| | Nicolette Larson Radioland CD Nicolette Larson Discography of CDs
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Larson's third Warner Bros. album, reissued on CD in Germany but not America, is a bold, melodic collection of midtempo country-inspired pop/rock. Her voice isn't always strong or rich enough to sustain interest in which she's singing, but the diversity of sounds, including one great Allen Tousaint number ("Tears, Tears and More Tears") holds the interest. The remastering is adequate but not especially impressive. ~ Bruce Eder
Personnel: Nicolette Larson (vocals, guitar, percussion, background vocals); Ted Templeman (vocals, percussion, background vocals); Maureen McDonald, Linda Ronstadt (vocals, background vocals); John McFee, Andrew Kastner, Patrick Simmons, Paul Barrére, Fred Tackett (guitar); Gene Meros, Jerry Jumonville (saxophone); Lee Thornburg (trumpet); Mark Jordan (Fender Rhodes piano, keyboards, synthesizer); Doug Livingston (Fender Rhodes piano, keyboards); Bill Payne (keyboards, synthesizer); Mark T. Jordan (keyboards); Keith Knudsen, Rick Shlosser (drums); Bobby LaKind (congas, percussion); Ted Thornburg (percussion).
Nicolette Larson Radioland Songs Purchase Radioland CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
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| | Umphrey's McGee Local Band Does O.K. CD (2002)
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The History of Umphrey's McGee Local Chicago upstarts have garnered much attention coast to coast with their guitar-heavy jams and melodic vocal work. Who are these six individuals who played before 12,000 people at the jam paradise of the Bonnaroo Music Festival in Tennessee? Around the nation, people are flocking to their local venues to see what all the buzz is about. The local band is Umphrey's McGee and they are doing O.K. Over the last few years Umphrey's McGee has toured the nation coast-to-coast, spreading their orchestral smorgasbord of sound. Having traversed the countryside, Umphrey's McGee has built up quite a repertoire of original music that changes with every show, and a large following of loyal fans to boot. Busting genres left and right, Umphrey's originals span everything from classical to bluegrass, gangsta-rap to hair-metal, jazz improv to downright dirty funk. Throw in some fun, unexpected covers and a great light show and you've got yourself a must-see performance. There really is something for everyone in Umphrey's McGee! It began in December of 1997 at the home of the Fighting Irish in South Bend, Indiana when two up-and-coming bands merged to form Umphrey's McGee. After playing together for a few months and releasing their first album, Greatest Hits Volume III, original members Joel Cummins (keyboards, vocals), former drummer Mike Mirro (drums, vocals), Brendan Bayliss (guitar, vocals) and Ryan Stasik (bass) had the opportunity to play a few shows with percussionist Andy Farag. In June of 1998, they invited Andy to join the band full-time, and in November they recorded their second release, entitled Songs for Older Women. In September of 2000, Niles, Michigan guitarist Jake Cinninger found himself without a band, and Umphrey's jumped at the opportunity to bring this versatile musician into their fold. After a few practices it became apparent that Umphrey's McGee had found the full sound they were looking ...
| | Leon Redbone Sugar CDs (1991) Reissue
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Leon Redbone entered the 1990s with the baker's dozen of selections on Sugar (1991), one of his best overall efforts to date. His unique and unmistakable interpretations of obscure jazz and early popular melodies are augmented by the occasional and equally singular original composition. The tunes are carefully crafted in such a way that they ably augment Redbone's distinct vocals, which vacillate between a gravel-voiced mumble and full-bodied bellow. In keeping with the musical persona he'd established for himself, the arrangements are often a synthesis of the refined jazz stylings of the Quintet of the Hot Club of France, with essential nuggets of traditional American folk, blues and pop. The opening "Ghost of the St. Louis Blues" is the perfect case in point, as the tastefully scored string section caresses the mid-tempo pace. Asleep at the Wheel member Cindy ...
| | Mojave Road Maybe I'm A Hound Dog CD (2004)
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I'm driving through the night on Kagel Canyon Road, unwisely venturing deeper and deeper into California's San Gabriel Mountains. A deer cuts in front of me, and I finally understand where the expression 'deer in the headlights' comes from. Just as I start worrying that I got the directions all wrong and will never see civilization again, I spy the red neon sign: Don & Cyn's hideaway--A honkytonk if I ever saw one. I cut my way through the crowd of cowboys, Mexican farm workers and bikers. These aren't urban cowboys, office workers gone country for the weekend, or suburban boot-scooters. This is the real deal. It's 9:00, and the joint is already jumping-free style. The band is smoking. This is a two-night engagement. The boys will be playing old favorites and test-driving new original songs for the up-coming album. My first impression of Keith Baxter, Mojave Road's lead singer, is that he reminds me of Sleepy Labeef--Something about the presence, the 6'5", the booming voice, the poise of the entertainer that can't be stumped. The band is tearing it up on a rendition of "Born To Boogie" that would make Bocephus proud. Steve Pro, the keyboard player seems particularly on fire. The song ends huge. Keith follows immediately with "Return Of The Grievous Angel." The band has been playing this song for two years on the L.A. club circuit. Back then, it was almost an act of radicalism; these days, channeling Gram Parsons almost seems like an obligatory gesture, but not when these guys do it. I now see the other side of Keith--Keith The Sensitive. Couples shuffle across the floor. An old hippy sitting on my right looks like he's about to cry. The pedal steel, the telecaster, the piano, the harmonies... The six-piece band really does the song justice. This is the real deal. Country rock lives!The band kicks off the second set with an original: Pontiac Man, the infectious opening track of Mojave Road's first album, 'Maybe I'm A Hound Dog.' ...
| | Cure Head On The Door CD (1985) Reissue
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| | Deine Lakaien Forest Enter Exit CD (2007) (Import)
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