| | Electronic Tango Beats, Vol. 1 CD
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Purchase Electronic Tango Beats, Vol. 1 CD To buy, Click on price to add to cart | Tom Waits Glitter And Doom Live CDs (2009) Digipak
Electronic Tango Beats, Vol. 1 album
$14.38 Glitter and Doom Live, a double-disc set, marks Tom Waits' third live effort in his nearly 40-year career, each one summing up his career to the point of its release. The first, Nighthawks at the Diner issued in 1975 on Asylum, is regarded by many as one of the greatest live albums of all time. The second was Big Time, released during his tenure at Island in 1986. The musical performances on disc one of Glitter and Doom Live were culled from Waits' historic sold-out tour of the U.S. and Europe. He compiled and sequenced the set himself, intending to make them sound like a single show. The material leans, understandably, on his recordings with the Anti label. There are stellar performances here, such as "Get Behind the Mule" from The Mule Variations, "Trampled Rose" from Real Gone, and a haunting version of Leadbelly's "Fannin Street" from Orphans: Brawlers, Bawlers & Bastards, to mention just three of the 17 cuts here. But he goes back to his Island albums too. For instance, there are completely re-visioned readings of "Lucky Day" and "I'll Shoot the Moon" from ...
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Electronic Tango Beats, Vol. 1 CD music
$14.19 It's no secret that Sting is a serious man, so it's only logical that his holiday album -- his first new music since the Police reunion, not that it really matters -- is a serious endeavor, thank you. No niceties for him, no comforts of carols; he favors formal over familiar, writing madrigals, ...
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$19.10 NEVER A DULL MOMENT picks up where EVERY PICTURE TELLS A STORY left off. Here we have more raucous rock & roll with healthy ...
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Electronic Tango Beats, Vol. 1 songs
$17.75 Slaughter & the Dogs' name may not ring recognition bells among today's listeners, but 1977 punk acolytes will definitely welcome this reissue. Vocalist Wayne Barrett and guitarist Mick Rossi named their band after the two albums they treasured most: David Bowie's Diamond Dogs, and Mick Ronson's Slaughter on 10th Avenue. Both choices summarize this album's light-shade approach. The opening salvo of "Where Have All the Boot Boys Gone?" sounds as hair-raising as ever and rightly remains the band's best-known song, having been credited with inspiring the Oi! punk movement. At heart, though, the Dogs revealed themselves as waggish punk-poppers on "Quick Joey Small" celebration of criminal bravado, and "You're a Bore," whose outro soars into impossibly pure ear candy. The band proves agreeably diverse on the slower, janglier "Since You Went Away," and a remake of the Velvet Underground's "I'm Waiting for the Man," which crackles with an impatience befitting its addiction-by-attrition ...
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Electronic Tango Beats, Vol. 1 album
$15.29 Moby's Voodoo Child project has been the repository for various musical ideas he's taken an interest in, usually on a personal level: house early in his career, ambient techno during the mid-'90s, and for 2004's Baby Monkey, what he terms "straightforward electronic dance music." Prompted by a great night out in Glasgow, along with his subsequent wish to make an enjoyable record that wouldn't be scrutinized by fans and critics ...
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