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Eno, Brian - Thursday Afternoon CD Cover Art
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Brian Eno Thursday Afternoon CD

 Brian Eno Discography of CDs

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The whole of THURSDAY AFTERNOON consists of one 61-minute track, itself an edit of a much longer piece designed as the accompaniment for a video piece by artist Russell Mills. In the tradition of 19th century program music, THURSDAY AFTERNOON attempts to musically evoke the feelings of a specific experience. Amusingly, the experience being evoked is the tedium of a nondescript, unexciting day. While it's perhaps up to the individual listener as to whether this makes for an entirely satisfying listening experience, THURSDAY AFTERNOON is one of Brian Eno's most intellectually intriguing pieces. THURSDAY AFTERNOON stretches the concept of ambient music nearly to the breaking point--the piece consists almost entirely of single notes and simple chords held seemingly without end, with the occasional wash of piano notes wafting through. Or, to put it another way, nothing happens. Frequently.Uncut (p.117) - 4 stars out of 5 - "Magnificently evocative..."
Mojo (Publisher) (p.114) - 5 stars out of 5 - "[A] seamless 61 minutes of random piano notes falling, like raindrops from a leaf, onto a shimmering synthesizer puddle."
Thursday Afternoon Music


Detailed Thursday Afternoon Music Information



List Price $17.98 (You save $5.49)
Category Rock/Pop Albums, Rock CDs, Pop, Electronica, Alternative, Instrumental, Ambient
Label Astralwerks (Record Label)
Orig Year 1985
All Time Sales Rank   49967  
CD Universe Part number 6828615
Catalog number 63648
Discs 1
Release Date Mar 22, 2005
Studio/Live Studio
Mono/Stereo Stereo
Producer Brian Eno
Engineer Daniel Lanois; Tim Hunt
Recording Time 60 minutes
Additional Info Remastered; Digipak
Brian Eno Thursday Afternoon Songs


Brian Eno Thursday Afternoon Album Track Listing



1.Thursday Afternoon, for electronics - (61 minute version)
Thursday Afternoon Music


Thursday Afternoon Other Versions



Brian Eno
Thursday Afternoon  (1985) Japan; Mini LP Sleeve
CD$38.39
Brian Eno
Thursday Afternoon  (1985) Limited Edition; Mini LP SleeveAudio Samples
CD$11.09
Brian Eno
Thursday Afternoon  (1985) ImportAudio Samples
CD$20.99
Thursday Afternoon Review


Thursday Afternoon Music Reviews



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It was here that Eno first began to experiment with abstract soundscapes, to employ a greater spatial element and the ethereal synthesizer effects that presaged an entire movement of ambient music. While most of the tracks are instrumental, the numbers that feature Eno's peculiar, affectless voice and free-associative lyrics seem to blend into the fabric of the album. ...
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Eno's last glam-pop album before devoting himself entirely to ambient experimentation, BEFORE AND AFTER SCIENCE showcases two sides of Eno's musical personality. The first half of the disc is characterized by floppy, pop-tinged romps reminiscent of his earlier albums (and heralding later Eno-piloted projects such as the Talking Heads' SPEAKING IN TONGUES). Tunes like "Backwater" and "King's Lead Hat" (a song whose lyrics are reputedly about the Talking Heads, ...
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Music composed by Frederick Loewe. Lyrics written by Alan Jay Lerner. Digitally remastered by JVC using XRCD (Extended Resolution Compact Disc) technology. At a time when digital recording was in its infancy and there was a vogue for having opera singers "cross over" to pop by making albums of Broadway show music, conductor John Mauceri, a master of the crossover field, undertook this "DDD" (digitally recorded, mixed, and mastered) studio cast version of Lerner & Loewe's My Fair Lady with Kiri Te Kanawa in the leading role of "flower girl turned lady" Eliza Doolittle and well-respected British actor Jeremy Irons opposite her as the chauvinistic elocutionist Henry Higgins, accompanied by the London Symphony Orchestra. Among the supporting performers were the venerable British actor John Gielgud as Higgins' friend Colonel Pickering and tenor Jerry Hadley as Eliza's paramour, Freddy Eynsford-Hill. The chief attributes of the recording are the various additions to the score (as compared to the original Broadway and London cast LPs and the original soundtrack album), possible due to the increased length of 70 minutes, and Irons' spirited performance. Unlike Rex Harrison, who talked his way through the stage and film productions, Irons introduces a certain limited amount of singing here and there, and he manages to come up with his own independent interpretation of the part, which is somewhat more emotional and less authoritarian than Harrison, but is still true to the character. Conscious that this is a purely audio interpretation, he projects more than he might if on-stage, but in such an oversized part, that works fine. Gielgud hasn't got much to do, but does what he has well; Hadley sings his big song, "On the Street Where You Live," with verve; and Warren Mitchell, as Eliza's father, is suitably roughhewn in his songs, "With a Little Bit of Luck" and "Get Me to the Church on Time." The recording's only real disappointment is Te Kanawa, who, despite an accent coach, manages to get her interpretation backwards. She sounds like she's faking it when she speaks and sings in a Cockney accent, and only seems at home after Eliza has learned to pretend to be upper class; of course, it should be the other way around. ~ William Ruhlmann This trio set by Shelly Manne & His Friends (consisting of the drummer/leader, pianist André Previn, and bassist Leroy Vinnegar) was a surprise best-seller and is now considered a classic. Previn (who is really the main voice) ...
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ONE BY ONE won the 2004 Grammy Award for Best Rock Album. "Times Like These" was nominated for Best Rock Performance By A Duo Or Group With Vocal. "All My Life" won the 2003 Grammy Award for Best Hard Rock Performance. "All My Life" was nominated for the 2003 Grammy Award for Best Rock Song. This limited edition of the 2002 release features six bonus tracks: "Walking a Line," "Sister Europe," "Danny Says," "Life of Illusion," "For all the Cows" (Live), and "Monkey Wrench" (Live). In between manning drums for the Queens Of The Stone Age album SONGS FOR THE DEAF and the 2003 all-star death metal side-project Probot, Dave Grohl turned out ONE BY ONE, the Foo Fighters' fourth studio outing. With the Foo's line-up remaining intact for the second consecutive album, Grohl's posse set about sanding down the lighter, pop-inflected nuances of the album's predecessor THERE IS NOTHING LEFT TO LOSE. From the opening cut/lead single "All My Life," the Foo Fighters serve notice that amps are cranked and guitars are far beyond being set on stun. This intense outpouring of energy manifests itself well on the simmering tension of "Low," buzzing melodicism of "Times Like These (One-Way Motorway)," and the drill-press relentlessness of "Have It All." Taking a page from the book of his former group Nirvana, Grohl has fun playing around with dynamics particularly on the bipolar subtle/screaming "Disenchanted Lullaby" and "Lonely As You," a chugging number that seamlessly goes from a lightly ...
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