| | Exciter Heavy Metal Maniac CD Exciter Discography of CDs
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Exciter: Dan Beehler (vocals, drums); John Ricci (guitar); Allan Johnson (bass instrument). Released in 1983, the debut album from thrash metal pioneers Exciter puts them in league with then-emerging contemporaries Metallica and Slayer. While Exciter may not be on a par with those giants, HEAVY METAL MANIAC packs plenty of punch, mercilessly ripping through a brutal set of songs. Exciter's love of Judas Priest and Motorhead is clear, but the raw energy of the album, deepened by speed, ferocious distortion, and roughshod production values, is original and striking. HEAVY METAL MANIAC is an overlooked jewel in the speed metal catalogue. After contributing the song "World War III" to Shrapnel Records' U.S. Metal, Vol. 2 compilation, Exciter promptly signed with Shrapnel and recorded their full-length debut, Heavy Metal Maniac, in 1983. Though their debt to Judas Priest was clear for all to see (starting with their name, of course), the album packed a hard-edged ferocity and love for speed that pushed it well beyond the bounds of "classic" heavy metal and into the realms of the then-nascent speed metal movement. Its rough production values and nearly out-of-control distortion added a crucial punk attitude and provided the "push over the cliff," as it were, that characterized most of thrash's original stars (Metallica, Exodus, Slayer). That being said, time has proven that Heavy Metal Maniac is a much more one-dimensional affair than, say, Kill 'Em All, but this wasn't nearly as obvious in the heady days of thrash metal's infancy, and songs like "Cry of the Banshee," "Stand Up and Fight," and the excellent title track are all mini-classics in their own right. [The 2005 CD reissue of Heavy Metal Maniac on Megaforce Records includes five bonus tracks, including a pair of radio interviews with bandmembers.] ~ Eduardo Rivadavia Exciter Heavy Metal Maniac Songs Heavy Metal Maniac Music Review Average Rating: (5 out of 5 stars)   long overdue on CD "Heavy Metal Maniac" is BY FAR the best Exciter album though I must say that at long last, they finally did release an album worthy of HMM succession ("2004's "New Testament"). Jeff Waters of Annihilator, the riff king of Western Canada and now apparently Ontario, has remastered this BLAZING guitar extravaganza and reviatalized its' "made for vinyl" sound. These guys knew what they were doing when they invaded the studio in 1982 with nothing but sheer destruction on their minds. John Ricci created an uncompromising guitar riff drone kind of like punky, sped up Maiden and carefully overlayed searing little "snippets" of speaker-blowing solos even while the verses were still being sung. This was, and is, a most interesting approach to their songcraft as the solo bits dutifully serve to accentuate the extreme rowdiness & malicious intent of this record. Dan Beehler pummels this thing bloody home with a drum attack only Dave Lombardo could appreciate and his vocals are very Paul D'Ianno like on this one (though certainly more O.T.T. in delivery). The bass lines bob & throb throughout and all the while, a heathen-esque Rome burns. I purchased this album on vinyl "back in the day" when it first came out and am most pleased to say that it has lost absolutely nothing in the 23 years (yikes) since it's LOUD & PROUD release. Though album #2 "Violence & Force" is generally more widely known, it PALES considerably in comparison to this debut. The liner notes indicate that the band themselves, to this very day, confidenty assert that their original producer was the one best able to capture their ultra-aggressive sound. Unfortunately, a string of average, if not forgettable albums ensued though again, 2004's "New Testament" is a most entertaining, paint-peeling affair. For those in avid pursuit of all that which slays by riff, BUY THIS! Exciter split skulls as wide open as a bug-eyed kamikaze pilot just about to slam snout first into the gaping hole of a nuclear bazooka and when the smoke finally cleared, no prisoners were taken. Unbridled, in your face, and very reminiscent of the first 2 Maiden albums aggressively treated & infused with highly caffeinated violence, Heavy Metal Maniac is a most worthy metal beast to rip, riff & ride into a heavy metal purist's hammerhead headphone oblivion.
* Great job on the remastering Jeff. Submitted by The Trooper (Marysville, WA) Was This Review Helpful? Yes No 1 of 1 found this helpful.
Maniacs should check this out! This is Exciter's best album. If your an old school Thrash/Speed Metal fan than you have to own this. Submitted by OGRE (NY, USA)  Was This Review Helpful? Yes No
KILLER! This album was definately,looking back in retro,years ahead of it's time! I first heard this back in late 1983, and I was just blown away at how heavy it was! A true ''power-metal'' classic! You need this! Submitted by jason (modesto,ca.) Was This Review Helpful? Yes No
The first Speed Metal album of the 80's Yep it's true released in January of 83 five months before the Kill em all record! I respect this band more than I do Metallica for the simple fact that what they brought to the table influenced a lot of bands that came after them. Heavy Metal Maniac should get the credit it deserves!!! Submitted by MrRadioactive (Overland Park KS, USA) Was This Review Helpful? Yes No
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Purchase Heavy Metal Maniac CD To buy, Click on price to add to cart | Metal Church CD (1985)
Heavy Metal Maniac
$7.55 Much like the English punk movement before it, the New Wave of British Heavy Metal invaded hundreds of American garages in the early '80s and launched countless bands across the nation. It is interesting to note, however, that while in major cities with thriving punk rock this phenomenon manifested itself in the form of thrash metal (for example, L.A.'s Metallica, New York's Anthrax), in secondary capitals, up-and-coming bands generally boasted a more mainstream metal approach. Such was the case with Phoenix's Armored Saint, Connecticut's Fates Warning, and Seattle's Queensryche, but Metal Church ...
