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(15 Customer Reviews)
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Eldar Djangirov, who was already a promising pianist at a very tender age, was able to immigrate along with his parents to the United States in order to better develop his amazing talent. After he appeared on the nationally syndicated radio program Marian McPartland's Piano Jazz at the age of 12, he was already displaying formidable chops for one so young. After two earlier releases for the small D&D label, he recorded his major label debut in early 2004 for Sony Classical. Already able to play at furious tempos normally associated with greats like Oscar Peterson and the late Art Tatum, especially in the stunning opening rendition of "Sweet Georgia Brown," he sometimes has trouble restraining his ability to show off his technique, nearly overwhelming Bobby Timmons' soulful "Moanin'" at times. Better are his reserved but refreshing approach to "Nature Boy" and the superb original ballad, "Lady Wicks." Bassist John Patitucci and drummer Todd Strait provide excellent support for the young man on the trio tracks (especially in the introspective take of "'Round Midnight"). Tenor saxophonist Michael Brecker is added on the Latin-tinged original "Point of View." Like all players who demonstrate tremendous technique at a young age, critics will be watching Eldar Djangirov with great interest to see if he successfully builds upon his amazing gifts. ~ Ken Dryden
Audio Mixer: Al Schmitt.
Liner Note Author: Billy Taylor .
Recording information: Sony Music Studios, New York, NY (2004).
Photographer: Frank W. 3 Ockenfels.
Arranger: Eldar.
Personnel: Michael Brecker (tenor saxophone); Eldar Djangirov (piano, synthesizer); John Patitucci (bass instrument, acoustic bass, electric bass); Todd Strait (drums, percussion).
Additional personnel: Michael Brecker.
JazzTimes (pp.106-108) - "Eldar has formidable chops, as a lightning 'Sweet Georgia Brown' makes perfectly clear..." Eldar Music Review Average Rating: (3.8 out of 5 stars)    List All Reviews Jazz child prodigy with amazing future I believe that this CD will be considered an important early work in the continuing ouevre of the talented Eldar. He certainly has chosen outstanding sidemen to complement his complicated, virtouso playing. Submitted by teacher-leader (Louisville, KY, USA)  Was This Review Helpful? Yes No
Great music Great piano player. Would like to hear more original music from composer. Submitted by berrier (San Bernardino, CA, USA)  Was This Review Helpful? Yes No
amazing This guy is unbelievable. It's great to know that there are outstanding young jazz musicians like eldar who will continue with the jazz tradition. Thank you. Submitted by normanla (Dover, De. 19904)  Was This Review Helpful? Yes No
Technical Wizardry But Lacks Soul There is no doubt this young lad can play a piano fast. Very fast. And his classical training comes through loud and clear. I enjoyed the album, but felt at times like he was just trying to demonstrate just how many notes he could fit into one song. Immediately after playing this CD for the second time I played Jessica Williams' "Live at Yoshi's" and although both are trios, William's album felt as if all members of the trio were integrated and truly part of the whole. The members of Eldar's trio seemed at times to just be there to showcase Eldar. In Eldar's CD I never said to myself as I listened, "Wow, this is really beautiful music!" while I did many times while listening to the Williams album. It was a good album, but lacked the feeling of having soul and it was more like a piano exercise than real jazz. CWS Submitted by CWSJR.SD (San Diego, CA USA)  Was This Review Helpful? Yes No
Unbeliveable! Eldar is a true prodigy. I know that one hears that word bantered about frequently, but this is different. His technical facility alone puts him in a class by himself. But amazing chops are not all there is to this 18 yr old pianist. Although his influences may be Oscar Peterson, Bill Evans, Herbie Hancock and McCoy Tyner, he has already developed a unique voice on the piano. Years ago, young Eastern European musicians like Elgar would be gobbled up by a classical conservatory and he would be embarking on a classical career. It's refreshing to see someone like him embracing the Jazz tradition. Submitted by j.sorce (Portland, OR USA)  Was This Review Helpful? Yes No
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Purchase Eldar CD To buy, Click on price to add to cart | Conrad Herwig Que Viva Coltrane CD (2004)
Eldar album
$14.79 What more could Latin jazz fans ask for, seriously? Not only are all the players just this side of top guns, they have been playing together in the same group for just shy of ten years. An all-star lineup and the genuine synergy that comes with regular collaboration do not happen often. When they do, well, it's clave magic. Pianist Edsel Gomez's playing is sly and intuitive. Bassist John Benítez, whose Descarga in New York could be one of the decade's most defining Latin jazz records, is strong and confident. Richie Flores is the genre's most underappreciated conguero, and his playing is typically incendiary. Robby Ameen is, of course, among the most in-demand drummers on the scene, and his playing is dazzling as always. Brian Lynch has a voice all his own, and of course Conrad Herwig is one of modern jazz's most influential trombonists. This being Herwig's second go at the Coltrane songbook, the obvious choices are done with, leaving him some gems that were hidden slightly below the surface of public interest. "Lonnie's Lament" is masterfully arranged and funky enough to make your hair stand on end. "Countdown" is at times both graceful and storming. Que Viva Coltrane is a fantastic addition to Herwig's Latin body of work. ~ Evan C. Gutierrez
Pollwinning trombonist Conrad Herwig and acclaimed trumpeter Brian Lynch join together for a burning program of Latin Jazz treatments of compositions by the great ...
