| | Death From Above 1979 You're A Woman I'm A Machine CD - Import Death From Above 1979 Discography of CDs
Though the hard-driving duo Death From Above 1979 hails from Canada, that didn't stop them from being snapped up by cutting-edge NYC label Vice Records. In fact, the pair's sound has much in common with their post-punk-inspired New York contemporaries, but they differ from the pack in a major way. DFA (not to be confused with the NY electroclash label of the same initials) employs an instrumental palette consisting almost entirely of bass and drums. Jesse F. Keeler plays mind-bogglingly overdriven bass lines (and the occasional synth), providing the frenetic riffs over which Sebastien Grainger howls excitedly and bashes his drums with savage abandon. The resultant sound is a melting pot of Motorhead-like metal, stoner rock, and Pop Group/Wire-indebted post-punk, with a touch of the Boredoms' noise-is-God aesthetic thrown in for good measure. The unrelenting YOU'RE A WOMAN is a slap in the face to those who think early-2000s indie rock translates into an endless stream of Gang of Four copycats.
CD contains 1 bonus track.Uncut (p.105) - 4 stars out of 5 - "Their debut channels sledgehammer power into 11 tunes with a filthy, deeply groovy core." Alternative Press (p.113) - "Call DFA79 death-punk; call them disco-metal; call them your new favorite band." - 5 out of 5 CMJ (p.4) - "There's danger amidst their not-so-secretly Canadian handclaps, tambourine and cowbell drenched tracks..." Mojo (Publisher) (p.64) - Ranked #47 in Mojo's "The 50 Best Albums Of 2005" - "[They are] adept at plaiting stomach-busting noise around a mighty groove." Mojo (Publisher) (p.101) - 4 stars out of 5 - "[With] bowel-rattling rhythmic rock that's as viscerally exciting as it is grubby." You're A Woman I'm A Machine Music | List Price | $44.99 (You save $2.94) | | Category | Rock/Pop Albums, Heavy Metal CDs, Rock | | Label | Jvc Victor | | Orig Year | 2004 | | CD Universe Part number | 6841152 | | Catalog number | 63000 | | Discs | 1 | | Release Date | May 21, 2005 | | Studio/Live | Studio | | Mono/Stereo | Stereo | | Additional Info | Bonus Track; Japan |
Death From Above 1979 You're A Woman I'm A Machine Songs | 1. | Turn It Out | $0.99 | |
| 2. | Romantic Rights | |
| 3. | Going Steady | $0.99 | |
| 4. | Go Home, Get Down | $0.99 | |
| 5. | Blood On Our Hands | |
| 6. | Black History Month | |
| 7. | Little Girl | |
| 8. | Cold War | $0.99 | |
| 9. | You're A Woman, I'm A Machine | $0.99 | |
| 10. | Pull Out | $0.99 | |
| 11. | Sexy Results | |
| You're A Woman I'm A Machine Music You're A Woman I'm A Machine Review
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$16.45 "This is music for late night reveries, calming yet percussively moving, mysterious yet brightly melodic, open to interpretation yet profoundly anchored in mood. Concerned less with the external world than the way we perceive it internally, Stereovision's debut is a haunting soundtrack for your metaphysical wanderings."jennifer kelly splendidzine"...a marvelous hybrid...it sorts gorgeous melodies in tracks such as "peel back and see", "1+1 is a number", and even one sure fire dance track in the giddily hook-filled "I wanna see you around," which sounds like a cars reunion in a disco."Marty HughleyThe Oregonian The name Stereovision first appeared to songwriter D. Camp as he curled up to sleep in the back of his van in a Dallas truck stop. It sat on a scrap of paper in his wallet for years before it came to be on the front of the moody, disco-touched debut CD from Camp and creative partner Nancy Hess. Originally conceived as a collection of state changing environments more than traditional pop songs, the record started its life as a series of sprawling, amorphous soundscapes. Over time the unruly pieces were pared down and shaped until they looked suspiciously like pop songs. By its conclusion, ...
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$20.25 Dave Clarke's second solo album, Reunion, is poised to consolidate his reputation as one of Canada's finest acoustic guitarists and to launch his career as a singer-songwriter.For the last decade, Dave has garnered kudos for his work with the acclaimed Montreal-based folkgrass trio Steel Rail, Juno-winning singer-songwriter David Francey, Canadian Folk Music Award-winner Penny Lang and the up-and-coming West Coast bluegrass band Shearwater.On Reunion, though, he steps to centre stage, singing some of the songs he has been crafting over the last few years of a career that stretches back to the heady Montreal folk scene of the 1970s. Added to his playing style -- he has been called one of the country's "most fluid acoustic pickers" -- his gift for melody and his fluency in folk, Celtic, bluegrass and country, it makes for a powerful addition to the Canadian scene. And as the title might suggest, Reunion features many of the artists Dave has encountered along his musical journey. Dave's interest in music stretches deep into his childhood in Montreal. He remembers taking naps with a beloved 78-r.p.m. recording of Casey Jones, and he played in a ukulele band with his brothers when he was in grade school. But it wasn't till he heard the strains of Mississippi John Hurt and Doc Watson that he fell under the spell of the guitar and began racing home at lunch time and after school to practise for hours on end.He got his start as a professional musician with the legendary Quebec group the White River Bluegrass Band in the late 1970s and later with the jazz-folk-swing band Soupe du Jour in the 1980s. He played with such performers as Barde and Theresa Doyle, but it was his work with the Montreal-based folkgrass trio Steel Rail, starting in the 1990s, that brought him to national attention.Dave also played with David Francey from 1997 to 2004. During that period, his versatile and sensitive guitar arrangements provided a musical bedrock for Francey’s strong original material and powerful vocals. He co-produced three David Francey albums, including the Juno-winning Far End of Summer and Skating Rink.Since moving to Vancouver Island in 2005, Dave has joined forces with renowned singer-bass player Tammy Fassaert and hot young mandolinist James Whittall to form Shearwater. The band, launched in mid-2006, has already performed in several West Coast festivals and is building a reputation for fine singing and hot picking. Apart from his band work, Dave’s tasty playing and his 1938 D18 Martin guitar have been featured on everything from bluegrass albums to television soundtracks. One of his instrumentals is featured on the album Six Strings North of the Border, along with those of such other guitar luminaries as Bruce Cockburn ...
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