| | British Cinema And Theatre Orchestras Soundtrack CD
Personnel: Quentin MacLean (organ). Recording information: Paramount Theatre, London, England (1927-1939); The New Hippodrome, Coventry, England (1927-1939); The Plaza Theatre, London, England (1927-1939); The Regal Cinema, Marble Arch, London, England (1927-1939). Includes doll medley, for organ & pops orchestra by various composers. British Cinema And Theatre Orchestras Soundtrack Music British Cinema And Theatre Orchestras Soundtrack Review
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British Cinema And Theatre Orchestras Soundtrack
$11.59 Also available with RESERVOIR DOGS as a 2-CD set. This collector's edition contains 4 additional tracks plus a bonus interview disc with director Quentin Tarantino. The soundtrack to Quentin Tarantino's darkly funny crime classic Pulp Fiction manages to re-create the film's wildly careening sense of style, violence, and humor by concentrating on the surf music that comprises the bulk of the movie's incidental music and adding a few sexy oldies integral to the film's story ("Let's Stay Together," "Son of a Preacher Man," "You Never Can Tell"). Of course, the inclusion of dialogue and Urge Overkill's seductive cover of Neil Diamond's "Girl, You'll Be ...
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$8.69 Full Title: Selections From Victory At Sea, War And Remembrance, Casablanca and Other Favorites. Personnel: Erich Kunzel (conductor), William Tritt (piano), Cincinnati Pops Orchestra. Recorded in Music Hall, Cincinnati on September 6 and November 23, 1987 and September 13, 1988. Personnel: William Tritt (piano). Liner Note Author: Alan Cohen. Recording information: Music Hall, Cincinnati, OH (09/06/1987/09/13/1988). Editors: Thomas Knab; Rosalind Ilett. Arrangers: Robert Russell Bennett; Richard Hayman. Richard Rodgers' greatest achievement was "Victory at Sea," an unprecedented 13-hour composition for the World War II television documentary series of that name. With the big help of orchestrations and undoubtedly many linking contributions by Robert Russell Bennett, Rodgers' huge score contains a wealth of memorable melodies; one great, stirring march after another; and many evocative illustrations of war scenes. Two hours of this mighty work were organized into three terrific suites by Bennett -- which he recorded for RCA Victor Red Seal -- but here, in "Victory At Sea"'s first digital recording, Erich Kunzel whittles it down further ...
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