| | Wedding CD Wedding Discography of CDs
 (4 Customer Reviews)
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Heavily indebted to the likes of Relient K and all the other Christian pop-punk acts that came before, the Wedding's debut album doesn't bring much new to the genre. Its primary flaw is that the young bandmembers have not yet synthesized their influences, so the album ping-pongs back and forth between the more melodic side of pop-punk and a far more aggressive brand of post-hardcore emo, without sounding entirely comfortable on either end of the spectrum. The most effective songs on The Wedding are those that split the difference, such as the anthemic, harmony-driven "Move This City" and the spiky but tuneful "Morning Air." On either extreme, grinding, shouty emo like "Song for the Broken" and blatantly mainstream pop like "Price for Love," which sounds like the devotional power ballad the Wedding trot out to please the parents who have driven their kids to their gigs, don't really sound like they belong on the same album with each other. ~ Stewart Mason
Audio Mixer: J.R. McNeely.
Recording information: Dark House Studios, Franklin, TN; SSStudios, Spring Hill, TN.
Photographer: Anna Johnson.
The Wedding: Kevin Kiehn (vocals, piano, synthesizer); Cody Driggers (bass instrument); Clint Robinson, Trevor Sarver.
Personnel: Kevin Kiehn (vocals, piano, synthesizer); Trevor Sarver (guitar, background vocals); Clint Robinson (piano, drums); Cody Driggers (background vocals).
Wedding Music | List Price | $9.97 (You save $1.28) | | Category | Rock/Pop Albums, Rock CDs, Gospel, Christian, Contemporary Christian Music, Christian Rock, Religion | | Label | Rambler | | Orig Year | 2005 | | All Time Sales Rank |  102224  | | CD Universe Part number | 6821944 | | Catalog number | 343002 | | Discs | 1 | | Release Date | Apr 05, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Mark Lee Townsend; Mark Lee Townsend | | Engineer | Mark Lee Townsend; Mark Lee Townsend | | Personnel | Clint Robinson - piano, drums
Cody Driggers - bass instrument
Kevin Kiehn - vocals, piano, synthesizer
Trevor Sarver - guitar, background vocals
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Wedding Music Review Average Rating: (3.8 out of 5 stars)   Pretty Good
I havent heard the cd, but I did see them play live this past weekend and they impressed me.
Submitted by Wicked Insanity (CC,TX)
Was This Review Helpful? Yes No
Great
My brother in law actually introduced me to The Wedding. I've started to really enjoy listening to it
Submitted by mina103190 (NY, USA)
Was This Review Helpful? Yes No AWESOME!!!
This is an awesome cd. I had never heard of the wedding until my best friend (the wedding's biggest fan) found their cd in wal-mart and brought it over. I let my friends listen to it, and now they love it! So thank you wedding!
Submitted by ColleenMB (Bourbon, MO, USA)
Was This Review Helpful? Yes No  This is a great cd!
I love this CD!! I listen to it all the time, now all my friends want it!! Its the best!!
Submitted by okwhatever86 (Schertz,Tx,USA)
Was This Review Helpful? Yes No
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Purchase Wedding CD To buy, Click on price to add to cart | Copeland Know Nothing Stays The Same CD (2004)
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| | Jeremy Camp Live Unplugged CD (2005) With DVD
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| | Stryper - Greatest Hits: Live In Puerto Rico DVD (2004) Music Video Distributors
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| | Underoath - 777 DVD (2007)
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| | Hillsong - Saviour King DVD (2007)
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| | Rob Rock Garden Of Chaos CD (2007)
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For many years, power metal has been dominated by bands -- not solo artists -- but Rob Rock is a rare example of a power metal singer who has been enjoying a solo career. And there is another thing that separates him from the majority of power metallers: he is a Christian singer. The former Impellitteri member is hardly the first person to combine some type of heavy metal or hard rock with Christian-oriented lyrics (the Resurrection Band, a Christian outfit with a strong Led Zeppelin influence, was formed in 1978, and Stryper received a lot of publicity in the '80s), but even so, it is safe to say that artists who bring Christian themes to power metal are the exception instead of the rule. Regardless, power metal serves Rock pleasingly well ...
| | Tennessee Ernie Ford Amazing Grace: 40 Treasured Hymns CDs (1998)
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Track Listing of songs: DISC 1: Stand by Me; When God Dips His Pen of Love in My Heart; He Knows ...
| | True Vibe See The Light CD (2002)
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SEE THE LIGHT was nominated for the 2003 Grammy Awards for Best Pop/Contemporary Gospel Album.
