| | Neaera Rising Tide Of Oblivion CD Neaera Discography of CDs
(1 Customer Review)
Neaera: Benny Hilleke (vocals); Tobias Buck, Stefan Keller (guitar); Benjamin Donath (bass guitar); Sebastian Heldt (drums).
Personnel: Tobias Buck, Stefan Keller (guitar); Sebastian Heldt (drums).
Additional personnel: Claus Ulka (vocals); Magdalena Gerritsen (violin); Soren Krefis (cello).
Rising Tide Of Oblivion Music Neaera Rising Tide Of Oblivion Songs | 1. | World Devourers, The |
| 2. | Broken Spine |
| 3. | Anthem of Despair |
| 4. | Walls Instead of Bridges |
| 5. | Where Submission Reigns |
| 6. | From Grief... |
| 7. | ...to Oblivion |
| 8. | Hibernating Reason |
| 9. | Definition of Love |
| 10. | Save the Drowning Child |
| 11. | Beyond the Gates |
| 12. | No Coming Home |
| 13. | Last Silence, The |
| Rising Tide Of Oblivion Music Rising Tide Of Oblivion Music Review Purchase Rising Tide Of Oblivion CD To buy, Click on price to add to cart | All That Remains This Darkened Heart CD (2004)
Rising Tide Of Oblivion
$9.85 Judging from just the first song on This Darkened Heart, one is tempted to immediately rank All That Remains among the top tier of current Swedish-influenced American hardcore-metal bands (and there are a lot of them). The dual-guitar interplay of Oli Herbert and Mike Martin is intricate and impressive, and their classically tinged riff-writing yields at least a slight distinction from their many At the Gates-influenced contemporaries. However, as early as the second track -- and again on several of the others -- they reveal their downfall in attempting to incorporate passages of melodic singing. It's a downfall they share with plenty of other bands in this genre. It would be a great idea to try this technique if these bands could pull it off tastefully, but All That Remains, like many of their counterparts, ...
| | Clutch Pitchfork & Lost Needles CD (2005)
Rising Tide Of Oblivion
$10.69 Includes the complete PITCHFORK 7" EP (1991) and rare bonus tracks.
Pitchfork & Lost Needles includes Clutch's debut 7" in its four-song entirety and augments that with unreleased tracks and demo versions. As this set proves, the veteran quartet began as a band crouched between the Melvins, a viscous form of hardcore (think a slower, more economic Sick of It All), and the literate but still loud post-punk of Jawbox. "Wicker" is in blistering half-time, its layers of needling guitars and Neil Fallon's yawping proclamations ("Pacemaker! LIFE TAKER!") skinned to their barest, most powerful essence. "Arcadia" is three minutes of stocky thud, the sort of thing flannel-shirted bullies would blast from crappy boom boxes in the early ...
| | Neaera Let The Tempest Come CD (2006)
Rising Tide Of Oblivion
$10.69 In the early 2000s, Metal Blade put out quite a few CDs that had some type of hardcore influence. Some were regular metalcore, some ...
| | All Shall Perish Price Of Existence CD (2006)
Rising Tide Of Oblivion
$13.59
| | Intronaut Void CD (2006)
Rising Tide Of Oblivion
$12.49
| | Neaera Armamentarium CD (2007)
Rising Tide Of Oblivion
$9.69
| | This Is The Blues Harmonica CD (2000)
Rising Tide Of Oblivion
$12.89 You don't have to be a bluesman to be known for your harmonica playing -- Stevie Wonder has taken his share of memorable harmonica solos, and the distinctive Toots Thielemans (who is arguably the Stan Getz of the harmonica) has demonstrated that a harmonica player can handle the most sophisticated of jazz. That said, no musical idiom has given listeners more first-class harmonica players than the blues. From the Mississippi Delta and the bayous of Louisiana to Chicago's South Side, the harmonica has long been the blues' most famous wind instrument. Spanning 1950-1999, This Is the Blues Harmonica gives listeners an appealing taste of some of the harmonica soloists (many of them singers) to whom Delmark has had access over the years. At its best, this compilation ...
| | Great Dean Martin, Vol. 2 CD (1995)
Rising Tide Of Oblivion
$8.79
| | 12th Dimension: If CD (1999) (Import) Japan
Rising Tide Of Oblivion
$38.59
| | Murder City Devils R.I.P. CD (2003)
Rising Tide Of Oblivion
$11.69 On Halloween night, 2001, the Murder City Devils rolled back into their hometown of Seattle, WA, after another long tour. This was nothing new; in its six-year existence, the band had always used time on the road to sharpen the edge of its steely death punk knife. But things were different this time. The MCD were breaking up; the tour had been the band's last. A final, farewell All Hallows Eve gig would be recorded for posterity, and document all the blood, mud, and beer that the Murder City Devils had spilled. R.I.P. is a straight, off-the-board recording of the MCD's final concert appearance. Vocalist Spencer Moody, possessed of a voice pitched somewhere between Alice Cooper and Ian MacKaye, leads guitarists Nate Manny and Dann Gallucci, bassist Derek Fudesco, drummer Coady Willis, and fill-in keyboardist Nick Dewitt through an hour of pummeling, drunken punk rock that covers material from the band's entire career. Now, if you weren't in the back seat of the Murder City Devils' muscle car from the beginning, R.I.P. isn't for you. It's only essential for longtime fans, but that's not really a criticism, since the same can be said about any of the band's three studio LPs. The MCD put the hammer down with their 1997 self-titled debut, and didn't let off the pedal until the final, frantic notes of R.I.P. Anthems like "Rum to Whiskey" are even more tortured in a live setting. "She was the only decent thing in a good for nothing town," Moody screams over the song's scraping guitar line. Moody doesn't quit. "Do you remember your hand on the hem of her dress?" he pleads, as an organ seems to trace a chalk outline around his no-doubt prostrate frame. It's three and a half minutes that define as good as any on the album what was so special about the MCD in the first place -- they understood as well as anyone the link between the Dead Boys and Faster Pussycat, Kill! Kill!
R.I.P. isn't one of these chintzy "live" recordings that fade between songs and alter the sequencing of the original show. Oh no, it's the real thing, complete with Moody's drunken song introductions (falling into a rut of "this next song is called..."), booze-soaked vocal and instrumental flubs, and microphones that cut in and out. Andrea Zollo stops by for a sexed-up run through "Boom Swagger" (Zollo is now the vocalist in Fudesco and Dewitt's post-MCD outfit Pretty Girls Make Graves); she arrives midway through the 19-song set, and it's the last 100 percent coherent moment on the album. When Moody and the band finally launch into "18 Wheels," one of their best songs, the sweat, beer, and blood spilled over the last hour almost spills out of the front of the CD player. But it isn't the end. Just as most of the farewell set was sprinkled with new, unreleased material, the Murder City Devils ...
| | Martha & The Muffins Metro Music CD (1980)
Rising Tide Of Oblivion
$10.49
| | Royal Hunt Paper Blood CD (2005) Import
Rising Tide Of Oblivion
$20.95
| | Superhopper Party Killers CD (2006)
Rising Tide Of Oblivion
$10.15
| | Benny Golson Gone With Golson CD (2008) (Import)
Rising Tide Of Oblivion
$19.69
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