| | Free The Ethan Daniel Davidson 5 CD Ethan Daniel Davidson Discography of CDs
Personnel: Ethan Daniel Davidson (vocals, guitar, acoustic guitar, 12-string guitar, steel guitar, Mellotron, bass guitar); Ethan Daniel Davidson; Gretchen Gonzales (vocals); Marlon Young (guitar, electric guitar); Jason Charboneau (guitar, pedal steel guitar, strings, bass guitar, background vocals); Philip Durr (guitar); Phil Durr (acoustic guitar, 12-string guitar); Dan Currie (acoustic guitar); Chris Carden (saxophone); Charles Hughes (piano, Fender Rhodes piano, Hammond b-3 organ, Mellotron, background vocals); Eric Hoegemeyer (electric piano, Fender Rhodes piano, drums, programming); Peter Keys (Clavinet); Paul Lamb (bass guitar, background vocals); Glynn Scanlan (drums, percussion, background vocals); Gretchen Gonzales, Pabon (background vocals); Al Sutton (Mellotron, background vocals); Audra Kubat (background vocals).
Recording information: Rustbelt Studios, Royal Oak, MI.
Ethan Daniel Davidson still has the unapologetic political beliefs that have been his trademark since his early days as a solo folksinger on a non-stop barnstorming tour of the U.S., but the sardonically titled Free the Ethan Daniel Davidson 5 finds the singer/songwriter settling comfortably into his new position as the leader of a capable and varied rock band. Big swatches of Free the Ethan Daniel Davidson 5 sound a bit Wilco-inspired (most notably the epic opener, "Conquered Beneath a Box-Car Moon"), but the organ-driven rocker awkwardly titled "Woman/Ladder = You'll Get What You Deserve" has a hint of Buffalo Springfield-era Neil Young in Davidson's deliciously whiny vocal melody and the muscular harmonies on the chorus, and "I Need You Like a House on Fire" has the woozy, languid feel of Bob Dylan's collaborations with the Band. Elsewhere, Davidson's familiar style is more obvious, like the quirky postmodern blues "Situationist (Non) National Commercial" and the gleeful updating of John Prine's "Your Flag Decal Won't Get You into Heaven Anymore." The last is a thoughtful tribute to one of Davidson's obvious inspirations, but for the most part, this is an album that looks to Davidson's future instead of his past. ~ Stewart MasonUncut (p.108) - 3 stars out of 5 - "He does nimble and dreamy very well...but is also equally skilled at unpicking relationships..." Free The Ethan Daniel Davidson 5 Music | Category | Rock/Pop Albums, Alternative CDs, Singer/Songwriter, Rock | | Label | Times Beach | | Orig Year | 2005 | | All Time Sales Rank |  398317  | | CD Universe Part number | 6823230 | | Discs | 1 | | Release Date | Feb 15, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Producer | Al Sutton; Al Sutton | | Engineer | Al Sutton; Dan Currie | | Personnel | Marlon Young - guitar, electric guitar
Al Sutton - Mellotron, background vocals
Eric Hoegemeyer - electric piano, Fender Rhodes piano, drums, programming
Paul Lamb - bass guitar, background vocals
Phil Durr - acoustic guitar, 12-string guitar
Charles Hughes - piano, Fender Rhodes piano, Hammond b-3 organ, Mellotron, background vocals
Chris Carden - saxophone
Dan Currie - acoustic guitar
Ethan Daniel Davidson - vocals, guitar, acoustic guitar, 12-string guitar, steel guitar, Mellotron, bass guitar
Glynn Scanlan - drums, percussion, background vocals
List all 16 contributors
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Free The Ethan Daniel Davidson 5 Songs | 1. | Conquered Beneath a Box-Car Moon |
| 2. | Woman/Ladder = You'll Get What You Deserve |
| 3. | I Need You Like a House on Fire |
| 4. | Situationist (Non) National Commercial |
| 5. | Semi-Literate Cowboy Poem |
| 6. | I Can't Drink You Pretty |
| 7. | Drive-By Diplomacy Blues |
| 8. | Your Flag Decal Won't Get You into Heaven Anymore |
| 9. | King Coal Made a Mess of My Old Kentucky Home |
| 10. | Support the War on Nashville |
| 11. | No Gods, No Masters |
| 12. | Carry Me Back to San Juan Hill |
| 13. | War All the Time |
| 14. | German Woman, An Irish Junkie, Their Three-Year-Old Daughter, And Me, A |
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Free The Ethan Daniel Davidson 5 Review
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Personnel: Martyn Bates (vocals, whistling, acoustic guitar, electric guitar, organ, keyboards, tambourine, tapes); Peter Becker (electric guitar, violin, keyboards, bass guitar, drums, drum machine, percussion, bells, tapes, music box, background vocals).
Recording information: Ambivalent Scale Studios, Warks, England.
Photographers: Elizabeth S.; Mark Holmes.
Thuddingly pretentious album title aside, 1996's All Under the Leaves, the Leaves of Life proves that Eyeless in Gaza did the right thing in reuniting in the mid-'90s. Less a rerun of the duo's older sounds than an interesting new juxtaposition of elements from throughout the first six years of their career, this album features the harsh electronics of the earliest Eyeless in Gaza singles ("Struck Like Jacob Marley" and "Fracture Track" are as noisy as anything they've ever done), the delicate, almost folkish minimalism of their best work ("Morning" and "Damning Yourself Broken," in particular, could be on Rust Red September), and the pop-oriented keyboards of their mid-'80s singles ("Answer Song and Dance," "Passing and Distance View"). The twin highlights ...
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