| | Los Lonely Boys CD Los Lonely Boys Discography of CDs
(5 Customer Reviews)
This new release, in the dualdisc format offers a full-length CD album on one side and and a DVD featuring the full album, usually in surround sound, along with videos, behind-the-scenes footage and a wide array of bonus material, including lyrics, biographies, PC content and more. Dualdisc format plays on existing CD and DVD players. The DVD side featres a video of acoustic performances, the music video for "Heaven," 3 alternate versions of "More Than Love", along with the entire album in 5.1 Sourround Sound and enhanced LPCM Stereo.
This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other. Los Lonely Boys: Henry Garza (vocals, guitar); JoJo Garza (vocals, bass guitar); Ringo Garza (vocals, drums). Additional personnel: Willie Nelson (acoustic guitar); Reese Wynans (piano, organ); Diego Simmons (percussion). Los Lonely Boys are another entry into the rock & roll family band tree. The Garza brothers -- Henry, Jojo, and Ringo (yes, that is his real name and he is the drummer) -- like the Everlys, the Louvins, the Davies (Ray and Dave), the Youngs (Malcolm and Angus), and many others, are forging a new sound from the various roots traditions in American music. Rooted in rock & roll basics such as Chuck Berry, the Beatles, and Ritchie Valens and the Latin rhythm-inspired sounds created by the Santana band, the brothers Garza, who hail from San Angelo, TX, also employ the wondrously soulful and raw Tex-Mex textures created by Doug Sahm and Freddy Fender. Los Lonely Boys' self-titled debut on the Or label was recorded at Willie Nelson's Pedernales Studio in Austin and features Nelson and Reese Wynans guesting on guitar and keyboards respectively on "La Contestacion." But there is plenty to the sound of Los Lonely Boys; their stew is one rich not only in history, but energy, songwriting craft, fine singing, and amazing playing -- check Henry's riffing, phrasing, and soloing on "Crazy Dreams" and one might think the ghost of Stevie Ray Vaughan is visiting Albert King's. "Dime Mi Amor," with its funky minor-key chord voicings dredged through a solid Latin rock structure with shimmering son rhythms and conjunto backbeats, is stunning in its complexity, yet is as accessible as any pop song. Driven by Henry's fluid and floral acoustic work and shot through with a soulful Tex-Mex backbeat and vocal harmonies that touch upon the originality of Cesar Rosas' and David Hidalgo's from Los Lobos as well as the Everlys, "Hollywood" is not merely a referencing of source material, but a genuine way of combining ideas to create a new sound, one that is not only inherently, but actually the Garza Bros. As evidenced by songs like "Real Emotion," "More Than Love," "Onda," "Senorita," "La Contestacion," and "Velvet Sky," los Lonely Boys reveal that they are tied to tradition but far from stuck to it; their songs are first-rate, crafted with nuance, grace, and grit and wash over the listener like a late-summer dance party under a full moon. This glorious, dark, and steamy diamond,. rooted in innocence and raw rock & roll beauty, is most definitely a contender for debut album of the year. ~ Thom Jurek Three Chicano brothers from Texas--Henry, Jojo, and Ringo Garza--make up the roots rock trio Los Lonely Boys. Touted as "Willie Nelson's favorite local band," the Lonely Boys accordingly spend much of their first album working their own variant on American musical traditions. Their blend of rock, blues, and soul is as full of references to their influences as it is teeming with youthful energy. Henry Garza strikes up an extremely Stevie Ray Vaughan-like guitar tone on the bluesy shuffle of "Crazy Dream" (in fact, Vaughan's keyboardist Reese Wynans is a guest on the album). The lengthy near-instrumental "Onda," with its lyrical-but-biting guitar, Ringo's Latin percussion, and Wynans's rich organ, seems to be an homage to vintage Santana, and the band shows off its vocal harmonies on the old-school soul ballad "Rolling Stone (8/21/03, p.76) - 3 stars out of 5 - "...The Mexican-American trio's laid-back energy comes from how it applies its loose-limbed roots music to Latin pop songs..." Los Lonely Boys Music Review Average Rating: (4.6 out of 5 stars)   Excellent and Unique !! Los Lonely Boys are so talented and have their own style of music. From ballads to amazing guitar riffs --they are a combo of a Latino, rock, soothing and very unique sound all their own. If I had to compare the excellent guitar solos to anyone it would be Santana meets Clapton with a little Allman Brothers thrown in. I LOVE this cd !! Submitted by st_franasisi (southern Illinois)  Was This Review Helpful? Yes No
