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Carrilho, Mauricio - Sexteto CD Cover Art
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Mauricio Carrilho Sexteto CD - Import

 Mauricio Carrilho Discography of CDs

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 Our Price: $27.59  CD
For Sale Backordered since 10/9/2009

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Acari. 2004.
 
Sexteto Music


Detailed Sexteto Music Information



List Price $29.99 (You save $2.40)
Category Rock/Pop Albums, World CDs, International, Brazilian
Label Phantom
Orig Year 2005
CD Universe Part number 6824401
Catalog number 2173015
Discs 1
Release Date Apr 30, 2003
Studio/Live Studio
Mono/Stereo Stereo
Additional Info Brazil
Mauricio Carrilho Sexteto Songs


Mauricio Carrilho Sexteto Album Track Listing



1.J Foi
2.Pedro Paes No Cosmopolita
3.O Panda Em Lisboa
4.Carrilho Assoviando
5.Baixaria Na Lapa
6.Silvana
7.Abrao No Celsinho, Um
8.Bernardes Gafanhoto
9.Rogerinho No Sete
10.Olha O Breque, Bolo!
11.Sacode, Maestro!
12.Sarapa
13.Nocivo
14.So Tio
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McPhee is a composer and multi-instrumentalist who has established himself outside the jazz mainstream. His saxophone and trumpet playing, charged by the Coltrane/Ayler/Shepp canon of the '60s, is unfettered and uncompromising. ...
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Dub It To The Top 1976-1979
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DUB IT TO THE TOP compiles the album YABBY YOU MEETS MICHAEL PROPHET and adds 8 tracks recorded during the 70's. The world's finest reggae reissue label strikes again, bringing to the market yet another buried treasure of dub from that genre's heyday in the mid-'70s. As always, the packaging is a labor of love that features rare photos of the artists and liner notes that are detailed and thorough. And as always, the sound is spectacular; Blood and Fire has gained international recognition for its ability to take deteriorated master tapes and dusty vinyl singles and LPs and render them almost pristine without imposing any of the sonic astringency so often associated with digital remastering. This time out the featured album is a rare gem from the Yabby You catalog originally released under the title Yabby You Meets Mad Professor & Black Steel in Ariwa Studio. Here its original ten-track program is expanded by another eight, most of them B-side dub versions of singles produced under Yabby You's direction. The dub mixes were all overseen by the legendary King Tubby, and as usual, the combination of Yabby You's dark, dread musical vision and Tubby's otherworldly approach to remixing results in many moments of absolute brilliance; ...
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Alto saxman Jesse Davis plays bebop, blues, and standards and is in the long line of altoists from Johnny Hodges and Charlie Parker through Sonny Stitt, Art Pepper, Cannonball Adderley, Phil Woods, Hank Crawford, and a host of lesser lights. It's easy to take a musician like Davis for granted, in part because he plays the kind of music that's still played in every local jazz club by young pups who are learning the Gershwin, Parker, and Basie songbooks. The difference, of course, is that Davis is a master storyteller, as opposed to someone who has just memorized a few licks. A lesser artist may get all the lines right, but Davis understands the story and communicates it from the inside out. He invests each of the eight pieces in the program with the inflections, drama, and elegance that make them come alive, demonstrating a fluid lyricism and sophisticated improvisation skills. (His creative use of key changes and intervallic leaps, although not forced or the least bit extreme, consistently catch the listener offguard and give each piece on the CD a freshness and dimensionality even after long exposure.) In addition, Davis has a rhythmic sense that just won't quit (very similar to Parker and Adderley in that respect) and a highly nuanced style on ballads, with a lovely, subtle vibrato on held notes. Altogether, it's a compelling combination. Some younger jazz cats (Davis is only 38 himself) might throw a couple of hard bop pieces and standards into the mix to pay respect to the tradition or to show that they had that base covered, too. But Davis gives you the feeling that this is what he does -- and loves. So you're not going to find him doing a standard like "The Very Thought of You" or J.J. Johnson's "Lament" on this CD and then giving you his best Ornette Coleman imitation on the next track; he sticks to what he does best. Although Davis is the main attraction, he has populated his quartet with three very strong musicians on this recording. Guitarist Peter Bernstein may have been inspired early on by Hendrix, but he has evolved into a very tasteful, melodic player in the tradition of Wes Montgomery and Jim Hall. Bassist Ray Drummond is the veteran of the group; born in 1946, he has played some of the biggest names in mainstream jazz, from Art Farmer to David Murray. He has a huge tone and superb intonation. Like Bernstein, he's not flashy, but he provides a rock-solid rhythmic anchor and gets off a few nice solos as well. Both Davis and drummer Donald Edwards are natives of New Orleans (although Davis is well-traveled), and Edwards, the youngster in the group, has a distinctive style that links conventional bop rhythms with a subtle but funky second-line shuffle. His delightful punctuations on the opening track, "Vee Cee," even have ...
Immortal Memory
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Today
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When The Enemy Falls
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