| | Inimigos Da Hp E Quem Nao Gosta DOS Ini DVD - Import Inimigos Da Hp Discography of CDs
Live recording. July 2004 at Tom Brasil in Sao Paulo. 16 tracks. NTSC, all areas. E Quem Nao Gosta DOS Ini Music Inimigos Da Hp E Quem Nao Gosta DOS Ini Songs | 1. | A Musa Da Praia |
| 2. | Pot-Pourri: Brilho De Cristal / Vergonha Na Cara |
| 3. | Pot-Pourri: Escondida / Mineirinho |
| 4. | Bons Momentos |
| 5. | Pot-Pourri: Que Situacao / Deixa Acontecer |
| 6. | Caca E Cacador |
| 7. | Quer Dizer |
| 8. | Louca Vontade |
| 9. | Morena Da Praia |
| 10. | Eu Quero Me Casar |
| 11. | Pot- Pourri: Funk |
| 12. | Pot- Pourri: E Saudade / Casamento Nao |
| 13. | Uma Noite E Meia |
| 14. | Maimbe Danda |
| 15. | Pra Te Ter Aqui |
| 16. | Com Amor |
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E Quem Nao Gosta DOS Ini Review
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Purchase E Quem Nao Gosta DOS Ini CD To buy, Click on price to add to cart | Dead Can Dance Aion CD (1990) Reissue; Special Edition
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The music of Dead Can Dance has long been a favorite of the "Goth" crowd; however, AION is really the first one of the band's records that can actually be called Gothic in the classic, renaissance sense. Arguably Dead Can Dance's most successful record, it contains the band's most consistent set of songs since SPLEEN AND IDEAL. Widening their view to encompass more of the ancient world than with earlier records, Dead Can Dance explore styles from Northern Europe ("The Song of the Sibyl") to the Middle East ("Radharc"), with stops along the way at a number of other surprising locations.
The fact that it is based on a 16th-century Catalan chant notwithstanding, portions of "The Song of the Sibyl" are eerily reminiscent of the experimental side of David Bowie's LOW. Standouts include "Saltarello," which was adapted from a 14th-century Italian dance and played on bagpipes, drums, and tambourine; "Fortune Presents Gifts ...
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Guitar Trio is an excellent collaborative effort from three of the finest jazz guitarists of the post-rock & roll era: Paco de Lucía, John McLaughlin, and Al di Meola. Throughout the record, the trio doesn't just showcase their instrumental skills; they demonstrate their musicality. This is sympathetic, emotional musicianship, where each musician complements each other instead of trying to out-do the other. For jazz guitar fans, it rarely gets more exciting than Guitar Trio. ~ Leo Stanley
Recorded from May to July 1996.
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| | Israel Iz Kamakawiwo'Ole Alone In Iz World CD (2001)
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While the name Israel Kamakawiwo'ole falls trippingly off few tongues, the Hawaiian singer better known as "Iz" was one of the biggest stars in his home state. Iz first came to public attention as a member of the popular Hawaiian group known as the Makaha Sons of Ni'ihau. His subsequent solo career brought even greater fame, and countless fans were saddened at his untimely death in 1997. Those who mourn his passing will be gladdened by the posthumous release of ALONE IN IZ WORLD, compiled from various recording session outtakes.
While one might expect a big, deep sound to emanate from a gargantuan-sized body like that of Iz, the hefty singer actually possessed a gorgeous, fragile tenor voice full of tenderness and delicacy. That voice is put to use here on tunes that alternate between voice-and-ukelele solo performances (Iz was no slouch on the uke) and more fully arranged tunes enhanced after the singer's death. Whether crooning in his native tongue or in English, Iz cuts ...
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Track Listing of songs: DISC 1: Just Because; Just Another Polka; Beer Barrel Polka; Liechtensteiner Polka; Mariechen Waltz; Tanta Anna; Tennessee Waltz; Baby Doll Polka; Blue Skirt Waltz; Tavern in the Town; Rangers Waltz; I've Got a Date With Molly; Silk Umbrella; Ich Bin Ein Musikant; E.I.O. Polka; Swiss Waltz; Pocatello Polka; Three Yanks Polka; Wooden Heart; Edelweiss; Too Fat Polka; Honey Bee Waltz; No Beer Today; Let Me Call You Sweetheart; Somewhere My Love; DISC 2: Helena Polka; Who Stole the Kiska; Clarinet Polka; Schatzie; You Can't Be True Dear; ...
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It is nearly impossible to imagine a time when reggae was not part of the cultural currency. Though Bob Marley and the Wailers cannot be said to have invented the style, they certainly brought it to the world stage, and this album was the torch that lit the way. CATCH A FIRE hit with the force of a revelation when it was released in 1973, and though Chris Blackwell tailored its sound with a rock audience in mind, the album was still unlike anything that had ever come down the pike. Ironically, even given its relatively full production and electric guitar solos, CATCH A FIRE sounds more organic and rootsy than any of the Wailers' subsequent releases.
While the percolating rhythms and burbling bass lines of the Barrett brothers, and the sweet, impeccable harmonies of Peter Tosh and Bunny Wailer soothe and move, CATCH A FIRE also introduces the conscious, politically minded themes that would remain at the center of Marley's songwriting for the rest of his career. "Concrete Jungle," one of the towering standout tracks, addresses the trap of inner cities, while "Slave Driver" and "400 Years" take on racial/historical issues. Yet Marley's penchant for gorgeous love songs is evident here too on his all-time classic "Stir It Up." Even after everything that followed, and the cult of idolatry ...
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PAL/Region 0. EMI. 2007.
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Japanese exclusive DVD video collection.
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