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Davis, Miles - Four & More CD Cover Art
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Miles Davis Four & More CD

 Miles Davis Discography of CDs

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The album MY FUNNY VALENTINE, comprised of delicate, complexly arranged ballads, and one of trumpeter Miles Davis's finest live recordings, is taken from a concert performed on February 12, 1964. Interestingly, the up-tempo numbers from that same concert appear here on FOUR & MORE. Energized by his new, young rhythm section--drummer Tony Williams, bassist Ron Carter, and pianist Herbie Hancock--Davis tears through versions of classics ("So What," "Walkin'," and "Four") at breakneck speed.

Davis's saxophonist at the time was George Coleman, the middleman between John Coltrane (in Davis's first great quintet) and Wayne Shorter (in his second). Though Coleman's name would be eclipsed in the history books, he turns in a stunning performance here, churning through harmonic inventions that approach Coltrane's aesthetic with a lightness and lyricism often missing from Shorter's playing. Davis plays with great vigor, too, moving toward an edgy, aggressive sound that shows the influence of free jazz, especially on "Joshua" and a breathless "Seven Steps to Heaven." Mercurial, dynamic, and technically flawless, FOUR & MORE is an exhilarating set, and a vital addition to the Davis catalogue.

Liner Note Authors: Billy Taylor ; John Ephland; Mort Fela; Mort Fega.

Recording information: Philharmonic Hall, Lincoln Center, New York, NY (02/12/1964).

Photographers: Vernon Smith; Jan Perrson; Francis Wolff; Chuck Stewart; Jim Marshall .

Personnel: Miles Davis (trumpet); Miles Davis; Ron Carter (bass instrument); Tony Ruption Williams , Toni Williams (drums); George Coleman (tenor saxophone); Herbie Hancock (piano); Tony Williams (drums).

Audio Remixer: Mark Wilder.

Four & More Music


Detailed Four & More Music Information



List Price $7.98 (You save $0.13)
Category Rock/Pop Albums, Jazz CDs, Jazz Instrument, Live Performances, Trumpet
Label Legacy
Orig Year 1964
All Time Sales Rank   23701  
CD Universe Part number 6834052
Catalog number 93595
Discs 1
Release Date Mar 15, 2005
Studio/Live Live
Mono/Stereo Stereo
Producer Teo Macero; Ted Macero; Teo Macero; Michael Cuscuna (Reissue); Bob Belden (Reissue)
Engineer Fred Plaut
Personnel Miles Davis - trumpet
Tony "Ruption" Williams

Also: Herbie Hancock, Ron Carter, Tony Williams, George Coleman
Additional Info Remastered
Miles Davis Four & More Songs


Miles Davis Four & More Album Track Listing



Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample1.So What  $1.29
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample2.Walkin'$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample3.Joshua$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample4.Go-Go (Theme and Announcement)$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample5.Four$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample6.Seven Steps to Heaven$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample7.There Is No Greater Love$0.99
Windows MediaWindows MediaRealAudio MediaRealAudio MediaMP3 Track Sample8.Go-Go (Theme and Announcement)$0.99

Four & More Music


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My Funny Valentine
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This has been reissued as THE COMPLETE CONCERT 1964: MY FUNNY VALENTINE + FOUR & MORE. This is a specially imported limited edition 20-bit digital remaster from Japan. One of the finest live albums in the history of jazz, My Funny Valentine presents the Miles Davis Quintet live at the Lincoln Centre's Philharmonic Hall in 1964. Surrounded by the vibrant and youthful rhythm ...
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Art Blakey & The Jazz Messengers: Art Blakey (drums); Bobby Watson (alto saxophone); David Schnitter (tenor saxophone); Valery Ponomarev (trumpet); James Williams (piano); Dennis Irwin (bass). Art Blakey & The Jazz Messengers: Art Blakey (drums); Wayne Shorter (tenor saxophone); Lee Morgan (trumpet); Bobby Timmons (piano); Jymie Merritt (bass). Art Blakey Quintet/The Jazz Messengers/Art Blakey/Art Blakey & the Jazz Messengers: Art Blakey; Lee Morgan (trumpet); Jymie Merritt (double bass); Wayne Shorter, Bobby Timmons. Art Blakey and the Jazz Messengers met their artistic peak with the powerful A NIGHT IN TUNISIA. This incarnation of the group included Lee Morgan, Wayne Shorter, Bobby Timmons and Jymie Merritt with their leader Blakey. As the Messengers entered their most fruitful ...
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Shorter's Blue Note debut, NIGHT DREAMER, is a stunning statement from one of the premiere saxophonists and composers in the history of jazz. In 1964, after a long period as musical director for Art Blakey's Jazz Messengers and newly joining Miles Davis' quintet, Shorter was primed to enter the field as a major solo artist. His guests include Lee Morgan (trumpet), renewing the outstanding frontline the two formed in Blakey's band, and McCoy Tyner (piano) and Elvin Jones (drums) from Coltrane's legendary quartet. The musical vision here, however, is Shorter's alone. Shorter's distinctive compositional style begins to take shape with the opening title track, a bouncing waltz with a dusky, modal flavor and a subtle rhythmic drive. Likewise, his arrangement of an "Oriental Folk Song" has a similar burnished tone with beautifully executed harmonies ...
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SEVEN STEPS TO HEAVEN finds Miles Davis standing yet again on the fault line between stylistic epochs. In early 1963 pianist Wynton Kelly, bassist Paul Chambers and drummer Jimmy Cobb left to form their own trio, and Miles was forced to form a new band, which included Memphis tenor player George Coleman and bassist Ron Carter. When Miles next entered the studio in Hollywood, he added local drummer Frank Butler and British studio ace Victor Feldman, who ultimately decided not to go on the road with Davis. It's easy to see why Miles liked Feldman, who contributed the dancing title tune and "Joshua" to the session. On three mellifluous standards-- particularly a cerebral "Basin Street Blues" and a broken hearted "I Fall In Love Too Easily"--the pianist plays with an elegant refined touch, and the kind of rarefied voicings that suggest Ahmad Jamal. Miles responds with some of his ...
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With the release of the spectral title tune, and the efforts of the Columbia marketing and publicity departments behind him, a thirty-year old Miles Davis entered into a period of extraordinary artistic maturity and growth. And Miles instinctively knew how to cultivate his star quality. Looming behind those shades, was the diffident, sensitive anti-hero--proud and defiant--who only spoke to his audience through his horn, and turned his back on them when the other soloists were blowing. The combination of attitude and intellect was irresistible. Beginning with ROUND ABOUT MIDNIGHT and proceeding through a remarkable ...
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