| | Alexis P Suter Shuga Fix CD Alexis P Suter Discography of CDs
Recording information: Hipbone Recording, Brooklyn, NY.
Arranger: Vicki Bell.
Personnel: Alexis P. Suter (background vocals); Ira Suter (rap vocals); Michael Falzarano, Debbie Harper, Jimmy Bennett (guitar); Tom Murray (flute); James Smith, James Smith (trumpet); Vicki Bell (keyboards, background vocals); James Abbott, Jim Abbott (keyboards); Peter Bennett (bass instrument); Ray Grappone (drums, percussion); Glenn Turner, Dana Lacroix, Amy Helm (background vocals); Jay Collins (flute, saxophone).
Audio Mixer: Vicki Bell.
Award Winner
Living Blues (p.77) - "Alexis P. Suter has a husky church-hewn contralto that goes way low, well into the bass clef, and she uses it to highly emotive effect..." Alexis P Suter Shuga Fix Songs | 1. | All Night Long |
| 2. | Love? |
| 3. | Never |
| 4. | Ride Ride |
| 5. | More to This |
| 6. | Teacher Man |
| 7. | Rollin' and Tumblin' |
| 8. | Da' Hood |
| 9. | Sis' Mary |
| 10. | Political Song |
| 11. | Changes |
| 12. | Strangers |
| 13. | Intermission |
| 14. | Sugar Fix |
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Shuga Fix Review
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Purchase Shuga Fix CD To buy, Click on price to add to cart | Johnny Otis 1945-1947 CD (2002)
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Throughout the '60s and '70s, guitarist/vocalist Johnson performed with Frank Frost and Sam Carr in the Jelly Roll Kings, a gritty, soulful blues trio. Through a circuitous route, he finally recorded this, his first solo album, over the course of two days in 1986. Frost turns up on piano, but THE OIL MAN is clearly Johnson's show. He makes his Chicago roots clear with two Howlin' Wolf covers ("Killing Floor" and "How Many More Years") and the Muddy Waters-associated "Catfish Blues," but even at this early date, the country influences ...
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Their first album got a nice publicity push by virtue of the band's association with crime novelist Elmore Leonard, who wrote them into his music-biz novel Be Cool, but the Stone Coyotes unload a potent wallop that stands quite wonderfully on its own merits, which their third offering again goes a long way towards proving. Put plainly, the trio makes an awesomely raw, stripped-down rock & roll racket. The guitar riffs on the overdriven numbers do indeed bare a much publicized kindred spirit to those of AC/DC, and the pop-and-son rhythm section is awesomely boozy like ZZ Top. The metronomic thwap of Doug Tibbles coupled with progeny John's grumbling-blues bass grooves is rock at its very purest and most urgent. Punk, really, if you think about it. And all due respect to Bon Scott, Brian Johnson, and the be-bearded Texans, but none of them have the cool, sexy croon of Barbara Keith. As bold as it might be to claim, neither band comes up with hooks as tasty ...
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