| | Surf Of The Pacific Shores / Sounds Of The Caribbean Coastline CD
Surf Of The Pacific Shores / Sounds Of The Caribbean Coastline Music Surf Of The Pacific Shores / Sounds Of The Caribbean Coastline Songs | 1. | Surf of the Pacific Shores, The |
| | Surf Of The Pacific Shores / Sounds Of The Caribbean Coastline Songs DISC 2: THE SOUNDS OF THE CARIBBEAN COASTLINE: |
| 1. | Sounds of the Caribbean |
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Surf Of The Pacific Shores / Sounds Of The Caribbean Coastline Review
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Purchase Surf Of The Pacific Shores / Sounds Of The Caribbean Coastline CD To buy, Click on price to add to cart | Yanni - Live At The Acropolis DVD (1993)
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Mary Fahl made good music as the singer for the eclectic October Project. She was always a surprise, looking so delicate but having such a big, almost classical voice. She still has the big voice, but she's opting for an easier course of being eclectic by tossing faint nods at different styles while trying to hew firmly to the center of the road; she's sort of a thinking man's Celine Dion with rootsy touches. Is she successful? Well, the fact that two of these pieces have already appeared in movie soundtracks means yes. "Going Home" is fake Irish, with by-the-numbers chord changes and a violin solo from Mark O'Connor that he could probably knock off in his sleep. There's plenty of piano, and a fair bit of orchestral (or keyboard) swell on the songs, and the type of singing that passes for passion without ever having ...
| | Emile Pandolfi Some Enchanted Evening CD (2003)
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About EmileIt has been said that he plays “luxurious arrangements” with an “ethereal quality”; that he plays in a “free-flowing, emotional manner that seems to go to the music’s very soul.” (Stereophile Magazine) Without a doubt, when you hear Emile Pandolfi play, you know that you are hearing one of today’s finest pianists. Receiving his degree in piano performance, Emile applies his classical technique to Broadway and Popular music, in addition to classical performance, to the delight of his many fans. Strong in both technique and musicality, he has performed in many parts of the world throughout his professional career. Best known for his arrangements, Emile’s favorite music to arrange comes from Broadway musicals. “In addition to being melodically fulfilling, these songs usually contain meaningful lyrics and lend themselves to interesting arrangement”. In many of his arrangements, one can hear the influence of Chopin and Debussy, accounting for the sensitivity and passion with which he plays.Recording since 1991, his lush arrangements of familiar music have sold over two and a quarter million copies nationally. This has earned Emile the distinction of being the top-selling artist in the alternative music industry, distributed primarily in specialty, gift and book shops across the nation.While he was growing up, the Pandolfi home was known as “the place to gather” and music was always associated with fun. That attitude continues today in Emile’s live performances. And, although serious about his playing, Emile is never serious about himself. While the audience is treated to a brilliant musical performance, they are also entertained by Emile’s charming sense of humor and friendly personality.Whether you experience Emile Pandolfi on recording or in live performance, you will experience the intensity and skill of communication ...
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Das Hohelied Salomos continues along the same path as Hosianna Mantra (1972), Seligpreisung (1973), and Einsjäger & Siebenjäger (1974). Collaborating with guitarist/percussionist Daniel Fichelscher and soprano Djong Yun and adapting lyrics from the Old Testament's Song of Solomon, Florian Fricke crafts deeply spiritual music from a synthesis of Eastern and Western popular, classical and devotional traditions. Fichelscher's guitar and percussion are to the fore, often eclipsing Fricke's rippling piano melodies, and Yun graces most tracks with her serene, ethereal voice. As on Einsjäger & Siebenjäger, the group works with an economical palette, combining elements to create grand arrangements with subtly shifting rhythms, tempos, and textures. Here, however, the results are all the more expansive and majestic as the minimalist strokes coalesce in sweeping, ...
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Epitaph roll out the melodies on this excellent disc with "East of the Moon," styled after Roxy Music's opening track/anthem to their 1979 epic Manifesto -- and it's just as effective. It's quickly followed by a stylistic change, folk guitar, keyboards and heavy vocals which make "Evermore" a solid hard pop outing in the vein of the Sutherland Brothers & Quiver. The dark greys of the CD artwork and slick eight-page booklet don't adequately reflect the sounds at play on the first two tracks, though things do get bleak with the driving "Cold Rain," which borrows heavily from Ian Gillan vocally and Deep Purple rhythmically. Guitarist/vocalist Cliff Jackson's production is crisp and clean, the title track chock-full of hooks and sweeping sounds. While no new ground is broken here, the collection of sounds from the past sprinkled throughout keeps each track exciting, older listeners finding elements of favorite tunes tucked into all sorts of nooks and crannies on this CD. It'll keep your brain engaged trying to figure out where each riff was nicked from. The difficult thing is the timing of it all: this disc is so intense, magical and satisfying that it would have fared better in a more friendly environment -- like 1975 or 1989 or some time in the ...
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