| | Daft Punk Human After All CD Daft Punk Discography of CDs
(25 Customer Reviews)
Recorded in less than two months, HUMAN AFTER ALL, the third studio album by the French duo of Guy-Manuel de Homem-Christo and Thomas Bangalter, gives off an immediate electronic rush. The opening title track, with its wonderfully distorted synthesizers and robotic vocals, might make listeners question whether humans created any of these sounds, but, chances are, they'll be too busy dancing to care. The most notable change in the Daft Punk aesthetic is the heavier presence of guitars (all played by de Homem-Christo and Bangalter), particularly on the aforementioned "Human After All" and the fuzzed-out funk of "Robot Rock." Of course, the duo excels at club beats, and the disc is filled with dance-floor-ready, vocoder-laden tunes, including the driving "Television Rules the Nation" and the break-neck-paced "Technologic."
Daft Punk: Guy-Manuel de Homem-Christo, Thomas Bangalter (various instruments).
Uncut (p.99) - 4 stars out of 5 - "It has everything you've come to expect from a Daft Punk album - innovation, cracking tunes, a palpable sense of its own absurdity - but this time the whole shebang's cranked up to 11." Alternative Press (p.138) - 4 out of 5 - "[T]he French duo pay cheeky tribute to the glory of repetition, android techno, distorted Roland 303s, robotic funk and vocodered singers intoning titles ad absurdum here." Mojo (Publisher) (p.89) - 4 stars out of 5 - "HUMAN AFTER ALL strips out the most flamboyant frills to create a more incisive sound. Some of it is tough and forgiving....And some is pure pop plastique, all gloss and sheen..." Daft Punk Human After All Songs Human After All Music Review Average Rating: (3.9 out of 5 stars)    List All Reviews Great as always This production is not too dance like "Homework", or full of retro sounds ("Discovery"). It's other proposal. A new sound. It's like... rock music (the guitars are present all the time) mixed in with electronica and robot voices. Since "The brainwasher", the songs are brilliant ("On/Off" is not really a track) and more dance-able. I would like to have a remix CD of this album. The bad part is that they're only 10 tracks: after "Emotion", I want to listen more. Submitted by vfalcon (Lima, Peru)  Was This Review Helpful? Yes No
One of the greatest albums ever! Some people don't see the art in this album. It takes time getting used to, but when you do, its brilliant beyond styles! Submitted by a reviewer (Arizona, USA) Was This Review Helpful? Yes No
Much more electronica this time... Daft Punk seems to have moved away from the usual French house beats of Discovery and Homework, and instead took on The Electronica/Robot genre on Human After All. It has a fresh, funky vibe to it, with a lot of substance. For 2 months in work seems like a short time, they've really done a lot. Not as good as Discovery, but clearly haven't gotten any worse. Just a whole lot better. Best songs: Robot Rock, The Brainwasher, Steam Machine and Technologic. Submitted by Dj whatwhat (JHB SA) Was This Review Helpful? Yes No
Best dance music ever Daft punk return to form in this, the best dance record ever!! Submitted by Jerry (Kew,Vic, Australia) Was This Review Helpful? Yes No
SHout out Got to give a shout out to Busta Rhymes for taking the excerpt from "Technologic". Just love the way of how him and Swiss Beatz (producer), flip that sample over on "Touch It" other than that. It's a good album Submitted by tucsoninthehouse (tucson,az) Was This Review Helpful? Yes No
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Purchase Human After All CD To buy, Click on price to add to cart | Daft Punk Homework CD (1997)
Human After All
$11.39 "Da Funk" was nominated for a 1998 Grammy Award for Best Dance Recording.
"Around The World" was nominated for the 1999 Grammy Award for Best Dance Recording.
Guy-Manuel de Homem-Christo and Thomas Bangalter, the two French twenty-something DJs who make up Daft Punk, are relentless dance-music aficionados and historians. And unlike many of their contemporaries, their interests don't just lie in the electronic beats that have been rockin' the clubs since the mid-80s. The two knob-twiddlers are just as well-versed in Giorgio Moroder's Eurodisco grooves, Chic, and the old-school rhythms of Afrika Bambaata and the Sugarhill Records catalog, as they are in the Chicago house and Detroit techno traditions.
When they're not assembling catchy-as-hell bits of electro-pop ("Around The World"), ...
| | Daft Punk Discovery CD (2001)
Human After All
$11.29 "Short Circuit" was nominated for the 2002 Grammy Award for Best Pop Instrumental Performance. "One More Time" was nominated for the 2002 Grammy Award for Best Dance Recording.
In 1997, this French electro-dance duo made a huge intercontinental splash with its debut album, HOMEWORK, mixing disco, house, funk, techno, and more. While Daft Punk's second recording still focuses on the maximum accessibility that earned its debut such high marks, there's less of an obvious focus on pop hooks. Irony and house beats are the order of the day, and an eclectic thread runs throughout DISCOVERY.
"Digital Love" sounds like the theme to a '70s sitcom as realized ...
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Human After All
$13.89 Defcon 1: Lyrical Warfare was T-Rock's third album ...
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Human After All
$14.75
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Human After All
$12.59 Garbage's mantra for BLEED LIKE ME could be "that which doesn't kill you only makes you stronger," given the emotional and creative upheaval this unit went through in the four years that elapsed between this disc and 2001's BEAUTIFUL GARBAGE. Following personal conflicts and health woes for both Butch Vig and Shirley Manson, the quartet stripped down its sound and amped up the guitars to create an angst-laced album reminiscent of the Breeders and Foo Fighters.
Apparently, bad circumstances make for great art, and this collection of songs is no exception. When Manson isn't purring lines like "Hey, baby can you bleed like me" over the moody synth washes of the title cut, she's striking ...
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Human After All
$12.79
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Human After All
$14.19
| | Zombies CD (1964)
Human After All
$10.79 This part of Varese Sarabande Records "Varese Vintage" series.
After the double-sided hit single "She's Not There" b/w "You Make Me Feel Good" topped the U.S. charts in the fall of 1964, Parrot Records quickly culled together this LP for 1965 release. The dozen tracks were taken from material the Zombies cut for their 1965 U.K. debut album, Begin Here. Also included are "It's Alright With Me" and "Sometimes" from the combo's self-titled EP. Regardless of presentation, The Zombies (Featuring She's Not There and Tell Her No) aptly portrays the quintet of Chris White (bass), Rod Argent (keyboards/vocals), Colin Blunstone (guitar/vocals), Paul Atkinson (guitar), and Hugh Grundy (drums) in terms of the band's fresh blend of intelligent Brit-pop. Their efforts are equally laudable on the strength of originals such as "Tell Her No" and "What More Can I Do" as they are on the blue-eyed soulful medley interpretation of the Miracles' "You've Really Got a Hold on Me" with Sam Cooke's "Bring It on Home to Me." This is stylistically complemented by the R&B rave-up on Muddy Waters' "I Got My Mojo Working" and the ultra hip jazzy arrangement of the Gershwin standard ...
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Human After All
$38.89
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Human After All
$14.29
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Human After All
$11.15 So catchy, with great hooks! Tony Cena has very unique vocals and plays most instruments on this album.The Quality is huge and EVERY SONG IS GOOD! These tunes are inspired and comes from deep within. Tony's vocals have a Todd Agnew/Third Day/LifeHouse style, with cool changes, down to the soul. ...
| | Hard & Heavy: Rock Hard CD (2004)
$10.39 |
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