| | This Is Trance, Vol. 3 CD (2 Customer Reviews)
This 17-track program was mixed (with, it's worth noting, flawless beat-matching precision) by the German DJ duo of Kyau vs. Albert. It consists mainly of thoroughly pleasant instrumental trance grooves -- the crisp and jaunty "Rendezvous" by Salt Lake, the equally upbeat "Wave Force" by Perry O'Neil, and the brief and mostly wordless "No Fate" by DJ Greenhead and Yoko M are all noteworthy tracks. But this being a trance compilation, there's also a fair amount of mindbendingly dull filler -- such as Active Sight's "Tears of Joy" (which really should have been titled "Tears of Relentless Freaking Tedium") and the pleasant enough but completely unremarkable "Sweet Sorrow" by Ferry Corsten. As usual on collections like this, it's the songs that really make it worth hearing; in this case, the bulk of the album's weight is carried by the Kyau vs. Albert's own very lovely "Falling Anywhere" and by the ubiquitous "Mind of the Wonderful" by Blank & Jones. Not bad overall, but not essential. ~ Rick Anderson
Audio Remixers: DJ Greenhead; Ronski Speed; Thrillseekers.
Personnel: Michelle Djarling, Sofia Lovgren, Natascha Romboy, Elles DeGraaf (vocals).
DJ: Kyau & Albert.
This Is Trance, Vol. 3 Music This Is Trance, Vol. 3 Songs This Is Trance, Vol. 3 Music Review Purchase This Is Trance, Vol. 3 CD To buy, Click on price to add to cart | Rod Stewart Soulbook CD (2009)
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Initially planned solely as a standard double-disc reissue in the wake of the blockbuster success of The Fame, Lady Gaga decided to release the new material as a separate EP called The Fame Monster in addition to the standard two-CD set, where it's tacked onto a now standardized version of her debut. It's a nice move for fans, plus it helps emphasize the new material, which does act as a bridge from the debut to a forthcoming full-length. Everything on The Fame Monster bears a galvanized Eurotrash finish, as evident on the heavy steel synths of "Bad Romance" and the updated ABBA revision "Alejandro," as it is on the rock & roll ballad "Speechless" -- its big guitars lifted from Noel Gallagher -- and the wonderful, perverse march "Teeth." Even the stuttering splices on "Telephone," a duet with Beyoncé, leans to the other side of the Atlantic, which just emphasizes the otherness that's become Gaga's calling card. And even as she's becoming omnipresent, ...
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Anyone familiar with the industrial-metal band's dark sense of irony should take one look at the title of Rammstein's 2009 album LIEBE IST FUR ALLE DA ("Love Is There For Everyone") and conclude that this one is a mean monster. Combining the tightness and punch of their 1998 album SEHNSUCHT with the musicianship and elaborate textures of their later work, LIEBE IST is a grand achievement, skillfully dividing its time between razor sharp metal rockers like "B********" or the opening theme song "Rammlied" and nostalgic, cabaret pieces that conjure the spirits of Weil and Brecht at a goth club. Best of the latter is the naked and haunting closer "Roter Sand" but little touches of a sinister yesteryear are everywhere, like the fake vaudeville music in "Haifisch" or the soundtrack strings of "Wiener Blut" ...
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It's a pretty good CD!
Should have been 13 tracks only