A bit of the same Although I like a couple of their songs, they all started to sound the same after a while. Their music is "catchy" and they can harmonize well. Perhaps they need to mix their music with other rhythms. Submitted by suareziris (Las Vegas, NM)  Was This Review Helpful? Yes No
Finally, a Good Band These guys are really great. I'd like to see any band on the "warped tour" to even try to cover track #8. Thanks, Los Lonely Boys, for bringing back real music to the mainstream. Submitted by Taylor (Portland, OR, USA) Was This Review Helpful? Yes No
WHY ONLY 5 STARS? IT DESERVES MORE. If you like rock, real rock...this is the CD for you. You can throw your Avalon album away. Here's your new replacement. Sure the tunes have a familiar rift to them, but these brothers bring it home. I tried to get my twenty-something kids to listen to this when I bought it way back. Now that LLB is a hit, they all say, Hey, Dad..." If you buy only 1 CD this year, buy this one! Submitted by Harry V (PHOENIX, AZ, USA) Was This Review Helpful? Yes No
THIS IS TRUE ROCK VATO!!!!!!!! ITS ABOUT TIME LATINOS GET IN TO ROCK AGAIN. HEY BROS. THIS IS ONLY THE BEGINNING OF LEGENDS IN THE MAKING! BUY THIS CD ITS A KEEPER. CONGRADS ON THE GRAMMY! Submitted by malo_tone (Wasco,CA,USA) Was This Review Helpful? Yes No
| Have you heard this album? |  |
Purchase Los Lonely Boys CD To buy, Click on price to add to cart | Rob Thomas New York Christmas (2003)
Los Lonely Boys
$6.29
| | Back In Black CD (1980) DualDisc
Los Lonely Boys
$15.69
| | Crossroads DVD (1986) Widescreen; Subtitled
Los Lonely Boys
$6.55
| | Rob Thomas Something To Be CD (2005) DualDisc
Los Lonely Boys
$16.05 This release, produced by Matt Serletic, is the first solo album by the former lead singer of matchbox 20. 12 audio tracks are included bplus 20 minutes of behind-the-scenes footage, and bonus song.
This is a DualDisc, which contains a CD on one side of the disc and a DVD on the other. Personnel: Rob Thomas (vocals, piano); Heitor Teixeira Pereira, Jeff Trott, John Mayer , Mike Campbell , Wendy Melvoin, Kevin Kadish (guitar); Hasan Isakkut (kanun); Dan Willis (duduk); Frank London (shofar); Brandon Fields (saxophone); Gary Grant (trumpet); Reginald Young (trombone); Matt Serletic (keyboards); Mike Elizondo (bass guitar); Gerald Heyward (drums); Greater Anointing, Anika Ellis, Cassidy (background vocals). Since Matchbox Twenty is a faceless group, recognizable for ...
| | John Mayer Heavier Things CD (2003) DualDisc
Los Lonely Boys
$15.69
| | John Mayer Village Sessions CD (2007) Extended Play
Los Lonely Boys
$16.29
| | History Of Rock: Doo Wop Era Part 2 CD (1992)
Los Lonely Boys
$12.29
| | Bob Kames & The Happy Organ Featuring Dad & The Kids & The Fowl Four Chicken Dance CD (2004)
Los Lonely Boys
$12.39
| | Bryan Adams 18 Til I Die CD (1996)
Los Lonely Boys
$12.59 Personnel: Bryan Adams (vocals, acoustic, electric, & 12-string guitars, harmonica, handclaps); Keith Scott (acoustic, electric, 12-string & slide guitars, electric sitar, 6-string bass); Paco De Lucia (Spanish guitar); Mutt Lange (guitar, bass); Phil Palmer (guitar); Olle Romo (piano, keyboards, castanets, pads, percussion); Michael Kamen (piano); Dave Taylor (bass); Mickey Curry (drums); The Pointless Brothers (background vocals). Le Petite Orchestre De Cannes: Edward Shearmur (conductor); Berhilde Dufoour, Ezther Biro, Laurence Rierat, Matgorzata Calvayral, Yannick Marcoul, Anne Saez, Elsa Benabdallah, Jean Marie Chavannes, Alice Pellegrin, Rachel Nativelle, Jerome Mege. Producers: Bryan Adams, Robert John "Mutt" Lange, David Foster. Recorded in Jamaica between winter 1994 and spring 1995 and Provence, France between fall 1995 and spring 1996. Originally released on A&M (540 551). "Let's Make A Night To Remember" was nominated for a 1997 Grammy Award for Best Male Pop Vocal Performance, and "The Only Thing That Looks Good On Me Is You" was nominated for Best Male Rock Vocal Performance. Personnel: Bryan Adams (vocals, guitar, acoustic guitar, electric guitar, harmonica, hand claps); Keith Scott (guitar, acoustic guitar, electric guitar, 12-string guitar, slide guitar, electric sitar, 6-string bass); Phil Palmer, Robert John "Mutt" Lange (guitar); Paco de Lucia (Spanish guitar); Olle Romo (piano, keyboards, percussion, programming); Michael Kamen (piano); Mickey Curry (drums, percussion); Pointless