| | Trivium Ascendancy CD Trivium Discography of CDs
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Trivium: Paolo Gregoletto (bass guitar); Travis Smith, Matthew K. Heafy, Corey Beaulieu. Personnel: Matthew K. Heafy (vocals, guitar); Travis Smith (vocals, drums, percussion); Chad Sunderland, Gizz Butt, Andy Sneap (vocals); Corey Beaulieu (guitar, background vocals); Paolo Gregoletto (background vocals). Audio Mixer: Andy Sneap. Recording information: Audiohammer Studios, Sanford, FL; Morrisound Recordings, Tampa, FL. Photographer: Josh Rothstein. Trivium has only grown stronger since 2003's Ember to Inferno. That album's mix of classic thrash (early Metallica) with 21st century metalcore rage and progressive metal flourish still roils here. But Ascendancy's fire is more ferocious and its transitions more confident, which means the band is even more dedicated to its clever throwback sound. This is even more impressive when you consider that no one in Trivium is old enough to legally rent a car. The lineup has shifted -- joining vocalist/guitarist Matt Heafy and drummer Travis Smith are guitarist Corey Beaulieu and bassist Paolo Gregoletto. But they're a ridiculously tight quartet, unleashing thrilling dual guitar passages and pummeling kick drum gallops as surely as they do melodic breaks and vicious throat screeds. The verses of "Rain" and "Pull Harder on the Strings of Your Martyr" blister the brain, while Heafy channels James Hetfield effortlessly in the choruses. "Martyr" is particularly insane, its hurricane solos piled on top of percussion that simply engulfs the rhythm. From a technical standpoint, Trivium is often astounding. It's worth reading along when Heafy's screaming becomes unintelligible. Though his lyrics cover familiar territory -- gloom 'n' doom, emotional pain, revenge -- he gets off great lines like "You ask me 'Oh God why?'/'Cause I'm God, that's f*cking why" and "Disintegration constituents to decompose of the parts." Gregoletto steps up for the intro to "Gunshot to the Head of Trepidation" before it transforms into a metalcore rant, "Deceived" is downright melodic (but still totally heavy), and there's a great extended bank of guitar solos in "Drowned and Torn Asunder"'s midsection. Ascendancy aligns real-deal thrash with powerful modern influences. But at all times it's a platform for Trivium's own crazed talent. ~ Johnny Loftus In Trivium's band photo for ASCENDANCY, the four members sport t-shirts from (early) Metallica, Overkill, Guns N' Roses, and black-metal legends Darkthrone. The odd thing is that no one in the group is old enough to have experienced any of the first three bands in their 1980s glory. This doesn't seem to adversely affect Trivium's sound, however, as the band has clearly done its homework. Riding the wave of bands like Shadows Fall and labelmates Killswitch Engage, Trivium bring together the speed of thrash, the melody of classic metal, and the aggression of hardcore in one seamless package. Founder and guitarist/vocalist Matt Heafy uses metal-core screams, James Hetfield-esque growls and sing-along melodies to carry the title track. In the first few bars, "Departure" changes style from acoustic strumming to thrash riffs to full death-metal rage, while "Rain" takes a great opening riff and makes it even better with a subtle and unexpected harmonic shift. Showing maturity beyond his 19 years, Heafy crafts songs packed with power, precision, solos, and hooks.Uncut (p.125) - 3 stars out of 5 -- "[The] crisp production neatly balances heaviness with accessibility." Ascendancy Music Review Average Rating: (4.5 out of 5 stars)    List All Reviews Crazy! Man, the first time I heard the album, I thought, ehh okay, but the next time I listened to it, it was totally different and fantastic! They got amazing talent, especially for a group of young artists. Well organized and I'll be ordering the first album soon, to here more of Trivium Submitted by mrknugget13 (Baltimore MD)  Was This Review Helpful? Yes No 1 of 1 found this helpful.
