| | Acoustic Alchemy American/English CD Acoustic Alchemy Discography of CDs
(6 Customer Reviews)
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Live Recording
Acoustic Alchemy: Miles Gilderdale (acoustic guitar); Frank Felix (bass guitar); Greg Carmichael , Greg Grainger, Neil Cowley. Personnel: Miles Gilderdale (vocals, guitar, electric guitar, bass guitar); Greg Grainger (vocals, drums, background vocals); Julie Dennis (vocals); Greg Carmichael (guitar, nylon-string guitar); Eddie M. (saxophone, background vocals); Snake Davis (tenor saxophone, baritone saxophone); Patrick Clahar (tenor saxophone); Kevin Robinson (trumpet); Jamie Norton, Mike Herting, Neil Cowley, Anthony White (keyboards); John Goldsby (double bass); Frank Felix (bass guitar); Bert Smaak (drums); Klaus Genuit, Richard Bull (programming); Brandon Reilly (background vocals). Liner Note Author: Miles Gilderdale. Recording information: 3D Music, Ltd, London, England; Hansa House, Bonn, Germany; Higher Ground Studios, London, England; Hillview Studios, Baltimore, MD; Net Music Productions, CA. Photographer: Robert Leslie. The British guitar duo celebrates two full decades of smooth jazz perfection with a collection that eliminates some of the production razzmatazz of recent efforts and gets back to the magical interplay of nylon- and steel-string guitars. Greg Carmichael can't be faulted for taking the sound in different directions when he tapped the Stax and soul-influenced Miles Gilderdale to take over for his late partner (and group founder), Nick Webb. And those busier ventures were definitely a blast. Yet it's good to get back to basics, where snappy melodies and unique rhythmic variations are front and center. The journey across the pond promised by the album title begins with the laid-back, easy-grooving "The Crossing," but then becomes more adventurous with the Craig David-flavored U.K. club vibe of "Say Yeah" and a more than subtle nod to the disco fun of "So Kylie" Minogue. The classic Carmichael-Webb days featured a handful of organic, simply arranged reggae-flavored cuts, and this vibe is brought to glorious life on "Trinity." Gilderdale's soul influences creep back on the swinging "The Detroit Shuffle," but again, it's all about the strings and groove. Longtime fans will also appreciate the sweetness of "Cherry Hill," while "She Speaks American English" explores a Steely Dan retro pop-soul energy. And it's heartwarming to see that Carmichael hasn't lost his sense of titular humor on jazzier tunes like "The 14 Carrot Cafe," named for a Seattle eatery. And the wild, rollicking closer, "The Moon and the Sun," ensures that while Acoustic Alchemy has scaled back the intensity somewhat, the duo is still as playful as ever. ~ Jonathan Widran Acoustic Alchemy has remained one of the most popular smooth-jazz ensembles around, as evidenced by their record sales and consistently high placement on the charts, and AMERICAN/ENGLISH will not disappoint long-time fans. In fact, this recording is something of a return to form for the group. While the adventurous direction taken on previous outings is still present here, the emphasis is on melodic interplay and guitar dialogues as heard on early recordings by group founders Greg Carmichael and Nick Webb. The reggae-touched "Trinity" and the lovely "Cherry Hill" are two examples of this album's return to Acoustic Alchemy basics. Yet there is plenty of stylistic fun, too. A number of dance-inflected tracks, like the bouncing, clubby vibe of "So Kylie" and "Say Yeah" keep things lively, while doses of soulful pop on "She Speaks American English" and "The Detroit Shuffle" prove that guitarist Miles Gilderdale is still exerting a strong influence on the band's direction. Nevertheless, laid-in-the-cut tunes like "The Crossing" seem to evoke Acoustic Alchemy's special magic, and make AMERICAN/ENGLISH a treat for both older and newer fans.
Acoustic Alchemy American/English Songs American/English Music Review Purchase American/English CD To buy, Click on price to add to cart | VH1 Presents The Corrs Live In Dublin CD (2002)
American/English
$6.39 The Corrs: Jim Corr (vocals, guitar, keyboards); Sharon Corr (vocals, violin); Andrea Corr (vocals, tin whistle); Caroline Corr (vocals, drums, bodhran, percussion). Recorded at Ardmore Studios in Dublin, Ireland in January 2002. You knew the Corrs had made it when they played the final JFK Awards ceremony of the Clinton administration. Playing it would have been achievement ...
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| | Verve Remixed 2 CD (2003) Digipak
American/English
$11.19 Verve Remixed, Vol. 2 can't be considered a complete success, though it certainly represents a valiant effort by compilers and remixers alike to reimagine 14 more classics from the Verve catalog. Even more so than on the first volume, this remix album benefits from the informed matchings of original performance with remixing artist, by producers Dahlia Ambach Caplin and Jason Olaine; if modern disco maestros Metro Area can't conjure a piece of genius music from the deep-groove Latinized funk of Hugh Masekela's "Mama," then it's mission impossible. Likewise, bits-and-pieces sampling maestro Matthew Herbert is the perfect choice to take on Oscar Brown, Jr., a fellow loungecat, though from a previous era, and Gilles Peterson himself could barely have imagined setting loose Dan the Automator on Willie Bobo's classic boogaloo tune "Fried Neckbones and Some Home Fries" or allowing Koop to recontextualize the sweet melancholia of Astrud Gilberto's "Here's That Rainy Day." Unfortunately, a dream often butts heads with reality, and these 21st century remixes not only don't upstage the originals, but in several cases, wilt even as solid dance tracks. Excellent, imaginative producers such as Mr. Scruff or Felix da Housecat or Miguel Migs simply don't function as well with this material forced on them, even if it's material they enjoy. Several of these tracks, however, do work in splendid ...
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