| | Slim Dusty Foolin' Around CD - Import Slim Dusty Discography of CDs
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Our Price: $11.79  CDFor Sale Usually ships in 1-2 days
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EMI Gold. Foolin' Around Music | List Price | $12.99 (You save $1.20) | | Category | Rock/Pop Albums, Country CDs | | Label | EMI Gold | | Orig Year | 1996 | | CD Universe Part number | 6831305 | | Catalog number | 7801722 | | Discs | 1 | | Release Date | Nov 15, 1996 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Australia |
Foolin' Around Review
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Purchase Foolin' Around CD To buy, Click on price to add to cart | Blues Breakers With Eric Clapton CD (1966) Gold
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John Mayall & The Bluesbreakers: John Mayall (vocals, piano, organ, harmonica); Eric Clapton (vocals, guitar); John McVie (bass); Hughie Flint (drums).
Includes original release liner notes by Neil Slaven & reissue ...
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| | Reba Mcentire Keep On Loving You CD (2009) Enhanced CD
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KEEP ON LOVING YOU is contemporary country legend Reba McEntire's debut recording on the semi-independent Valory Music Company label's Starstruck imprint. Despite its release on an ...
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| | Joe Ely Settle For Love CD (2004) Enhanced CD
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Enhancements include a bonus music video of "My Baby Thinks She's French."
When Joe Ely left MCA for the first time after 1984's Hi-Res, he hid out for a few years before landing with Oakland blues and R&B label High Tone. It was a stretch for the label, and given Ely's new band, proved to be one for him as well. His Lubbock cum Austin country/rockabilly septet (which included Lloyd Maines, Jesse Taylor, and Ponty Bone) had been honed to a quartet that was built around young guitar slinger David Grissom and played Texas-brand rock & roll. Settle for Love compiles ten tracks from Ely's two High Tone outings, 1987's Lord of the Highway and 1988's Dig All Night, and adds a couple of bonus cuts to round it out to 12. The five tracks from the former include the Spanish-flavored "Row of Dominoes," the studio versions of his road staples "Are You Listenin', Lucky?" and "Me & Billy the Kid," and the amazing "Letter to L.A." This latter song offers an interesting view of Ely in transition; one can hear the influences of Bruce Springsteen and John Mellencamp, with its epic length (for Ely), its winding guitar solo by Grissom, and the saxophone lines by guest Bobby Keys. Additionally, he wrote all but the title cut (by Butch Hancock). The five selections from Dig All Night are deeper in the rambling rock groove ...
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| | Flora Purim Nothing Will Be As It Was...Tomorrow/Everyday CDs (2006)
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Collectables repackages Flora Purim's first two albums for Warner Brothers, recorded in 1976 and 1978 respectively. Her debut for the label, Nothing Will Be as It Was...Tomorrow featured a large studio band and was produced by Leon "Ndugu" Chancler. The band includes George Duke (here listed as "Dawili Gonga"), but Patrice Rushen, Hugo Fattoruso, Wagner Tiso, and Larry Nash on keyboards, guitarist Reggie Lucas (after leaving the Miles Davis group) on a number of cuts, bassist Byron Miller, a horn section that includes Fred Jackson, Ernie Watts, George Bohannon, and Oscar Brashear, with Dorothy Ashby on harp, percussionist Airto, a host of backing vocalists, Raul DeSouza on trombone, and a string section. The mood ranges from Purim's trademarked ethereal balladry to her uptown jazz-funk. Three of the album's cuts were written by Milton Nascimento; the glorious album opener "You Love Me Only" was written by Rushen. This is slick but it's not without merit. although the mastering job here is atrocious. The latter set, Everyday Everynight, produced by Airto and Bob Monaco, featured a host of even higher profile session players including Jaco Pastorius, Jon Faddis, Harvey Mason, Sr., Alphonso Johnson, Lee Ritenour, Randy and Michael Brecker, David Sanborn, DeSouza, Duke, and Michel Colombier -- who not only wrote or co-wrote the lion's share of the set, but did the string and horn arrangements. The latter set is a much more celebratory and romantic affair. Purim was attracted by Colombier's Wings album and was introduced by Pastorius. There is a beautiful waltz along the edge of a stiletto between the funky Brazilian pop-jazz approach, , and the elegant Latin funk-lite that was de regeur at the time. The title cut which opens the set, is a perfect indicator, as is "Samba Michel." The slippery smooth "Five-Four" by Colombier with its wordless vocals and fretless basslines is a signature tune for the composer, but so it the follo
Audio Remixer: Roger Harris.
Liner Note Author: Flora Purim.
Recording information: Conway Recording Studio, Hollywood, CA; CTS Music Center, Wembley, England; Paramount Recording Studios; Sound Ideas, NY.
Arrangers: Leon "Ndugu" Chancler; Hugo Fattoruso; Al McKay; Larry Nash.
Personnel: Flora Purim (vocals, percussion, background vocals); Flora Purim; George Duke (vocals, Fender Rhodes piano, keyboards, synthesizer); Jaco Pastorius (vocals, bass guitar); Airto Moreira (vocals, drums, percussion, background vocals); ...
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