| | Orange Juice Glasgow School CD Orange Juice Discography of CDs
Includes singles, the aborted album OSTRICH CHURCHYARD, and previously unreleased tracks.
Orange Juice's three albums, along with compilations of various shapes and sizes, have floated in and out of print throughout the years. This hasn't made it convenient for anyone curious about the band, whether the interest was sparked by Haircut 100, the Jesus and Mary Chain, Belle & Sebastian, Franz Ferdinand, the unlikely mainstream success of Edwyn Collins' "A Girl Like You," the history of post-punk, or the birth of indie pop. The Glasgow School, released in 2005 by Domino, contains the band's four singles for Postcard, the bulk of Ostrich Churchyard (a disc released in 1992, containing early versions of what would become 1982's You Can't Hide Your Love Forever), a Stars on 45-style version of "Simply Thrilled Honey," and a crude cover of the Ramones' "I Don't Care." For a lot of people, the material here (dating no later than 1981) is where Orange Juice begins and ends. The band signed to Polydor soon after the latest song on this disc was recorded, and they promptly gave their sound a coat of shiny wax -- so they helped invent indie pop, only to abandon it before their first album. Though the notion extends throughout Orange Juice's discography, they were nothing if not fearless. What other way is there to describe lyrics like "I wore my fringe like Roger McGuinn's/I was hoping to impress/So frightfully camp -- you laughed," or their wholly convincing (if occasionally gawky) way of bouncing the jangly folk-rock of the Byrds off the fat-bottomed disco drive of Chic, all the while creating an identity all their own? Both the singles and the Ostrich Churchyard takes are as crafty as they are crude, and if you can't get past the amateurishness, there's plenty of winsome attitude to win you over. This disc serves as proof that, along with Josef K, Associates, Altered Images, Simple Minds, Cocteau Twins, and the Scars, Orange Juice helped make Scotland a very productive resource during the post-punk/new wave era. ~ Andy KellmanSpin (p.107) - "Scotland indie-rock forefathers Orange Juice were among the first to decide that camp rock might just be punker than punk rock." Uncut (p.118) - 5 stars out of 5 - "OJ's sound mostly came direct from The Velvet Underground....But in a manoeuvre that pretty much invented 'indie', OJ took that sound and divorced it from New York cool." Magnet (p.89) - "That THE GLASGOW SCHOOL is an essential historical document is unquestionable; that it's full of inventive, subversive, witty charm is undeniable." Orange Juice Glasgow School Songs | 1. | Failing and Laughing  | |
| 2. | Moscow | $0.99 | |
| 3. | Moscow Olympics | $0.99 | |
| 4. | Blue Boy | $0.99 | |
| 5. | Love Sick | |
| 6. | Simply Thrilled Honey | $0.99 | |
| 7. | Breakfast Time, Breakfast Time | |
| 8. | Poor Old Soul (Part One) | $0.99 | |
| 9. | Poor Old Soul (Part Two) | |
| 10. | Louise Louise | $0.99 | |
| 11. | Three Cheers | |
| 12. | In a Nutshell | |
| 13. | Satellite City | $0.99 | |
| 14. | Consolation Prize | $0.99 | |
| 15. | Holiday Hymn | $0.99 | |
| 16. | Intuition Told Me Part One | |
| 17. | Intuition Told Me Part Two | |
| 18. | Wan Light | $0.99 | |
| 19. | Dying Day | $0.99 | |
| 20. | Texas Forever | |
| 21. | Tender Object | $0.99 | |
| 22. | Blokes on 45 - (previously unreleased, Peel Session Track) | |
| Glasgow School Review
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$14.29 Recorded in New York, New York in 1966 & 1967. Originally released on Columbia (9432). Includes liner notes by Domenic Priore.
Digitally remastered by Bob Irwin (Sundazed Studios, Coxsackie, New York).
Though it lacks either of the band's two enduring 1966 Top 20 hits, and oldies' staples "Red Rubber Ball" and "Turn Down Day," it's actually the 1967 second LP, Neon, that's the best of the two proper Cyrkle LPs. It opens with their finest original, Dawes and Don Dannemann's "Don't Cry, No Fears, No Tears Comin' Your Way" (with period sitar leads), and takes in the tasteful Burt Bacharach/Hal David-written pop of "It Doesn't Matter Anymore," the catchy, zippy, "Our Love Affair's in Question," and another Simon-donated gem, "I Wish You Could be Here." These all feature their sinewy, ever-present harmonies, light strumming, and unaffected enthusiasm.
After it became clear by 1968 that the nation no longer had much use for clean boys making folk-pop singles, both writers Dawes and Dannemann went on to shockingly lucrative careers as TV commercial jungle writers, which they still pursue, three decades later. (Dawes even wrote "Coke Is It" and the infamous '70s howler, "Plop Plop Fizz Fizz" Alka-Selzer ad!!!) They even did one reunion show, a Lafayette College homeless benefit, in the 1980s. You can tell from their old music they were always a bunch of nice guys who just really liked to play catchy, sunny, cheeky, friendly pop music, and if you listen closely, the stuff can be oddly satisfying. ~ Jack Rabid
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