| | IQ Seventh House CD IQ Discography of CDs
(3 Customer Reviews)
The Seventh House came out almost four years after IQ's previous studio album, Subterranea. In light of this CD, it appears that the critically acclaimed 1997 concept album was the band's creative peak, which does not mean The Seventh House is weak. The general feeling of the album makes it closer to 1993's Ever. Peter Nicholls' theatrical voice gains in beauty with age. The playing is unsurprisingly tight, the musical approach firmly anchored in melodic progressive rock. Highlights include "Guiding Light," "The Wrong Side of Weird," and the title track, the latter a complex and exhilarating number. On the other hand, "Erosion" and "Zero Hour" feel like they miss a dimension, even if the acoustic guitar on the latter brings in a different texture. Nicholls' lyrics continue to be highly metaphorical. They revolve around the central theme of man's belief in an afterlife, leading to interesting thoughts such as "Angels with dirty faces/Leaving their lipstick trace across the human race" ("Shooting Angels"). As is usual with IQ's music, upon the second audition listeners may feel like they have known these melodies all their lives. That has always been the strength of this group. Even though The Seventh House does not top Subterranea, nobody expected it would and fans will be satisfied with this more average offering. ~ François Couture
Recording information: Nomansland, New Forest (08/2000-10/2000); Worm Studios, Darwen (08/2000-10/2000).
Arrangers: Peter Nicholls; Martin Orford; John Jowitt; Paul Cook .
IQ: Mike Holmes (guitar); Martin Orford, Paul Cook , Peter Nicholls, John Jowitt.
Personnel: Peter Nicholls (vocals, background vocals); Michael Holmes (guitar, keyboards, guitar synthesizer); Tony Wright (saxophone); Martin Orford (keyboards, background vocals); John Jowitt (bass guitar, background vocals); Paul Cook (drums, percussion).
Seventh House Music Review Average Rating: (4.7 out of 5 stars)   Seventh House, Sixth Song I’m afraid I have to be the one to break the beautiful five-star streak this album had heretofore garnered. If it were possible to award The seventh House 4½ stars (which might keep the overall score at 5 stars, depending upon how the rounding is done) I would. Unfortunately, I’ll have to go with 4 stars. There is only one reason for this rating: This album is indeed a fine outing for IQ. Peter Nicholls’ voice is strong, steady and has improved like a precious treasure with age. Personally, I am even more impressed with his lyrics. He shows himself to be a writer of enigmatic material every bit as capable as my other two favorite Peters – Gabriel and Hammill (What blissful fate would befall this world should the three of them ever combine forces?!!). My reason for not bestowing a stellar score lies not with the material delivered or even the way in which it is delivered but, rather, the sequence in which it is delivered. A minor kvetch, but I found myself irreconcilably disappointed over the fact that the album began on such a strong note and ended on such a weak one. For my money, I think The Wrong Side Of Weird was a winning start but the proceedings should have ended with the majestic Seventh House title song, rather than the introspective Guiding Light. It would have made for a grander, sweeping effect, starting high, swinging low through a complex labyrinth of emotions and images and then arcing outward once more to a poignant, panoramic climax. Failing this, the album lends a sense of imbalance. Still brilliant, but the gem is needlessly flawed. Submitted by Barry B. (Van Nuys, CA) Was This Review Helpful? Yes No 1 of 1 found this helpful.
Easy Listening Prog This is prog rock that you can listen to on a quiet night. The vocal of Peter Nicholls and the keyboard of Martin Orford resonant in the night, blending the need for prog music and the reminicence of romantic days gone by. Peter Nicholls' singing seems to have a dreamlike romanticism lingering on past nostalgia. The guitar works of Michael Holmes rings with sustanance reminding one of Uriah Heep's album Conquest, and some of Richie Blackmore's works in the 70s and 80s. The production is brilliant as well, good for a audiophile test on a hifi system. Overall, this is the best of IQ's work in the 90s. Dark Matter and Subterranea are good, but this is better. Submitted by randy_leehc (Singapore) Was This Review Helpful? Yes No
No Disappointment Here! This band brings back memories of my 16-year-old self "discovering" the likes of Genesis, Yes, Crack The Sky, etc. back when anything different than "The Mighty Zep" was frowned upon by my peers. I'm now 43-years-old, and IQ is spinning in my CD player, while Genesis, Yes, and many other band's music lies dormant.
IQ is a great collection of talent, both in the "technical" and the "listenable" aspects of writing, playing, recording, and producing palatable music.
If you buy this disc, you won't be sorry. Submitted by Doug (Cincinnati, OH, USA) Was This Review Helpful? Yes No
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Purchase Seventh House CD To buy, Click on price to add to cart | Transatlantic Bridge Across Forever CD (2001)
Seventh House album
$12.65 Principally recorded at Dark Horse, Nashville, Tennessee and Racket Club Studios, Buckinghamshire, England.
Transatlantic drummer and founder Mike Portnoy has been bucking and setting trends since the early '90s by immersing himself in progressive rock at a time when grunge and teen bands ruled. His primary band, Dream Theater, raised the bar for musicianship and complexity while helping to establish the progressive metal genre. Portnoy showed his depth and diversity by forming the critically and commercially successful bands Liquid Tension Experiment and Transatlantic. The latter's SMPTe proved to be a groundbreaking release by reviving the progressive sound of the '70s, while injecting an updated '90s approach. With this release, bandmates ...
| | Porcupine Tree In Absentia CD (2002)
Seventh House CD music
$8.55 There's a breed of (post-1980s) bands with the same degree of grand rock experimentalism as Pink Floyd and Yes, who simultaneously adhere to the concept of concise songwriting. Porcupine Tree is one such band--their sound is a balance of lush ambient textures, charming vocal harmonies, rock & roll directness, and acoustically- and electronically-generated sounds. Their debut IN ABSENTIA shows all these elements in place, rich with the likely possibility of them becoming a contemporary counterpart to Pink Floyd.
Hailed by ...
| | IQ Subterranea CDs (1998)
Seventh House music CDs
$17.49 Released in September 1997, Subterranea was quickly hailed by most progressive rock critics as a masterpiece and became one of the very few "classic" albums this style brought forth in 1990s. The two-CD, 103-minute concept album is indeed IQ's strongest effort and would even eclipse The Wake, if it weren't for the historical significance of the 1985 LP. An obscure story of subterranean beings, life-and-death chase, and initiatory quest packed with metaphorical implications, Subterranea, as a concept, is typical Peter Nicholls; all lyrics remain vague, only suggesting emotions and bits of plot, but to phenomenal results. The easy comparison would be Genesis' The Lamb Lies Down on Broadway and, yes, there is something of that in here, but the meaning of this album is even more cryptic. The music is rooted in IQ's neo-prog past: rather simple songs, driven by Martin Orford's keyboards and Peter Nicholls' theatrical and emotion-packed vocals, dressed in progressive ...
| | Porcupine Tree Deadwing CD (2005)
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$6.09 Sharon Little got her start singing jazz and blues standards in Philadelphia clubs. That's not what she's doing here, on her first album to be released by a national label, following ...
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