| | Abranse Que Llego El Reggaemont: Reggaeton Montanero Y Groseron CD
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NEVERSAYMarc Grover: Lead Vocals, Guitars, Mick Michelbach: Guitars, Tim Rossetti: Drums, Joey T: Bass Produced, Recorded and Mixed by Peter Amato and Jess SutcliffeAn album that is potent, riff-ready, and powerful, but still catchy and commercial enough for radio airplay. ...
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/Bobby Jaspar/Idrees Sulieman/Webster Young.
Personnel: John Coltrane, Bobby Jaspar (tenor saxophone); Idrees Sulieman, Webster Young (trumpet); Mal Waldron, Red Garland (piano); Kenny Burrell (guitar); Paul Chambers (bass); Art Taylor (drums).
Recorded at the Van Gelder Studio, Hackensack, New Jersey on March 22, 1957. Originally released on Prestige (7112). Includes liner notes by Ira Gitler.
Digitally remastered by Phil De Lancie (1992, Fantasy Studios, Berkeley, California).
Personnel: John Coltrane (tenor saxophone); Bobby Jaspar (tenor saxophone); Idrees Sulieman (trumpet); Webster Young (trumpet); Kenny Burrell (guitar); Mal Waldron, Red Garland (piano); Art Taylor (drums).
Liner Note Author: Ira Gitler.
Recording information: Hackensack, NJ (03/22/1957); New Jersey (03/22/1957).
Photographer: Tom Carroll.
Unknown Contributor Role: Mal Waldron.
John Coltrane (tenor sax) resumed his association with Rudy Van Gelder's Prestige label on a late March 1957 "all-star" session alongside Idrees Sulieman (trumpet), Webster Young (trumpet), Bobby Jaspar (tenor sax), Kenny Burrell (guitar), Paul Chambers (bass), Art Taylor (drums), and de facto arranger/songwriter Mal Waldron. Things really heat up after the core ensemble retires, leaving Coltrane and Red Garland (piano) to be supported by the Chambers/Taylor rhythm section. But more about that in a moment. This interesting blend ...
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Personnel includes: Ricardo Arjona (vocals); Carlos Cabral (acoustic guitar, keyboards, programming); Jorge Loboy (guitar); Enrique Collazo, Jaime E. Medina (violin); (Tim Barnes (viola); Jesus Morales (cello); Domingo David (accordion): Angel Torres (saxophone): Luis Aquino (trumpet); Jorge Diaz, Antonio Vazquez, Miguel Rivera, Mioses Nogeras (trombone); Elvin Torres (piano, keyboards); Jose Lugo (piano); Fernando Muscolo (keyboards); Jose Gazmei, Ricardo Lugo (bass); Eddie Garcia (congas); Cachete Maldonado, Giovanni Hidalgo, Sammy Garcia (percussion); Angel Pena, Aldo Matta, Dalver Garcia, Gilda Gonzalez, Jose Luis Ramos, Tempo Alomar, Tito Allen, Wichie Camacho, Yanira Torres, Angel "Cuco" Pena (background vocals).
Engineers include: Hector Rosa, John Thomas, Isaias Garcia.
Personnel: Carlos Cabral, Jr. (guitar, acoustic guitar); Fernando Medina, Arnaldo Figueroa, Omar Velázquez, Scott Flavin, Enrique Collazo, Alfredo Oliva (violin); Tim Barnes (viola); Jose D. De Jesus, José De Jesús Morales, Fermin Segarra, Chris Glansdorp (cello); Nestor Torres (flute); Angel Torres (saxophone, tenor saxophone, baritone saxophone); Vicente Cusi Castillo, Joe Pujals, Arturo Sandoval, Luis Aquino, Raul Agraz, Angel "Angie" Machado (trumpet); Antonio Vasquez, Jesus R. Torres, Miguel Rivera, Ozzie Melendez, Jorge Diaz (trombone); Fernando Muscolo (piano, keyboards, programming); Georger Sergio, Elvin F. Torres (piano, keyboards); Marino Morales, José Lugo, Miguel Núñez (piano); Sammy Garcia (congas, guiro, ...
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Additional personnel includes: Marc Anthony (vocals).
Producers include: Estefano, Emilio Estefan Jr.
By the time Thalía entered the studio to record what would become her self-titled album, she was a gigantic, supernova-size star in the Latin media world. Her previous album, Arrasando, had spun off not a couple, nor a few, but rather a whopping five hit singles, including the chart-topping "Entre el Mar y una Estrella." And of course, she was long recognized from her years as the reigning telenovela star, not to mention the tabloid attention she enjoyed in the wake of her three-million-dollar wedding to Sony boss (and Mariah Carey ex) Tommy Mottola in 2000. So, hoping to keep up her hot streak and further break herself internationally, Thalía works with the best in the business -- the Latin pop business, that is. As usual, she gets ...
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