| | Sounds And Songs Of The Humpback Whale / Sounds Of The Dolphin CD
Photographer: Steve Bloom. Sounds And Songs Of The Humpback Whale / Sounds Of The Dolphin Music Sounds And Songs Of The Humpback Whale / Sounds Of The Dolphin Songs | 1. | Sounds and Songs of the Humpback Whale, The |
| | Sounds And Songs Of The Humpback Whale / Sounds Of The Dolphin Songs DISC 2: THE SOUNDS OF THE DOLPHIN: |
| 1. | Sounds of the Dolphin |
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Sounds And Songs Of The Humpback Whale / Sounds Of The Dolphin Review
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Lyricist: Steve Hewitt.
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The fluid runs ...
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This low-priced disc is far and away the best single-CD compilation ever issued of the Grass Roots' work, 16 chart singles covering every phase of their history, from 1966's "Where Were You When I Needed You" (in its actual hit version) thru "Let's Live for Today" and "Midnight Confessions" to their last hit, 1972's "The Runway." Listening to this 44-minute compilation, one not only encounters a superb array of catchy songs (and even some of the lesser hits, like the number 61-charting "Come On and Say It" and the number 34-charting "Glory Bound," are compelling pieces of soul-based pop/rock) but also virtuoso production and playing. The material has been remastered in state-of-the-art sound, giving one a chance ...
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Like compilation albums, remix projects are chancy affairs. Some work beautifully, others are a hodgepodge of cuts that don't fit together. Luckily, Kali Thunder, which is cuts remixed from James Asher's Tigers of the Raj record, falls into the former category. To be fair, the Indian theme offers plenty of scope, but the DJs who work it also show plenty of invention, none more so than Solar Quest, whose epic take on "The Astrologer's Seat" is both ruminative and friendly, exploring the possibilities, both melodic and rhythmic, of the music. Elsewhere, Swordfish do storming things to "Liquid Sky," and X-Zecutive transform "Duskfire" into a piece of magic that takes off for the bpm stratosphere partway through. The most interesting cut up has to belong top D.J. Haiko, who perform interesting feats on "Nataraj Express," with some marvelous ...
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This is the kind of album that leaves the listener breathless with amazement, not least of all because Voice of Jamaica was Buju Banton's international debut, but the artist didn't compromise a single note on this set, insuring that Voice is very much a Jamaican product. In fact the album scooped up a clutch of then-recent Jamaican hits, then spun off a whole new batch, with one "Make My Day" giving the DJ his first U.K. chart entry. That was a lush and gorgeous romantic number, boasting the dulcet harmonies of the 2 Friends Crew, who provide superb backings across many of these songs, but Voice has it all, from hardcore dancehall to hip-hop. Over a third of the tracks are combination numbers, the smoldering "Searching" and the smooth "Commitment" both boast Wayne Wonder, the sizzling "If Loving Was a Crime" features the stellar harmonies of Brian & Tony Gold, while veteran soulman Beres Hammond ignites "A Little More Time." The African flavored "Tribal War" boasts Tony Rebel and Terry Ganzie, with the Golds again providing sonorous backing. But the most adventurous combo pairs Banton with Busta Rhymes on "Wicked Act," a jazzy hip-hop-reggae brew, which like "War" also calls for an end to violence. One of the most talked about songs at the time was "Willy (Don't Be Silly)" an incredibly contagious call out for safe sex. And one hopes that Banton took his own advice once he won the girl of "Good Body" fame, one of the most exuberant numbers on the set. More subtle is "Red Rose," but still the poor DJ gets "No Respect," at least in the dancehalls. In the cultural realm it's a different story, and two of Banton's best are "Operation Ardent" and "Deportees (Things Change)," the former a scathing exposé of the police sweeps and curfews inflicted on the dancehalls, the latter a vociferous attack on an ex-pat who lived high in the States, and shared none of his good fortune with his suffering family back home. Thus, the album is true to its title, touching on a myriad of themes personal, political, and cultural. The sound is just as diverse, not surprising considering the wealth of producers within -- Donovan Germain, Dave Kelly, Sly Dunbar, Steely & Clevie, and Busta Rhymes. The rhythms mostly lean towards tough dancehall, but R&B, breezy reggae, and roots are all conjured up as well. It's a superb album, and deserved every accolade it received. ~ Jo-Ann Greene
The gruff-voiced DJ Buju Banton's major-label debut was well received but did not really establish him as a unique talent; clearly capable of riding a rhythm and interacting well with singers on the handful of c
All tracks have been digitally remastered.
This is part of Universal Records "Reggae Classics" series.
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