| | Daughterboy Jao Simple Matters CD Daughterboy Jao Discography of CDs
Australian exclusive! Concocted under the influence of Queens Of The Stone Age, The Kinks, Velvet Underground, Tom Waits and Calexico, Daughterboy Jao formed in 2002 from the remnants of extinct Melbourne outfits. Virgin. 2005. Simple Matters Music | List Price | $36.98 (You save $16.99) | | Category | Rock/Pop Albums, Rock CDs | | Label | Virgin | | Orig Year | 2005 | | CD Universe Part number | 6836266 | | Catalog number | 8758942 | | Discs | 1 | | Release Date | Mar 28, 2005 | | Mono/Stereo | Stereo |
Daughterboy Jao Simple Matters Songs | 1. | One Last Time |
| 2. | Better For You & Me |
| 3. | Simple Matters |
| 4. | Thrills |
| 5. | Tell Me More |
| 6. | Cures and Curses |
| 7. | Troublemaker |
| 8. | Everywhere You Run |
| 9. | Where Do We Go From Here? |
| 10. | Evil Is Known as 123 |
| 11. | Now You Will Sleep |
| 12. | Satisfied |
|
Simple Matters Review
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Purchase Simple Matters CD To buy, Click on price to add to cart | Beatles - A Hard Day's Night DVDs (1964)
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A HARD DAY'S NIGHT presents a fictionalized day in the life of the Beatles as they give a performance on a live television show. Filmed just a month after their appearance on the Ed Sullivan Show in February 1964, this film--the Beatles' first--introduces us to the unique personalities of each member of the band. The film opens with the Fab Four boarding a train mobbed with adoring young fans (mostly women) as they attempt to travel to the television studio in London. The antics of the band during rehearsals and makeup application provide a large part of the comic material in this feature, though there are other moments of pure ...
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| | Tom Waits Glitter And Doom Live CDs (2009) Digipak
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Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, there are completely re-visioned readings of "Lucky Day" and "I'll Shoot the Moon" from 1993's Black Rider, and a killer -- though equally revamped -- version of "Singapore" from 1985's Rain Dogs. Musically, the performances are flawless, as is the sound on this set. The killer stage band includes Vincent Henry on woodwinds and harmonica, guitarist Omar Torres, Patrick Warren on piano and keyboards, Casey Waits ...
| | Pink Floyd Wish You Were Here CD (1975) Remastered
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Digitally remastered by Doug Sax (The Mastering Lab, Los Angeles, California).
Master Sound releases are 24-karat gold CDs remastered from first-generation masters. This process utilizes 20-bit technology and Sony's "Super Bit Mapping" system.
The breakthrough success of DARK SIDE OF THE MOON made WISH YOU WERE HERE a crucial follow-up in strictly commercial terms. Further pressure came from it being Pink Floyd's first recording for a new label, Columbia. Yet the demands on the band only provided Roger Waters with more fodder for his lyrics, which glanced at the band's roots as well as their new responsibilities.
The mechanized throb of a VCS3 synthesizer, fed through a repeat-echo unit, signals the opening bars of "Welcome to the Machine," a diatribe against an industry more concerned with money than creative music-making. "Have a Cigar" further establishes Waters' contempt by bringing in singer Roy Harper to play the role of a "faceless suit," who none-too-innocently asks, "Which one's Pink?" The remaining songs indirectly look back to the first casualty of Pink Floyd's growing ...
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| | Pit Er Pat Emergency CD (2004)
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This rollicking three-piece melds the post-rock strategies of their hometown Chicago with charming female vocals not unlike a ballady Cat Power or later Blonde Redhead. Formerly known as Blackbirds, the band re-released Emergency under the moniker Pit Er Pat due to the overabundance of this type of musical animal. The album starts off with the epic three-part narrative of "Bog Man," and Fay Davis-Jeffers' untrained childlike vocal and surging keyboards stand out as the band's strongest assets immediately. Backing her is Butchy Fuego (Need New Body and Neutral Milk Hotel) and bassist Rob Doran (formerly of the Alkaline Trio), driving the keys' chordal melodies with subtle, unexpected ...
| | Vayo Tango Legends CD (2006)
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Uruguayan tango singer Vayo Raimondo, performing simply as Vayo, dedicates his third album to the memory of the bandoneón master Toto Damario, one of the three musicians, along with guitarist Mario Nuñez and double bassist Miguel Pose, who accompanies him on the disc. The bandoneón, an accordion-like instrument, provides the basic sound of tango, especially the Montevideo-bred version ...
| | Michaelanthonybowie Sum Total CD (2006)
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| | Heavybreathing Vol. 1, The Sounds Of Sex - Bite It! CD (2007)
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The first of four compilations designed to explore what the collators call "the manifold worlds of sound sexualization," HEAVYbreathing Vol. 1, The Sounds of Sex: Bite It!, like the other discs in the series, is less about rigorous organization of songs than a pretty good excuse to throw together a slew of tunes that at their most innocent can be called deeply saucy. The all-over-the-place nature of the compilations is their key appeal, though, feeling like an iPod playlist or mp3 blog entry from someone with the world (and perhaps something else) at their fingertips. So, as with the other discs, it's less the obsessive thematics as it is all the rare, weird, and wonderful numbers that resurface. There's plenty of slinky and sly Europorn lounge music -- Line Renaud's "Sexe" is all cooing vocals, vibes, and muted horn, while the wah-wah and funky keyboards on Rita's "Erotica" are only slightly less lubricious than the vocalist. Exotica in general takes a bow -- consider Chaino & His African Percussion Safari's heavy-breathing "The Jungle Chase," one of the more over the top efforts of the genre's heyday -- while there's some enjoyably trashy rock and blues via Screamin' Jay Hawkins' "Bite It" and John & Jackie's "Little Girl." But not everything is from the musty past: Joy Bamgbola's "Wet Lips," from 2006, is a definite winner, somewhere between early Laurie Anderson and later Warp Records in its ...
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DJs: Akon; DJ Noodles.
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