| | Tab Benoit Fever For The Bayou CD Tab Benoit Discography of CDs
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Tab Benoit's latest release on Telarc, Fever for the Bayou, continues in what has become Benoit's signature territory, a funky, ragged blend of Louisiana swamp blues and East Texas guitar, with hints of funk, soul, and country thrown in to give the gumbo just the right spice. If it sounds like a formula, well, Benoit's jagged guitar playing and increasingly soulful vocals make it clear that this is the music he loves, so it hardly matters. He touches a lot of bases here, including an eerie approximation of Elmore James' slide sound on a cover of James' "I Can't Hold Out" (which also features some cool tenor sax work from Jimmy Carpenter), then conjures Buddy Guy on Guy's "I Smell a Rat," fires up on the old Slim Harpo chestnut "Got Love if You Want It," and tears through a wonderfully swampy take on Levon Helm's "Blues So Bad" before ending things with an acoustic version of Clarence Williams' "My Bucket's Got a Hole in It" (made famous by another Williams, Hank Williams Sr.). Cyril Neville guests on two tracks, "The Blues Is Here to Stay" and "Little Girl Blues," while Big Chief Monk Boudreaux contributes and sings a delightful Mardi Gas chant called "Golden Crown." But the strongest tracks are all Benoit originals, including the fiery opener, "Night Train," the Stax-by-way-of-New Orleans stunner "Lost in Your Lovin'" (which shows that Benoit is as much a singer as he is a guitarist), and the voodoo swagger of "Fever for the Bayou." It's not just that Benoit plays the blues with a primal punch and more than a hint of grace and soul, it's that he has a vision for it, and grounds it in both time and place, which means that he isn't just another Stratocaster gunslinger, but an American original. It's time for people to catch up and discover this guy. ~ Steve Leggett
Liner Note Author: Art Tipaldi.
Recording information: Piety Street Recording, New Orleans, LA (08/2004).
Photographer: Jenny Bagert.
Personnel: Tab Benoit (vocals, guitar); Tab Benoit; Big Chief Monk Boudreaux (vocals, tambourine, percussion); Carl Dufrene (bass guitar); Daryl White (drums); Cyril Neville (vocals, percussion); Jimmy Carpenter (saxophone).
Additional personnel: Monk Boudreaux (vocals, tambourine).
Dirty Linen (p.84) - "[A]n unmitigated pleasure. Benoit here achieves a vitality beyond his previous recordings..." Fever For The Bayou Music Tab Benoit Fever For The Bayou Songs Fever For The Bayou Music Review Purchase Fever For The Bayou CD To buy, Click on price to add to cart | Tab Benoit Sea Saint Sessions CD (2003)
Fever For The Bayou album
$8.55 Tab Benoit's third album in just over two years (including his collaboration with Jimmy Thackery) is, like his previous few releases, a loose and homey affair. Recorded at the titular New Orleans studio and featuring Crescent City guests Cyril Neville and Big Chief Monk Boudreaux, along with funky Meters Brian Stoltz and George Porter sitting in on various tracks, this is a live-sounding disc with few obvious overdubs. Benoit's road band, comprised of bassist Carl DuFrene and drummer Darryl White, knows how to keep the pocket mean and lean yet flexible, giving the guitarist room to roam against the funky rhythm section. Except for an explosive cover of Howlin' Wolf's "Howlin' for My Darling" and Eddie Jones' slow blues "Sufferin' Mind," the tunes are written or co-written by Benoit. As the title of "Solid Simple Thing" suggests, these songs aren't breaking new ground, but they do allow the singer to stretch out, albeit in territory familiar to his fans. So even though "Darkness" is a straight slow blues, Benoit's gutsy voice, powerful delivery, and swampy guitar make it a perfect vehicle to showcase his strengths. A call-and-response duet with Boudreaux featuring Benoit playing slinky slide was probably written ...
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$21.29 Shepherd's reverence for his musical roots are centerstage on this CD/DVD package featuring the guitarslinger with rhythm section of bassist Tommy Shannon and drumer Chris slayton performing with some of the greatest blues players of our time as well as lesser-known but historically significant bluesmen. Traveling to their hometowns to record everywhere from juke joints to front porches, from New Orleans to Kansas, Shepherd celebrates and becomes part of blues history.
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