| | Duke Ellington Ellington '65 CD Duke Ellington Discography of CDs
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Personnel: Duke Ellington (piano); Duke Ellington; Russell Procope (clarinet, alto saxophone, trombone); Herb Jones, Herbie Jones (trumpet); Lawrence D. Brown, Lawrence Brown (trombone); Major Holley (double bass); Jimmy Hamilton (clarinet, tenor saxophone); Johnny Hodges (alto saxophone); Paul Gonsalves (tenor saxophone); Harry Carney (baritone saxophone); Cootie Williams, Rolf Ericson, Cat Anderson (trumpet); Chuck Connors, Buster Cooper (trombone); Sam Woodyard (drums). Liner Note Author: Leonard Feather. Recording information: 04/15/1964-04/27/1964. Arranger: Billy Strayhorn. The Duke Ellington orchestra is captured here at its mature best in this mid-1960s collection of artfully rearranged hits of the day. Ellington's arrangements blend populist sensibilities with artistic integrity, energizing standards like "Danke Schoen" and "Hello, Dolly" (which had been a hit for Louis Armstrong in 1964) with fresh musical ideas. A nicely balanced blend of uptempo swing and sophisticated after-hours blues, ELLINGTON '65 demonstrates seasoned players like Russell Procope, Johnny Hodges, and Laurence Brown at the top of their game. A slightly more commercial effort than many previous Duke Ellington recordings, Ellington '65 is an example of how the change in popular music found jazz musicians attempting crossover material with varying degrees of success. While much of the music here is standard American Popular Song, other tracks such as Bob Dylan's "Blowin' in the Wind" are clearly attempts at reaching a younger record-buying audience. While Ellington '65 isn't a bad recording, it is by no means required listening and will most likely appeal to die-hard Ellington completists. ~ Matt Collar Duke Ellington Ellington '65 Songs Ellington '65 Review
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$20.39 2007 two CD reissue of the sought after Original Cast Recording of this Lloyd Webber production featuring Sarah Brightman, originally recorded in the early '80s. The 'song' portion of this elaborate production (Disc One) is also known as Tell Me On A Sunday. The Dance portion (Disc Two) was originally known as Variations. Universal.
Music composed by Andrew Lloyd Webber. Lyrics written by Don Black. Recorded live at The Palace Theatre, London, England. Composer: Andrew Lloyd Webber. Following the success of Evita (first as a concept album in 1976, then as a West End and Broadway musical), composer Andrew Lloyd Webber split from his lyricist partner Tim Rice and embarked on a period of musical experimentation. His Variations, an instrumental work inspired by Paganini and written for his younger brother, cellist Julian Lloyd Webber, was a best-selling album in Britain in 1978. In 1979, he became interested in shaping a one-woman show for West End veteran Marti Webb, who had taken over the title role in the London production of Evita. He approached Don Black, a successful British lyricist best known for his film songs, including "To Sir With Love," "Ben," and the Academy Award-winning "Born Free." (Despite being an established figure, Black, unlike Rice, was willing to collaborate without being given equal billing.) Black, who had spent years commuting between London, New York, and Los Angeles, proposed a storyline about a middle-aged British woman's romantic experiences in the two American coastal cities. Lloyd Webber agreed, and the two wrote Tell Me on a Sunday, to which the composer contributed a typically melodic pop/rock score, while Black displayed his detailed knowledge of a Briton's view of Greenwich Village, Rodeo Drive, and the Hollywood movie business. Webb performed the song cycle as a BBC television production in January 1980, and it was released as an album that just missed topping the British charts and spawned the top five single "Take That Look Off Your Face." In 1982, Lloyd Webber turned Tell Me on a Sunday and Variations into a theatrical evening called Song & Dance, with Webb taking up the first act and a dance troupe performing to the instrumental work in the second. The show opened at the Palace Theatre in London on March 26, and 12 days later, on April 7, 1982, it was recorded live for this original cast album. The original production ran for more than two years, and the show has since been revived successfully. Tell Me on a Sunday was, and would continue to be, a work-in-progress. The 1982 version is expanded from the TV production, ...
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