A minute or so into the slickly produced anthem "See the Light," and the listener's "boy band" ...
| | Casting Crowns Lifesong CD (2005)
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| | Bleeding Through Truth CD (2006) Edited
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As dark and brutal as its gory cover art suggests, Bleeding Through's THE TRUTH is an exercise in unrelenting metalcore. While the California sextet excels at monstrous vocals, blistering guitar riffs, and pummeling rhythms, it also works catchy choruses and majestic keyboard lines into tunes like the dynamic "Confession," giving this disc a surprisingly melodic veneer and a wider appeal than might be expected.
Bleeding Through could be setting themselves up for disaster with a third album bearing the portentous title of The Truth, but for a band whose uncompromising ways have arguably garnered them as many lovers as haters over the years, while nevertheless selling a few hundred thousand units, perhaps displaying brash confidence is as good a tactic as any. And, why not? On many levels such an attitude is entirely justified by songs like "For Love and Failing" and "Confession," which, based on sheer musicianship, put even the most accomplished of metal bands (never mind the hardcore/emo/screamo set Bleeding Through arose from) to utter shame. See hyper-speed cuts like "Love in Slow Motion," "Kill to Believe," and the Gothenburg-fueled "Tragedy of Empty," which prove Bleeding Through's blastbeat mettle against the fiercest of black metal bands; but it's their clever use of such extreme measures to contrast more conventional post-emo devices like clean singing, wicked melodies, and wildcard Marta's handy keyboard contributions that give them that supplementary edge over the competition. Having said all that, like much of said competition, The Truth also reaffirms Bleeding Through's disturbingly formulaic use of "explosive entrance/groove-heavy bridge/pop-friendly chorus" structures, and infuriatingly one-dimensional reliance on victimized, self-pitying lyrics of a middle school maturity level ("but hey, that's what the kids wanna hear," they'll say). The ...
| | Best Of Mountain Bluegrass CD (2006)
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Liner Note Author: Colin Escott.
| | Superhero CD (2004)
Wedding
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When you find yourself in an age where the reality TV show is king something needs to change. When 'calls costing 10 pence per minute' give birth to careers, when there's a so-called academy where fame can be taught, learned and earned we know we're in trouble. We know we need something special, some kind of superhero. Cue the latest and greatest musical saviour to come from Glasgow. Superhero are the band with it all: the roots-only plot, the flicknife tunes and the attitude to back it all up:'We're doing the right thing' says front man Tim Cheshire 'and I'm utterly confident in the music. I've always known it was going to come good.'With Superhero it's all about restoring faith. The Scottish four piece serve up a debut of 21st century rock that says an eternal 'yes' to the power of four blokes giving it all they've got and aiming for the best. But while they might be pushing infectious glass-half-full melodies, the bottle-half-empty attitude comes from the darker side of poprock. 'We're all about making the right sounds and melodies, especially the in yer face, violent ones.'Superhero are made up of songwriter and guitarist/singer Pete Morrison, singer and front man Tim Cheshire, Rich Kennedy on drums and Gordon Blackler on bass. It kind of kicked off in 1998 when Morrison and the then guitarist Noel Wensley joined up to find a way out of bad jobs, the Glasgow School of Art and bland music. Drawn together by mutual acquaintances and a love of great music the band was conceived in Morrison's flat with gigs for friends following soon. 'At first when we performed we didn't even have a name, we just battered through' says Cheshire. Anyone with any talent for reading rock tea-leaves knows that this is how the best stories start out. The friends lapped it up; the local scene took them under its wing as the eventually-named Superhero did the tour of pubs and clubs. But if superhero landed in 1998 it wasn't until 2000 that they discovered Lois Lane. It was then that they decided to give up the day jobs - a ready mix of student living and social work. So, what, the gigs were coming in thick and fast and there were suits chucking money at them? Not quite.'When we made the decision' says Cheshire, 'it wasn't based on any level we'd reached. It didn't make any sense financially, but it was right.'And this is the heart of the band: playing it by their hunches and living on the feelings. They couldn't be any further from 'manufactured'. Instead it was years before anyone told them what to do.2000 was the year they went full time. It was also the year they bullied an independent into giving them a deal and buying them some recording time. The result, according to Cheshire, was 'a bad experience' and the result of the label pushing them in directions they simply would not travel. The experience wasn't wasted as it taught them a vital lesson: that Superhero knew where superhero should be heading. 'After the album we scraped together our last £400 and went straight back into the studio to record a demo of some new material Pete had been writing. Once it was done we worked our butts off, gigging all over the UK and Europe, playing hundreds of shows and pushing the demo whenever we could.'The band's drive is mighty. From the birth ...
| | Mod Style-Immediate & More CD (2007) (Import)
Wedding
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| | Freddy Quinn Freddy Auf Hoher See CD (2007) (Import)
Wedding
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