| | John Williamson Warragul CD John Williamson Discography of CDs
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Our Price: $10.49  CDFor Sale Usually ships in 1-2 days
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EMI. John Williamson Warragul Songs | 1. | Dingo | $0.99 | |
| 2. | Why They Call Him Sundow | |
| 3. | Station Cook | |
| 4. | Drover's Boy | |
| 5. | Ancient Mountains | $0.99 | |
| 6. | Charters Towers | |
| 7. | Boogie With M' Baby | |
| 8. | Special Girl | |
| 9. | 40 Years Ago | |
| 10. | Amazing Day | |
| 11. | Longreach Is Praying | |
| 12. | Bill the Cat | |
| 13. | Big Bad Bushranger | |
| 14. | Rip Rip Woodchip | $0.99 | |
| 15. | Shelter | |
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Warragul Review
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Purchase Warragul CD To buy, Click on price to add to cart | John Williamson Waratah St. CD (2003)
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EMI.
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Based on title alone, it would seem that SOUTHERN VOICE picks up on the harder country edges of LET IT GO, but that's not the case: this is Tim McGraw's rockiest album yet, opening with a slow, spacy crawl called "Still" that would not be out of place on a record by a U2 knockoff and taking the occasional detour ...
| | Kitty Wells 20 All Time Greatest Hits CD (2004)
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Liner Note Author: Chuck Young.
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Taylor Swift abandons any pretense that she's a teen on her second album, FEARLESS--which isn't to say that she suddenly tarts herself up, running away from her youth in a manner that's all too familiar to many teen stars. Swift's maturation is deliberate and careful, styled after the crossover country-pop of Shania Twain and Faith Hill before they turned into divas. Despite the success of her self-titled ...
| | Jim Reeves Twelve Songs Of Christmas CD (1963)
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| | Jim Cullum Jazz Band Fireworks! Red Hot & Blues CD (1996)
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Riverwalk, Live from the Landing has since its debut in 1988 been one of the finest of all jazz radio series. Featuring cornetist Jim Cullum's excellent septet with a variety of guests, each show is well-scripted, educational and entertaining, generally based around a specific theme. This particular set is an excellent sampler of the series. The Jim Cullum Jazz band ...
| | Northern Soul & Blues CD (1995) (Import) Means; Germany
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Camden. 2004.
| | Bill Horvitz Tuolumne Songs CD (2004)
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Acoustic Guitar Magazine, May 2005By Celine KeatingThe beauty of Tuolumne Songs steals slowly over the soul, perhaps the way the early morning sun creeps over the Yosemite mountains to bathe Tuolumne Meadows in light. Bill Horvitz cites that landscape-where he has performed for many years at the Tuolumne Poetry Festival-as the inspiration for these original solo guitar compositions, and for the gorgeous cover art as well. A northern California composer and guitarist, Horvitz most often plays electric guitar, frequently in avant-garde jazz settings. But on acoustic, his tone is as pure and clear as a mountain-fed spring. The pieces have the deceptive simplicity and immediacy of momentary meditations, their sophistication becoming apparent only with repeated listening. While there are traces of blues and even boogie-woogie, most of the pieces, like the haunting 'This Time of Year' and 'When Eric Dolphy Opened My Eyes,' are abstract and ephemeral. The striking 'Rain on Mt. Dana' and 'The Stillness of Rock' capture the serenity and austere poetry of the natural world that can be expressed on solo acoustic guitar. Liner Notes from Tuolumne SongsBill Horvitz Solo Acoustic GuitarSince 1997 I have had the truly good fortune of being invited to play solo acoustic guitar at the annual Tuolumne Meadows Poetry Festival in Yosemite National Park. This intimate and exquisite festival of spoken word and music takes place during the third weekend of August and is a National Park Service event. Each year there are three poets who read for two afternoons. The pieces on this CD are ones I composed specifically to go before each poet's reading. For this festival I have annually written six or seven such works -- short and succinct, in many ways much like poems. My goal has been to evoke a mood, to create an opening in which images might appear, linger and move on.I love performing at Tuolumne. People of all ages come to the high Sierra to camp and hike and sit around the fire, and in mid-afternoon walk the path to Parson's Lodge, an historic stone building rising from the meadow. They arrive in small groups and alone, with daypacks and writing pads, step inside and listen with a hungry intensity and rapt attention. Many of them return year after year. I couldn't ask for more. Being invited to compose and perform these pieces has provided a wonderful opportunity for me to focus on acoustic guitar. While I have always played acoustic and loved it, most of my performing and recording through the years has been on electric. More recently, largely because of these commissions, I've been able to give acoustic guitar playing the attention that I desire and that it deserves. I'm often complimented on my ability to capture in these pieces a sense of the high Sierra. I'm forced to admit in these moments that I don't actually set out with this goal in mind. When I'm composing I'm playing with sound, sifting through possibilities, ...
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