| | Joey Defrancesco Legacy CD (2005)
Eldar CD music
$10.39 Extending the good vibes created out of their first pairing on the live recording Incredible!, organists Joey Defrancesco and Jimmy Smith get down to business on Legacy. The two stellar and funky musicians have a great musical rapport and seem to really enjoy playing together. Fans of Incredible! will most likely find much to enjoy here. The album has a heavy Latin sound with percussionists Ramon Banda and Jose "Joey" de Leon supplying additional timbales and conga rhythms respectively. Also joining in this time around is special ...
| | Dave Holland Overtime CD (2005)
Eldar music CDs
$13.49 This exceptional date by Dave Holland Big Band was recorded in 2002 in New York, yet remained unreleased until 2005. As is to be expected, Holland assembled a fine cast of seasoned and young players, some of whom are veterans of Holland's quintets and quartets. These are four saxophones -- two alto, tenor and baritone -- three trumpets and trombones, and vibes as well as bass and drums. They include Chris Potter and Robin and Duane Eubanks, Antonio Hart, Steve Nelson, Josh Roseman, Billy Kilson, Taylor Haskins, Gary Smulyan, Jonathan Arons and Alex Sipiagin. The music centers around the opening four-part "Monterey Suite," a tour de force commissioned by the Monterey Jazz Festival and originally performed there in 2001. Holland's writing for the trombone section is dynamite. Roseman, Arons, and Robin Eubanks offer up solid bottom rung lines and tight timing as anchors for the rest of the brass though they often charge out front. Potter once more displays his talents as not only a fine soloist but as an excellent ensemble player, carrying the chair with authority and verve. The beautiful "Ario" hosts some really knotty and swelling harmonic interludes and the closer, "Last Minute Man," is electrifying, transcending ...
| | Joshua Redman Momentum CD (2005)
Eldar songs
$15.85 Once again featuring the expansive keyboard talents of Sam Yahel, saxophonist Joshua Redman's Momentum features more of the '70s-influenced jazz the former "young lion" experimented with on 2002's Elastic. Bringing to mind works by such iconic artists as Miles Davis, Herbie Hancock, and especially Eddie Harris, Redman digs into sundry groove-oriented tracks such as the driving and punchy "Sweet Nasty," which finds Yahel and Redman soloing hard over drummer Jeff Ballard's James Brown-ready dance beat. Interestingly, Redman conscribes some heavy sidemen to help stir the funk this time around with bassists Flea of the Red Hot Chili Peppers and jazz-pop iconoclast Me'Shell NdegéOcello adding their signature styles to their respective tracks. Similarly, Roots drummer ?uestlove, drummer Brian Blade, vibraphonist Stefon Harris, and guitarist Kurt Rosenwinkle contribute much with appearances here. However, it is organist Yahel who sets the musical tone for the whole album, adding in bubbly ambient synth sounds, clavinet, and Rhodes piano throughout. With all these talents at Redman's disposal it is disappointing that Momentum isn't more adventurous. When set next to such classics of '70s funk as Davis' On the Corner or Hancock's Head Hunters, Redman's album is just too polite and controlled to really live up to such comparisons. Also, the album relies a bit too heavily on in-studio gimmickry such as when trumpeter Nicholas Payton -- who also released his own paean to '70s fusion with Sonic Trance ...
| | Kenny Barron Perfect Set: Live At Bradley's 2 CD (2005)
Eldar album
$14.55 Bradley's was a legendary New York City jazz club that for 25 years acted as a gathering place for many of the Big Apple's top musicians, a place to hang out. In 1996, the Kenny Barron Trio dug in before the illustrious audience and played at their best. Barron and drummer Ben Riley were members of Sphere, a quartet (with tenor saxophonist Charlie Rouse and bassist Buster Williams) that initially paid tribute to Thelonious Monk. On this trio set, "The Only One" is based on Monk's "Hackensack," Barron takes Thelonious' "Shuffle Boil" as an unaccompanied piano solo, and the threesome jams on "Well You Needn't." The other two songs, the standard "You Don't Know What Love Is" and Barron's "Twilight Song," are not connected to the pianist-composer but are excellent examples of the ...
| | Eldar Live At The Blue Note CD (2006)
Eldar CD music
$10.49 Piano phenom Eldar Djangirov has most certainly heard it all before: his similarities to Art Tatum, Oscar Peterson, Bill Evans, his astounding speed, the way he's able to move his way through some of jazz's most intricate numbers, that he's played with some of the genre's biggest names, at some of the most important venues; that all of this has been accomplished before his 20th birthday. And the amazing thing about this is that all of these statements are completely true. Eldar is an exceptionally gifted pianist, regardless of age, very skilled at improvising upon a theme without completely obliterating it, alluding to it constantly while still adding his own distinct voice. All of this is portrayed very well on Eldar Live at the Blue Note. The legendary jazz club provides a good setting for the pianist and his band, bassist Marco Panascia and drummer Todd Strait, as well as special guests Chris Botti and Roy Hargrove, who add their trumpets to a track each. Eldar is quite talented at using dynamics, among other things, to his advantage, and he climbs and swings his way through the ten songs on the album. Cole Porter's "What Is This Thing Called Love" takes on new meaning as Eldar's right and left hands chop out fast alternating rhythms, and Thelonious Monk's classic "Straight, No Chaser" is ripe with interplay between the pianist and Hargrove and moves along mightily. The best piece on the album, however, is probably the one that's the relative slowest, the cover of "Besame Mucho." Here, Eldar decelerates some and lets the subtle emotion of the song really ...
| | Kathleen Battle Spirituals In Concert CD (1991)
Eldar music CDs
$10.69 Track Listing of songs: In that great getting up morning; Sinner, please don't let this harvest pass; Over my head I hear music; Oh, what a beautiful city; I believe I'll go back home; Ride on, King Jesus!; Swing low, sweet chariot; ...
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