| | William Parker Luc's Lantern CD William Parker Discography of CDs
Live Recording
Personnel: William Parker (double bass); Eri Yamamoto, Eriko Yamamoto (piano); Michael Thompson , Michael Thompson (drums). Recording information: Park West Studios, Brooklyn, NY. A giant of avant-garde jazz bass, William Parker has soared in various cutting-edge contexts as a leader and with fellow titans Roscoe Mitchell, Cecil Taylor, and David S. Ware. LUC'S LANTERN is something of a departure--it's a piano trio session that evokes the poignant lyricism and straightforward intimacy of 1960s works by Bill Evans, Herbie Hancock, and Monty Alexander. While there are indeed "free" moments, LANTERN, on the whole, shines a contemplative, relaxing, and slightly melancholy light. Pianist Eriko Yamamoto has a very rhapsodic, pointed, and measured style--she chooses notes assiduously, yet never sounds tentative. Drummer Michael Thompson's playing is crisp, sharp, and rhythmic, and Parker's warmly discerning approach (recalling that of Ray Brown and Scott LaFaro) is perfect for these concise trio gems.
The Wire (p.59) - "A beautiful record by any measure..." JazzTimes (p.74) - "Thompson is impressive...both in his rhythmic affinity with Parker and in his sensitivity to texture and tone." William Parker Luc's Lantern Songs Luc's Lantern Review
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Purchase Luc's Lantern CD To buy, Click on price to add to cart | David S Ware Live In The World CDs (2005)
Luc's Lantern
$20.49 Personnel: David S. Ware (saxophone); Matthew Shipp (piano); Guillermo E. Brown, Hamid Drake, Susie Ibarra (drums). Recording information: Cineama Taetro, Chiasso, Switzerland (12/11/1998-??/??/2003); Milano, Italy (12/11/1998-??/??/2003); Terni, Italy (12/11/1998-??/??/2003). Very few saxophonists have been capable of replicating the intense transcendental energy generated by the tenor saxophone of John Coltrane, ...
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Luc's Lantern
$13.49 Personnel: Antonio Hart (flute, soprano saxophone, alto saxophone); Mark Gross (alto saxophone); Chris ...
| | William Parker Sound Unity CD (2005)
Luc's Lantern
$13.29 William Parker (Bass): William Parker (bass guitar); Rob Brown (alto saxophone); Hamid Drake, Lewis Barnes. Personnel: Lewis Barnes (trumpet); Hamid Drake (drums). Liner Note Author: William Parker . Recording information: La Sala Rossa, Montreal, Quebec, Canada (06/27/2004/07/02/2004); Vancouver East Cultural Centre, Vancouver, British Colu (06/27/2004/07/02/2004). SOUND UNITY (2005) is one of William Parker's ...
| | Andrew Hill Time Lines CD (2006)
Luc's Lantern
$13.45 Personnel: Andrew Hill (piano); Andrew Hill; John Hebert (upright bass); Greg Tardy (clarinet, bass clarinet, tenor saxophone); Charles Tolliver (trumpet); Eric McPherson (drums). Audio Mixer: Dae Bennett. Recording information: Bennett Studios, Englewood, NJ (06/23/2005-07/18/2005). Photographer: Jimmy Katz. While recording ...
| | Ornette Coleman Sound Grammar CD (2006)
Luc's Lantern
$13.19 Personnel: Ornette Coleman (violin, alto saxophone, trumpet); Greg Cohen, Tony Falanga (double bass); Denardo Coleman (drums). Recorded in front of a live audience, 2006's SOUND GRAMMAR was the first release of all ...
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| | Ornette Coleman Tomorrow Is The Question! CD (1959)
Luc's Lantern
$9.59 Personnel: Ornette Coleman (alto saxophone); Don Cherry (trumpet); Percy Heath, Red Mitchell (bass); Shelly Manne (drums). Recorded at Contemporary's Studio, Los Angeles, California on January 16, February 23 and March 9 & 10, 1959. Originally released on Contemporary (7569). Includes original liner notes by Nat Hentoff. Digitally remastered by Joe Tarantino (Fantasy Studios, Berkeley, California). Personnel: Ornette Coleman (soprano saxophone, alto saxophone); Ornette Coleman; Percy Heath, Red Mitchell (upright bass); Don Cherry (trumpet); Shelly Manne (drums). Liner Note Author: Nat Hentoff. Recording information: Contemporary's Studio, Los Angeles, CA (01/16/1959-03/10/1959). On his second outing for the Contemporary label, Ornette dusted the piano from the bandstand and focused instead on a quartet. For some unexplained reason, Billy Higgins was replaced by Shelly Manne; the only constants remain Coleman and Don Cherry. The focus, then, is on the interplay between the altoist and trumpeter in executing Ornette's tunes, which were, more than on the preceding album (Something Else!, recorded a year earlier), knottier and tighter in their arrangement style. The odd-syncopation style of the front line on numbers such as "Tears Inside," which comes out of the box wailing and then simmers down into a moody, swinging blues, was a rough transition for the rhythm section. And the more Ornette and Cherry try to open it up into something more free and less attached to the tune's form, the more Manne and especially bassist Percy Heath hang on. Still, there are great moments here: for example, the celebratory freedom of "Giggin'," with its wonderful trumpet solo, and "Rejoicing," which has become one of Coleman's classics for its elongated melody line and simple obbligato phrasing, which become part of a wonderfully complex solo that keeps the blues firmly intact. ...
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Luc's Lantern
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