Best Metal Album of '05 Trivium offers up a Hell of a second album (and mainstream debut) right up there with the metal masters. These cats might be young, but they play with a confidence and tightness that sounds ageless. From the superb intro (talk about some eerie such and such) to the last track, the whole album really is virtually flawless. Heafy transistions well from singing to screaming (and not that bitchy emo screaming like Linkin Park or any other so-called "rock" or "emo" band on the Top 40) and Beaulieu rips some of the best solos on any recent recording. Brutal, nasty metal with a precise execution that, nowadays, is almost impossible to match. Submitted by xailith (Pittsylvania County, VA)  Was This Review Helpful? Yes No
METAL THE WAY IT SHOULD BE!!!! This album is great totally awesome TRIVIUM really brings the metal great riffs and all totally worth buying!! Submitted by footjr5 (MAMOU,LA,USA) Was This Review Helpful? Yes No
Great Listening This album, though softer than their previous music, contains the same stellar riffs and oddly harmonic vocals. It is an amazing album, and the title 'The Next Metallica' may very well be fitting for these young stars. Submitted by crestfallensun (Helsinki, Finland) Was This Review Helpful? Yes No
Good Stuff! this is the Trivium thats awesome...i dont know what the singer was thinking for the new CD the Crusade...i previewed some of the songs and hes trying to sound like metallica singer with no screaming at all, and he doesnt sing that good high pitched singing he does on this CD...very disappointing to see this perfect CD and be expecting similar things in the future and get a totally different sound...but this CD is an awesome CD from start to finish definately!! Submitted by Jon (Poquoson, VA) Was This Review Helpful? Yes No
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Purchase Ascendancy CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
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$6.39 The Corrs: Jim Corr (vocals, guitar, keyboards); Sharon Corr (vocals, violin); Andrea Corr (vocals, tin whistle); Caroline Corr (vocals, drums, bodhran, percussion). Recorded at Ardmore Studios in Dublin, Ireland in January 2002. You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement enough, but their status as a happening thing was cemented at the end of the ceremony, during the encores, when everybody was taking their final bows. Bill moseyed up over to Andrea, put his arm around her, ...
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$10.59 Killswitch Engage: Mike D'Antonio (bass guitar); Howard Jones, Adam Dutkiewicz, Justin Foley , Joel Stroetzel . Personnel: Adam Dutkiewicz (vocals, guitar, percussion); Howard Jones (vocals); Joel Stroetzel (guitar); Justin Foley (drums); Philip Labonte (background vocals). Audio Mixer: Andy Sneap. Recording information: Zing Studios, Westfield, MA (12/15/2003-01/29/2004). Photographer: ...
| | Trivium Ember To Inferno CD (2003)
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$10.69 Trivium includes: Matt Heafy (vocals, guitar); Brent Young (bass); Travis Smith (drums). Recorded at Audio Hammer Studios, Sanford, Florida between June & July 2003. In the alternative metal field, there are plenty of bands offering a heaven/hell and melody/brutality sort of contrast -- bands that include, among many others, Hopesfall, From Autumn to Ashes, and the Postman Syndrome. One minute, they're being brutally ferocious; the next minute, they ...
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$11.49 Sweden's Soilwork have walked the heavy metal high-wire throughout their short but prolific career. Extreme enough to convince some of the genre's more suspicious fans of their ...
| | Mudvayne Lost And Found CD (2005)
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$8.99 Mudvayne: Chad Gray (vocals); Greg Tribbett (guitar); Ryan Martinie (bass guitar); Matt McDonough (drums). It's been three years for Mudvayne, three years when metal started to reject its "rap" and "nu" prefixes. At first, Lost and Found reflects that realignment. Vocalist ...
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| | Jon Butcher Thirteen Friendly Numbers CD (1992)
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$17.75 On this set of saxophone solos, John Butcher engages in sound explorations. Nine pieces are unaccompanied solos (either on tenor or soprano) while four utilize overdubbing as Butcher performs either four or six-piece sax ensembles. All of the music is freely improvised (although a few seem to have preplanned "plots") and some of the sounds that Butcher comes up with do not even sound like they could come from a saxophone. However, after a bit of listening, the chirping, squawks, ...
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| | eighteenth hour Analog Sessions CD (2007)
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$9.59 There are a thousand adjectives used to describe bands. For Eighteenth Hour there's one...rock band. Hailing from Pennsylvania, Eighteenth Hour has racked up three sold-out CDs and a long list of accolades in the past few years, not to mention a loyal fanbase in Philadelphia, New York and the Lehigh Valley. Eighteenth Hour's reputation as a great live band spread quickly after winning WZZO 95.1FM's 15th Annual Backyard Bands Competition which was judged by representatives from Atlantic, Virgin and Interscope Records. This was the launching pad that lead Eighteenth Hour to regular performances at the best original music venues in PA-NJ-NY including Grape Street Philadelphia (Philadelphia, PA), The Bitter End (NYC) and Musikfest (Bethlehem, PA). While the term rock band might sound one-dimensional in today's music industry, taking the time to listen to Eighteenth Hour's wide range of rock songwriting on their new CD “The Analog Sessions” puts that misconception to rest. From the driving rock anthems "I’m Gone" and "Come Back Later" to the intimate ballad "While We’re Waiting" to the blues-rock infused "Sound the Sirens Off" to the Zeppelin-esque single "Songbird", Eighteenth Hour is a band built around the musical ...
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