Brothers (background vocals). Audio Mixers: Olle Romo; Bob Clearmountain. Recording information: Jamaica (1994-1996); Provence, France (1994-1996). Unknown Contributor Roles: Tom Mandel; Elsa Benabdallah. After experiencing enormous success in the early '90s with a handful of soundtrack contributions, Bryan Adams returned in 1996 with 18 til I Die, his first full-length album in five years. Since 1991's "(Everything I Do) I Do It for You," Adams' biggest hits have been big, sweeping power ballads; evidently constrained by that middle-of-the-road persona, 18 til I Die attempts to return to the rockin' good-time vibes of his earlier records. The sound is grunged up a little, and he appears on the album cover in a bizarrely glitzy mod suit -- all meant to telegraph the message that even as Adams approaches 40, he remains a hip teen at heart. Of course, the music doesn't prove that to be true. He turns up the guitars for "The Only Thing That Looks Good on Me Is You," "Black Pearl," and "(I Wanna Be) Your Underwear," but that sort of raunch prevents ...
| | Front Line Assembly Total Terror CDs (2004)
Los Lonely Boys
$12.69 2cds Of Early Material Mixed By Leeb & Fulber.
Front Line Assembly: Bill Leeb, Rhys Fulber. Originally released as 2 separate CDs on Cleopatra. Audio Remasterer: Stu Jacobs. Audio Remixers: Rhys Fulber; Bill Leeb. Photographer: Giovanni Rodríguez. A collection of home studio recordings from the time when Bill Leeb was Front Line Assembly in total, Complete Total Terror collects both Total ...
| | Nine Inch Nails With Teeth CD (2005) (Import) Bonus Tracks; England; United Kingdom
Los Lonely Boys
$13.15 U.K. version contains two bonus cuts--"Home" (Non-LP Version) and "Right Where It Belongs" (Alternate Version). Trent Reznor always was a perfectionist, laboring over his final mixes with a fine-tooth comb, a belabored process that inevitably led to long gaps between albums. About five years a piece, actually, a wait that was sustainable between his 1989 debut, Pretty Hate Machine, and his 1994 breakthrough, The Downward Spiral; a wait, considering the expectations, that was understandable between that record and its 1999 sequel, The Fragile; yet it was a wait that was a little bewildering and frustrating between that record and its long-gestating follow-up, With Teeth. The Fragile was a grandiose, indulgent double album, dense enough to alienate fairweather fans while making advocates of those with enough time, patience, and fanaticism to listen to it repeatedly until it all made sense. It may not have pleased everybody, but it seemed like a record that necessitated half a decade to construct, and arrived with an appropriate sense of drama. That's not the case with With Teeth, which appeared in the spring of 2005 with the requisite deluge of press but without the sense of breathless anticipation that greeted The Fragile. Part of that was changing times -- fans who were 25 in 1999 were now 30 and weren't following pop music as closely -- but it's also true that the double-disc set whittled his audience down to its core, diminishing Nine Inch Nails' stature somewhat. They still had their cult and still won accolades from those convinced that artists who were important in 1995 were still important in 2005, but NIN seems not only out of step but diminished in 2005. Sure, Rick Rubin had Johnny Cash sing "Hurt," but Reznor's recordings seemed to have less impact on modern music than ever. His soundalikes vanished, his long-abandoned protégé Marilyn Manson turned the corner from self-parody to college lecturer, his romanticized goth morphed into Hot Topic stores and Evanescence. Not that any of this mattered one bit to Reznor. Instead of grabbing the gold ring when he had a chance in 1995, he squirreled himself away in his New Orleans house, recording obsessively, and according to some interviews conducted around the release of With Teeth, succumbing to alcohol addiction. He consciously turned away from stardom, along with anything happening in contemporary pop, so he could tinker in the studio. That lead to the obsessive, insular The Fragile, and that same impulse drives the sleek, streamlined, diamond-hard With Teeth. Quite frankly, this is the record that NIN should have released if Reznor had wanted to capitalize on the success of The Downward Spiral. It's loud and angry, doesn't skimp on hooks, and is heavy on both sexy robotic dance beats and ...
| | Little Joe Encore Collection CD (2006)
$9.55 | | Power & Glory CD (2008) (Import) Import
$30.55 |
|
|