| | Darkest Hour - Party Scars And Prison Bars: A Thrashography DVD Darkest Hour CDS
 (1 Customer Review)
| Category | Rock DVDs, Music Video - Rock Movies, Music Video Videos, Pop Music Videos, Music (General), Pop/Rock, Live Performances, Rock And Roll, Concert, Biography, Rock Bands, Heavy Metal, Interviews, Rock Concerts, Behind The Scenes, Hard Rock | | Music Performer(s) | Darkest Hour |
Standard Screen; Soundtrack English Washington D.C. band Darkest Hour crafts blistering, Swedish-influenced death metal underscored by an undeniable element of melody, socially-conscious lyrics, and hints of thrash and punk. PARTY SCARS AND PRISON BARS: A THRASHOGRAPHY chronicles Darkest Hour's history--from their 1995 formation to their supporting slot on the 2004 Ozzfest--through interviews with the band, live performances from around the globe (including their first ever concert in 1995), behind-the-scenes footage, video clips from the members' previous bands, and full-length music videos for "The Sadist Nation" and "March to the Killing Rhythm." Darkest Hour - Party Scars And Prison Bars: A Thrashography | List Price | $12.97 (You save $3.12) | | Studio | RED Distribution | | Orig Year | 2004 | | All Time Sales Rank |  33190  | | CD Universe Part number | 6829759 | | Catalog number | 252 | | Discs | 1 | | Release Date | Feb 22, 2005 | | Rating | Not Rated | | Movie Details | Color |
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Purchase Darkest Hour - Party Scars And Prison Bars: A Thrashography Movie To buy, Click on price to add to cart | All That Remains This Darkened Heart CD (2004)
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Judging from just the first song on This Darkened Heart, one is tempted to immediately rank All That Remains among the top tier of current Swedish-influenced American hardcore-metal bands (and there are a lot of them). The dual-guitar interplay of Oli Herbert and Mike Martin is intricate and impressive, and their classically tinged riff-writing yields at least a slight distinction from their many At the Gates-influenced contemporaries. However, as early as the second track -- and again on several of the others -- they reveal their downfall in attempting to incorporate passages of melodic singing. It's a downfall they share with plenty of other bands in this genre. It would be a great idea to try this technique if these bands could pull it off tastefully, but All That Remains, like many of their counterparts, do not do so. The cleanly sung breakdowns on "Focus Shall Not Fail," "Tattered on My Sleeve," and the title track feel forced and are at times cringe inducing, sounding vaguely like bad-'80s radio rock (think late Journey). The other problem is that, as the album wears on, the experienced listener can't help but get the feeling that he or she has heard many of these riffs before -- if not note for note, then close enough that it doesn't make much of a difference. The guitar playing is excellent, and as a whole this album is better than average for the genre -- especially by ...
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Though the members of Darkest Hour had been slugging it out for many years before the release of this 2005 effort, their first to crack the BILLBOARD Top 200 charts, their music changed little over time. UNDOING RUIN is tight, uncompromising '80s-style thrash paired ...
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Full of pride, Cassiopeia compares her daughter's beauty to that of Hera. Angered, the queen of the gods has Poseidon unleash the monstrous beast Craken to destroy their village unless Cassiopeia's daughter, Andromeda, is sacrificed. Perseus, the son of Zeus, becomes enchanted with the breathtaking beauty and is determined to save her from this fate. The young hero, armed with a magical shield, a winged stallion and a mechanical owl, discovers the only way to defeat the monster is with the head of Medusa. The gods watch and intervene on Perseus' quest to save his beloved.
This was legendary ...
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