| | John Abercrombie Nice Idea CD - Import John Abercrombie Discography of CDs
 (1 Customer Review)
Personnel: John Abercrombie (guitar); Andy LaVerne (piano).JazzTimes (p.61) - "Abercrombie plays the tunes with a muted, treble-free tone that betrays none of the bite he achieves in band settings..." John Abercrombie Nice Idea Songs | 1. | Day of Wine and Roses |
| 2. | Besame Mucho |
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Purchase Nice Idea CD To buy, Click on price to add to cart | Mike Bloomfield Super Session CD (1968) Bonus Tracks; Remastered
Nice Idea
 $6.75    
Those familiar with the Live Adventures album these ...
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Nice Idea
$22.19
Photographer: Milton Montenegro.
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| | Thelonious Monk In Italy CD (1961)
Nice Idea
$9.89
Personnel: Thelonious Monk (piano); Charlie Rouse (tenor saxophone); John Ore (bass); Frankie Dunlop (drums).
Recorded live at Teatro Lirico, Milan, Italy on April 21, 1961. Originally released on Riverside (9443). Includes original liner notes by Bob Reisner.
Digitally remastered by Phil De Lancie (1990, Fantasy Studios, Berkeley, California).
Personnel: Thelonious Monk (piano); Charlie Rouse (tenor saxophone); Frankie Dunlop (drums).
Liner Note Author: Bob Reisner.
Recording information: Teatro Lirico, Milan, Italy (04/21/1961); Teatro Lirico, Milano, Italy (04/21/1961).
Pianist/composer Thelonious Monk's final Riverside recording before signing with Columbia (reissued on CD under the OJC imprint) was cut during a concert in Italy, part of an extensive European tour that also resulted in recordings from Paris three days earlier. All eight of the songs (which include "Straight, No Chaser," "Bemsha Swing," and "Rhythm-A-Ning") had been recorded in more definitive fashion earlier, but Monk and his tenor, Charlie Rouse, sound fine. This is not one of Thelonious Monk's more significant dates, but his fans will ...
| | Keith Jarrett Melody At Night, With You CD (1999)
Nice Idea
$13.19
Solo performer: Keith Jarrett (piano).
"I Got It Bad And That Ain't Good" was nominated for the 2001 Grammy Award for Best Jazz Instrumental Solo.
This is a strangely moving and disturbing document in the long discography of Keith Jarrett: a solo piano album recorded in his rural New Jersey home studio in late 1997 at a time when he was reportedly suffering from chronic fatigue syndrome. In stark contrast to his other solo albums, this one consists of short, simple, straightforward interpretations of ballads, songs in the public domain, and one very pretty original ("Meditation"), all taken at funereal tempi with hardly any virtuoso flourishes. Scattered amidst the assortment of standards like "Someone to Watch Over Me," "I Got It Bad and That Ain't Good," and "I Loves You Porgy" are nostalgic throwbacks like the hoary old "My Wild Irish Rose" (he plays the tune absolutely straight) and even the Mario ...
| | Kind Of Like Spitting One Hundred Dollar Room CD (2000)
Nice Idea
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Kind Of Like Spitting includes: Ben Barnett (vocals).
Additional personnel: Elizabeth Elmore (vocals).
Kind of Like Spitting: Ben Barnett (vocals, guitar, drums); Brian Grant (bass guitar); P.J. Aylward (drums); Corrina Repp, Elizabeth Elmore, Sandy Shockley (background vocals).
Kind Of Like Spitting is the brainchild of sole proprietor Ben Barnett, who lives in Portland and makes the kind of lo-fi, below-the-radar music that slowly becomes a hipster must-have. ONE HUNDRED DOLLAR ROOM, the prolific artist's third full-length album, has been a sought-after item ever since its first release in 2000. It's a seemingly effortlessly assembled collection of sometimes quirky, ...
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| | Faiza Liquid Dreams CD (2006)
Nice Idea
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Liquid Dreams is the collaboration of a female dj and a western classical musician, who both travel back and forth between the hemispheres, and it might be one of the few albums that successfully fuses Indian vibes with western music. India is a continent which developed for thousands of years independently from the West. Part of the eternal fascination of India is that it has been devoted for thousands of years to meditation and introspection and that the depth of its music that comes from this space is unparalleled anywhere in the world. The live instruments are scored against a background of electronica, and include the bamboo flute, tabla, voice, violin and piano, and are all performed by first rate, passionate musicians. One single note of the magnificent flute can be like a soul massage that causes goose bumps in you. Ma Faiza & Veet Sandeh have fresh, new ideas on making music which encompasses the roots of Indian sounds, with acoustic instruments scored to an orchestral context, in an attempt to translate the essence of Indian music into the 21st century expression of electronica. The innocence in this partnership of musical expression has a magical quality and deeply touches the heart of the listener, transcending any artificialness that is found too often in electronic music and allowing an experience of pure emotion and sensuality…This album seduces the listener into a sacred space. It is a one hour journey uninterrupted till the last second, which takes you through its realms ...
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