| | Guce Clear And Present Danger CD Guce Discography of CDs
Recording information: G man Stan Studios; Premiere Studios; Tight Out Da Gate Studios; West Dwgz Studios.
Photographer: Victor Hall.
Unknown Contributor Roles: Chunk ; Lil Dank; Taydatay.
Personnel: Guce (vocals, background vocals); San Quinn, Sean T, Shadow, Cherelle Fortier (background vocals).
Audio Mixers: KZO; Stan the Guitar Man; TC .
Clear And Present Danger Music Guce Clear And Present Danger Songs Clear And Present Danger Music Clear And Present Danger Review
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Purchase Clear And Present Danger CD To buy, Click on price to add to cart | Jacka Jack Artist CD (2005)
Clear And Present Danger album
$13.15 Enter the Jacka. The death of 2Pac in the mid 90's ripped the heart out of West Coast Hip Hop. At the same time a young street poet named the Jacka was honing his skills in the Bay Area Rap game. Always open minded, he was influenced by b-boys and thugs, pimps and Imams. The Jacka has since developed into an established, well-rounded, well-versed emcee in the right place to bring the West Coast some serious attention. The Jacka's music is a reflection of his life. He witnessed the birth of the dope game and the drug war that followed, as the battle was waged in his community, on his block, and in his house. Memories of departed loved ones haunt his mind and soul. His release is to share his experiences through his music. Reality hurts. Rap is the Jacka's medicine. That and some purple. Jacka's success proves his mettle as an emcee. He has been featured on over 50 albums over the past six ...
| | Jacka All Trades CD (2006)
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| | AP 9 Mob Shop CD (2006)
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| | Fed-X Drug War CD (2006)
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| | Jacka Shower Posse CD (2006) Bonus CD
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| | Jacka Mob Trial CD (2006) Parental Advisory
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| | Dale Zola Breeze At Dawn: The Poems Of Rumi In Song CD
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| | Boodah an Da Bandit Brain On Drugz CD (1995)
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| | Gene Chandler Duke Of Earl: The Very Best Of The Vee-Jay Years CD (2005) (Import) Import; United Kingdom
Clear And Present Danger album
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| | Diana Ross One Woman: The Ultimate Collection CD (1997) Japan
Clear And Present Danger CD music
$28.65 Additional personnel includes: The Temptations (vocals); The Four Tops (background vocals).
THE ULTIMATE COLLECTION is as all-encompassing as a single disc can be in cataloging a three-decade career (so far) that could be filed under any of a dozen or so branches of pop and R&B. (For the complete story, see the four-disc set FOREVER DIANA: MUSICAL MEMOIR.) A sort of Motown blend of Elvis Presley and Barbra Streisand, Diana Ross started out as a singer of amazing torch songs with the most sensual of all girl groups, the Supremes, and eventually became bigger than her name. Since then, she has been as willing to sing the most sentimental of ballads as to take on a new dance beat. And Ross has handled every move with class; she rarely sounds like a pop star stooping to latch onto a trendy new sound, but rather like a seasoned balladeer reaching for a new melody.
THE ULTIMATE COLLECTION starts with five Supremes classics, and then moves on to a solo career that included such disparate hits as the gorgeous MOR ballad "Theme From Mahogany (Do You Know Where You're Going To?)" and the sublime disco treat "Upside Down." It also includes Frankie Knuckles' thoroughly '90s dance remix of the Supremes' "Someday We'll Be Together" (from 1994's DIANA EXTENDED: THE REMIXES), a song that brings both her career and this generous disc full circle.
Be assured that the title here is not remotely hyperbolic; in fact, it's hard to imagine a better single disc Supremes greatest hits collection. Every Supremes song you could conceivably want is here in chronological order, beginning with their first Top 40 hit, 1963's "When the Lovelight Starts Shining Through His Eyes," to 1969's cleverly calculated farewell smash "Someday We'll Be Together."
All of them are in the original glorious mono. This compilation is also a pretty interesting time capsule look at various '60s pop styles; for example, in retrospect, it's hard to think of the Supremes as having ever been remotely psychedelic, but even they got a little trippy with songs like "The Happening" and "Reflections."
This compilation attempts to condense Diana Ross's most successful recordings into one 20-song, 71«-minute disc. Well, there's good news and bad news. The good news is that Ross (who produced the album, which is to say picked the tracks) has included six of her Supremes recordings from the 1960s (one of them, "Someday We'll Be Together," in a new disco mix) and licensed a few songs from her stay at RCA in the 1980s, making this the most wide-ranging of her compilations. The bad news is that she has jettisoned many possible hits (only ten of her 18 chart-toppers are included) in the name of featuring four tracks from the 1990s that do not rank with her best, either aesthetically or in terms of popularity. In other words, Ross has constructed the album as she might a concert -- a sprinkling of early Supremes hits, all her biggest solo hits, and what she considers the highlights of her current work. The result is a less than perfect, or "ultimate" portrait, since the selection implies erroneously that a forgettable piece of tripe like the 1991 Top 40 hit "When You Tell Me That You Love Me" is as much a milestone in the Ross catalog as "You Can't Hurry Love" or "Upside ...
| | More Adventures Of Funk Soul Sisters CD (2005)
Clear And Present Danger music CDs
$8.59 Like Metro's sister volume, Funk Soul Sisters, this offers erratic (if often interesting), not-too-well-known woman-sung funk and soul, spanning the mid-'60s to the early '80s. There is the nagging suspicion that the material was dictated to some extent by the sources that Metro favors for licensing. Betty Harris, Ann Sexton, and Linda Clifford, for instance, are hardly the first names that come to mind when female funksters are discussed, yet they were on Funk Soul Sisters, and here they are again on this follow-up. It also draws more from relatively mundane late-'70s and early-'80s recordings -- sometimes reflecting the influence of disco -- than most such funk anthologies. Betty Wright, Jean Knight, Mavis Staples, and Ike & Tina Turner are represented by fairly unfamiliar tracks, and otherwise these names are mostly unfamiliar to the public. Still, there are some decent performances here worth hearing, like ...
| | Chic CD (1977) Reissued
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| | Blacker Sheep Dreamdancer CD (2007)
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| | Majestics Rhythm Revue Town To Town CD (2007)
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