| | Jazz That's Soulfully Blue Super-Audio CD (1 Customer Review)
This is a hybrid Super Audio CD playable on both regular and Super Audio CD players.
Personnel: Della Griffin, Etta Jones, Everett Greene (vocals); Vincent Corrao, Russell Malone, Bob DeVos (guitar); David "Fathead" Newman , Red Holloway (alto saxophone); Houston Person, Teddy Edwards (tenor saxophone); David Braham, Aaron Graves, John Hicks, Norman Simmons, Richard Wyands, Stan Hope (piano); Bryan Carrott (vibraphone); Percy Smith, Alvin Atkinson, Grady Tate, Kenny Washington, Vince Ector, Winard Harper (drums).
Live Recording
**Super Audio CD (SACD)**
A Super Audio CD player is required to play this CD.
This item will not play on standard CD players. Jazz That's Soulfully Blue Music Jazz That's Soulfully Blue Songs Jazz That's Soulfully Blue Music Review Purchase Jazz That's Soulfully Blue CD To buy, Click on price to add to cart | Lady Macbeth Of Mtsensk DVD (1992)
Jazz That's Soulfully Blue
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| | Paco De Lucia Friday Night In San Francisco (1980) Super Audio CD
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Full performer name: Al DiMeola/John McLaughlin/Paco De Lucia.
Personnel: Al DiMeola, John McLaughlin, Paco De Lucia (steel & nylon-string acoustic guitars).
Producers: Al DiMeola, John McLaughlin, Paco DeLucia.
Includes liner notes by Bill Milkowski.
Full performer name: Al DiMeola/John McLaughlin/Paco De Lucia.
Personnel: Al DiMeola, John McLaughlin, Paco De Lucia (steel-string & classical acoustic guitars).
Producers: John McLaughlin, Paco De Lucia, Al DiMeola.
Master Sound releases are 24-karat gold plated CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system.
Full performer name: Al DiMeola/John McLaughlin/Paco De Lucia.
This is a Super Audio CD playable only on Super Audio CD players.
Personnel: Al DiMeola, John McLaughlin, Paco De Lucia (steel & nylon-string acoustic guitars).
Producers: Al DiMeola, John McLaughlin, Paco DeLucia.
Includes liner notes by Bill Milkowski.
This is a Super Audio CD playable only on Super Audio CD players.
Loose and spontaneous, this (mainly) live album ...
| | Miles Davis Porgy And Bess (1958) Import; Super Audio CD
Jazz That's Soulfully Blue
$62.85
This is a Super Audio CD playable only on Super Audio CD players.
Recording information: 07/22/1958-08/18/1958.
Tomes are available annotating the importance of this recording. The musical and social impact of Miles Davis, his collaborative efforts with Gil Evans, and in particular their reinvention of George Gershwin's Porgy and Bess are indeed profound. However, the most efficient method of extricating the rhetoric and opining is to experience the recording. Few other musical teams would have had the ability to remain true to the undiluted spirit and multifaceted nuance of this epic work. However, no other musical teams were Miles Davis and Gil Evans. It was Evans' intimate knowledge of the composition as well as the performer that allowed him to so definitively capture the essence of both. The four dates needed to complete work on Porgy and Bess include contributions from several members of his most recent musical aggregate: Julian "Cannonball" Adderley (alto sax), Paul Chambers (bass), and Jimmy Cobb (drums). Although the focus and emphasis is squarely on Davis throughout, the contributions of the quartet on "Prayer (Oh Doctor Jesus)," "I Loves You, Porgy," and "There's a Boat That's Leaving Soon for New York" are immeasurable. They provide a delicate balance in style and, under the direction of Evans, incorporate much of the same energy and intonation here as they did to their post-bop recordings. There is infinitely more happening on Porgy and Bess, however, with much of the evidence existing in the subtle significance of the ...
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Jazz That's Soulfully Blue
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Jazz That's Soulfully Blue
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| | Depeche Mode Playing The Angel CD (2005) (Import) Bonus DVD
Jazz That's Soulfully Blue
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Import only two disc (SACD + PAL/Region 0 DVD) edition of the British trio's 2005 album. The DVD features the same content as the US pressing. The SACD format is exclusive to the UK. Playing the Angel is quintessential Depeche Mode:-hi-tech electronic Pop with enormous hooks-and yet faster paced, and more urgent than recent albums. The band has sold upward of 50 million records worldwide during its 25 years, but Playing the Angel sounds as fresh and exciting as any in Depeche Mode's glorious history. Features 'A Pain That I'm Used To', 'Precious', 'Suffer Well' and more. Warner. 2005. This special edition includes a DVD featuring 5.1 and LPCM mixes of the whole album and a documentary ...
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Jazz That's Soulfully Blue
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| | Marshall Crenshaw (1982) (Import) Omr
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MARSHALL CRENSHAW also contains B-sides of singles, demos & live tracks.
Personnel: Marshall Crenshaw (vocals, various instruments, guitar, bass, percussion); Chris Donato (vocals, bass); Robert Crenshaw (vocals, drums); Tony Garnier (bass); Michael Osborn, Richard Gottehrer (percussion).
Producers: Richard Gottehrer, Marshall Crenshaw, Scott Miner.
Principally recorded at the Record Plant, New York, New York in January 1982.
Originally released on Warner Brothers (3673). Includes liner notes by Marshall Crenshaw & David Gorman.
Digitally remastered by Bill Inglot.
Personnel: Marshall Crenshaw (vocals, various instruments, guitar, bass, percussion); Chris Donato (vocals, bass); Robert Crenshaw (vocals, drums); Tony Garnier (bass); Michael Osborn, Richard Gottehrer (percussion).
Producers: Richard Gottehrer, Marshall Crenshaw, Scott Miner.
Principally recorded at the Record Plant, New York, New York in January 1982.
Originally released on Warner Brothers (3673). Includes liner notes by Marshall Crenshaw & David Gorman.
Personnel: Marshall Crenshaw (vocals, guitar); Chris Donato (vocals, bass instrument); Robert Crenshaw (vocals, drums).
In retrospect, 1982 was a brief, exhilarating moment in between the fall of disco and the rise of MTV, when the eternal verities of real rock & roll broke through once again. The punk and new wave music of the late '70s had given way to power-pop, a return to catchy, relatively unadorned guitar rock. In that context, it was easy to see Marshall Crenshaw and his self-titled debut album as the Next Big Thing. Hailing from music-rich Detroit but based in new wave mecca New York City, Crenshaw looked like Buddy Holly by way of Elvis Costello, and sounded like that combination too. His ...
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