| | Eddie Miller Lazy Mood For Two CD Eddie Miller Discography of CDs
This session was recorded at Porcupine Studios, London in Nov. 1978 by Doug Dobell for his 77 label. It features the wonderful tenor sax of Eddie Miller and superb piano of Lou Stein on 14 tracks (tracks #5 and #12 feature Lou Stein solo on piano). Inclu Lazy Mood For Two Review
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Purchase Lazy Mood For Two CD To buy, Click on price to add to cart | Ted Brown Free Spirit CD (1989)
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| | Avalon Blues: A Tribute To The Music Of Mississippi John Hurt. CD (2001)
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Lucinda Williams,Steve & Justn Earle,Ben Harper,Beck,John Hia
Full title: Avalon Blues: A Tribute To The Music Of Mississippi John Hurt.
Includes liner notes by Peter Case.
AVALON BLUES was nominated for the 2002 Grammy Award for Best Traditional Folk Album.
Personnel: Bill Morrissey (vocals, guitar, bottleneck guitar); Geoff Muldaur (vocals, guitar, banjo, kazoo); Peter Case (vocals, guitar, harmonica); Mark Selby, Ben Harper (vocals, guitar); Chris Smither, Gillian Welch, Lucinda Williams (vocals, acoustic guitar); David Rawlings (vocals, electric guitar); Bruce Cockburn (vocals, 12-string guitar, harmonica); Dave Alvin & the Guilty Men, Jenni Muldaur (vocals); Victoria Williams (acoustic guitar, rainsticks, background vocals); Peter Mulvey (acoustic guitar); Dawn Hopkins (electric guitar, lap steel guitar, harmonica); David "Goody" Goodrich (mandolin); Richard Greene (fiddle); Cormac ...
| | Sarah Vaughan Anthology CD (2005)
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Personnel: Sarah Vaughan (vocals); Sarah Vaughan; Chuck Wayne, Jimmy Smith , Ulysses Livingston, Freddie Green, Remo Palmieri, Tony Mottola, Barney Kessel, Barry Galbraith, Mundell Lowe, Al Casey, Connie Wainwright (guitar); Frank Wess (flute, alto saxophone, tenor saxophone); Charlie Fowlkes (flute, baritone saxophone); Marshall Royal, Al Gibson (clarinet, alto saxophone); Aaron Sachs, Sam Musiker, Tony Scott , Buster Bailey (clarinet); Russell Banzer, John Fulton, Jimmy Abato (reeds, woodwinds); Eddie de Verteuill (alto saxophone, baritone saxophone); Jerry Sanfino, Scoville Brown, Hilton Jefferson, John Jackson, Russell Procope, Paul ...
| | Broadway Love Story CD (1998)
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| | All Gods Go To Heaven He's So Unusual CD (2003)
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'All Gods Go To Heaven is the romanticization of science, art, religion, and technology' ; so says front man Cool Breez Fagot. A virtuoso meld of Rap, Techno, and Synth-Pop, All Gods invents a sexual, spiritual, and psychedelic mixture that will 'belt welts in your soul until it's lacerated.' - Saul Pimpson Inspired by the songsmiths at www.songfight.com, the members of All Gods Go To Heaven started composing and writing songs according to the website's constraints. While not necessarily winning accolades from the site's more conventional writers, All Gods continued to craft a passionate vision for their work. Using simple sequencers and samplers for their hip-hop influenced beats, All Gods drew inspiration from rap pioneers as well as techno and other eclectic sources. "I definitely wanted a very narrow sound for the project," explains Cool Breez, who cites Devo, Kraftwerk, Mantronix, Gary Numan, Suicide, and Ice-T as his biggest influences. 'I also wanted to address a narrow range of subjects: deviant and misdirected sexuality, science fiction, and especially drug abuse. While this may put the listener off guard, I feel ...
| | Burke Long Done CD (2006)
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| | Bernie Coveney Whispering Pines CD (2008)
Lazy Mood For Two
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Although he was raised in the highlands of New Jersey, it was the sounds of the southern hill country that drew Bernie Coveney’s earliest musical interest. Some might consider it happenstance when he was asked to play with Mother Maybelle and the Carter Sisters at the age of 17 for an impromptu session. But if you don’t believe in coincidence, then you know he was being brought “into the circle” by one of the Matriarchs of country music.The early 60’s found Bernie and childhood friend John Carlini, listening to WWVA (Wheeling, WVA) on the AM car radio in John’s driveway. Hooked by the likes of Earl Scruggs and the Stanley Brothers, they seemed strangely out of place as rock and the British invasion captured those around them. But the music of the mountains was still at their core.While visiting one of their favorite radio shows, The Campbell Hour, recorded in the back room of Campbell’s Corner general store in Oxford, PA., Alex and Ola Belle Campbell took a liking to the boys. They invited Bernie and John backstage to meet Don Reno (Dueling Banjo’s) and Red Smiley. Don and Red handed them their instruments and said, “play us a tune boys.” Once they were through playing, ...
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