus" and the magical threesome of street-calls (honey, strawberry, crab) to just the accompaniment of her guitar; these serve as semi-operatic interludes in between the sextet workouts. Also, some songs -- e.g., the Coltrane-ish "There's a Boat Dat's Leavin' Soon for New York" and "Summertime," with its long, nearly atonal instrumental intro -- are driven so far off their harmonic bases that they practically become new compositions. As a singer, Wentzel is a note-bender par excellence, weaving with the daring of a Sassy Vaughan that sometimes careens dangerously close to the edge of the cliff. She doesn't follow the chronological order of the opera -- not many do, anyway -- but she does include some numbers ("Lo, Bess, Goin' to the Picnic?") that others overlook. Tenor saxophonist Nils Jansen, trombonist Christian Jaksjo, and pianist Olga Konkova mostly solo in the international bop esperanto, with Jansen occasionally going somewhat outside. In all, a respectful, respectable treatment of Porgy with a few odd twists. ~ Richard S. Ginell
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