| | Black Sabbath Sabbath, Bloody Sabbath CD (1973)
Heavy Metal Maniac
$8.79 Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums). With 1973's Sabbath Bloody Sabbath, heavy metal godfathers Black Sabbath made a concerted effort to prove their remaining critics wrong by raising their creative stakes and dispensing unprecedented attention to the album's production standards, arrangements, and even the cover artwork. As a result, bold new efforts like the timeless title track, "A National Acrobat," and "Killing Yourself to Live" positively glistened with a newfound level of finesse and maturity, while remaining largely faithful, aesthetically speaking, to the band's signature compositional style. In fact, their sheer songwriting excellence may even have helped to ease the transition for suspicious older fans left yearning for the rough-hewn, brute strength that had made recent triumphs like Master of Reality and Vol. 4 (really, all their previous albums) such undeniable forces of nature. But thanks to Sabbath Bloody Sabbath's nearly ...
| | Black Sabbath Never Say Die! CD (1978)
Heavy Metal Maniac
$6.09 NEVER SAY DIE is Black Sabbath's last LP with Ozzy Osbourne. Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums). Additional personnel: John Elstar (harmonica); Don Airey (keyboards). Recorded at Sounds Interchange, Toronto, Canada. After going their separate ways for a brief period following the emotionally taxing and drug-infested Technical Ecstasy tour, Black Sabbath and singer Ozzy Osbourne reconciled long enough to record 1978's Never Say Die! -- an album whose varied but often unfocused songs perfectly reflected the band's uneasy state of affairs at the time. Even the surprisingly energetic title track, which seemed to kick things off with a promising bang, couldn't entirely mask the group's fading enthusiasm just beneath the surface after a few repeated listens. The same was true of half-hearted performances like "Shock Wave" and "Over to You," and there were several songs on the record that sound strangely disjointed, specifically "Junior's Eyes" and the synthesizer-doused "Johnny Blade" -- ...
| | Exciter Violence & Force CD (1984)
Heavy Metal Maniac
$12.35 Exciter: Dan Beehler (vocals, drums); John Ricci (guitar); Allan Johnson (bass instrument). Liner Note Authors: Dan Beehler; ...
| | Exciter Unveiling The Wicked CD (1986)
Heavy Metal Maniac
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| | Exciter Long Live The Loud CD (1985)
Heavy Metal Maniac
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| | East Side Story Vol. 1 CD (1996)
Heavy Metal Maniac
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| | Craig Padilla Vostok CD (2002)
Heavy Metal Maniac
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| | 20th Century Masters: The Millennium Collection: The Best Of Chante Moore CD (2004) Remastered
Heavy Metal Maniac
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| | Thunder Thrill Of It All CDs (1996) Bonus Tracks
Heavy Metal Maniac
$17.35 Enhancements include video footage. Includes a bonus disc. This is an Enhanced CD, which contains both regular audio tracks and multimedia computer files. Thunder: Luke Morley (vocals, guitar, bass guitar, percussion); Dan Bowes (vocals, guitar); Ben Matthews (guitar, keyboards); Andy Taylor (guitar); Harry 'Chunky' James (drums, percussion); Ellie Lawson (background vocals). Liner Note Author: Jerry Ewing. How fast things change in rock & roll. In the span of just a few years during the early '90s, Thunder went from favored saviors of British hard rock thanks to their triumphant 1990 debut, Backstreet Symphony, to strife-ridden not-quite-stars when 1992's ...
| | Killing The Dream In Place, Apart CD (2005)
Heavy Metal Maniac
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| | Vain On The Line CD (2005)
Heavy Metal Maniac
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| | Auberon Tales Of Black CD (2008) (Import)
Heavy Metal Maniac
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| | Volt Rorhat CD (2006) Digipak
Heavy Metal Maniac
$11.45 Audio Mixers: Guido Lucas; Christian Wagner ; Christian Wagner et Son Orchestre. Recording information: Blubox Troisdorf (01/2006). After testing established musical thresholds with two critically lauded EPs, Germany's Volt captured the art of calculated chaos on their 2006 full-length Rorhat. The majority of these improbably funky alien transmissions -- "Kreutz," "Griffel," "Frommbug," "Stativ" -- find the trio conducting spastic experiments in new millennium no wave and noise rock. All of them being more energetic and danceable (if you can dance like you're having a seizure, that is) than Swans or Unsane, yet not quite howl-at-the-moon wacko à la the Jesus Lizard (just close enough to see their house from here). San Francisco's Totimoshi make for a good, contemporaneous parallel as well, thanks to the screeched, nonsensical vocal exclamations, disciplined guitar crunch, and searing dissonant waves conjured up by Volt frontman Andre. So too are New ...
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