| | Scandalous Libby Holman: Something To Remember Her By CD - Import Libby Holman Discography of CDs
A long overdue release from one of Stage's most celebrated arrtists. Features five additional tracks with Josh White. Remastered and includes a 12 page booklet.
Personnel: Josh White.
Scandalous Libby Holman: Something To Remember Her By Music Scandalous Libby Holman: Something To Remember Her By Songs | 1. | Moanining Low |
| 2. | Body and Soul |
| Scandalous Libby Holman: Something To Remember Her By Review
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Purchase Scandalous Libby Holman: Something To Remember Her By CD To buy, Click on price to add to cart | Magic Show DVD (1981) Original Broadway Cast
Scandalous Libby Holman: Something To Remember Her By
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| | Mildred Bailey Mrs. Swing CDs (2003) (Import) Box Set; United Kingdom
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| | Renee Olstead CD (2004)
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| | Lucinda Williams Live @ The Fillmore West CDs (2005) Digipak
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| | Charlie Feathers Rockabilly Kings CD (2005) (Import) United Kingdom
Scandalous Libby Holman: Something To Remember Her By
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| | Great Waltz CD (2006) Original Soundtrack
Scandalous Libby Holman: Something To Remember Her By
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| | Steel Pulse State Of Emergency CD (1988)
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| | Go Go Robot Wait Three Days...Then Attack CD (2001)
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| | Frankie Laine I Believe CDs (2001) (Import) Import; Boxed Set; Germany
Scandalous Libby Holman: Something To Remember Her By
$222.79 Over a span of about 12 years beginning in 1990, Bear Family reissued a veritable flood of Frankie Laine recordings. Several single-volume compact discs were eventually followed by three massive box sets containing hundreds of examples of his hormonally anchored artistry. I Believe, a 163-track gunboat-sized anthology, was released in 2001, six years prior to his passing in 2007 at the age of 93. Especially in light of his tireless work as a civil rights activist during the 1950s and '60s, it is clear that Laine was a much deeper individual than his presentational veneer might at first imply. Chicago-born Sicilian-American vocalist Francesco Paolo LoVecchio, commonly known as Frankie Laine, was one of his country's definitive interpreters of popular song during the 1950s. The son of Al Capone's barber and a product of a healthy multicultural environment, he named Vaudeville's Al Jolson, Depression era crooner Gene Austin, operatic archetype Enrico Caruso, and blues empress Bessie Smith as primary influences. Boosted into show business by Hoagy Carmichael, Laine was also heavily inspired by Nat King Cole and the hard hitting dance-inducing style pegged by the recording industry as Rhythm & Blues. Laine's reputation would ultimately be wrapped up in well-hung cowboy & western motifs, which are mingled on this mammoth collection with sentimental hits, jazz standards, gospel-oriented songs (a mode he would revisit in 1969 with "Dammit Isn't God's Last Name"), and the upbeat topical novelties that perfectly suited his penchant for brusque, vigorous delivery. The mannered, sometimes caricatured intensity of his act was supported by instrumentalists whose collective experience touched upon many decades of stylistic evolution, from early blues, hot dance music and swing to bop, R&B and the rise of rock & roll. Additional vocalists heard on this collection are the Starlighters, the Mellomen, the Four Lads, the Norman Luboff Choir, Jo Stafford, and Doris Day. Although he clearly enjoyed putting across romantic melodies, Laine is in his prime element with testosterone-stoked chunks of Americana like "High Noon," "Rawhide," "Bullwhip," "Gunfight at the O.K. Corral," "Cool Water," and "Sixteen Tons." He tosses off "Drill Ye Tarriers Drill," "Hawkeye," ...
| | Carolyn Dawn Johnson Room With A View CD (2006)
Scandalous Libby Holman: Something To Remember Her By
$6.05 Personnel includes: Carolyn Dawn Johnson (vocals, acoustic guitar); Paul Worley (12-string acoustic guitar, bass); Biff Watson, Curtis Ryle (acoustic guitar); Jonathan Yudkin (fiddle); Timothy J. Lauer (accordion); Steve Nathan (piano, keyboards); Glenn Worf (bass); ...
| | Somi Red Soil In My Eyes CD (2007) (Import)
Scandalous Libby Holman: Something To Remember Her By
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| | Rajeev Taranath Manan (Meditation) CD (2008) (Import) United Kingdom
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| | Black Sabbath Never Say Die! CD (1978) Remastered; Digipak
Scandalous Libby Holman: Something To Remember Her By
$12.79 Digitally remastered edition of this 1978 album from the veteran Heavy Metal maniacs. Towards the end of 1977, Black Sabbath were in a state of turmoil. Problems of all description were having an adverse effect on the band's ability to function and finally Ozzy Osbourne could take no more and would quit at the end of the Technical Ecstasy World Tour. Ozzy eventually returned to resume lead vocal duty and a re-location to Toronto, Canada for recording sessions and the resultant Never Say Die! album. This re-mastered and sumptuous gatefold digipak edition of the album boasts comprehensive story of the album sleeve-notes by renowned Rock critic Jerry Ewing and a plethora of rare and previously unseen photographs and items of memorabilia. Sanctuary.
NEVER SAY DIE is Black Sabbath's last LP with Ozzy Osbourne. Black Sabbath: Ozzy Osbourne (vocals); Tony Iommi (guitar); Geezer Butler (bass); Bill Ward (drums). Additional personnel: John Elstar (harmonica); Don Airey (keyboards). Recorded at Sounds Interchange, Toronto, Canada. After going their separate ways for a brief period following the emotionally taxing and drug-infested Technical Ecstasy tour, Black Sabbath and singer Ozzy Osbourne reconciled long enough to record 1978's Never Say Die! -- an album whose varied but often unfocused songs perfectly reflected the band's uneasy state of affairs at the time. Even the surprisingly energetic title track, which seemed to kick things off with a promising bang, couldn't entirely mask the group's fading enthusiasm just beneath the surface after a few repeated listens. The same was true of half-hearted performances like "Shock Wave" and "Over to You," and there were several songs on the record that sound strangely disjointed, specifically "Junior's Eyes" and the synthesizer-doused "Johnny Blade" -- as though their creation came in fits and starts, rather than through cohesive band interaction. But when it came to wild, stylistic departures, one's disappointing realization that the lurching, saxophone-led "Breakout" came from -- and then went back to -- absolutely nowhere was easily offset by the stunningly successful oddity that was "Air ...
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